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Place_code | composer | title | year | duration | instruments | notation | genre | editor |
A4PIA4 | BUSBY Gerald | A WEDDING WALTZ | 1977 | 3 | key 1.0.0.0.0 | trad | WALTZES - PETERS | |
A4VAR1 | BUXTON William | DUET (for audience and dance) | 1974 | 10 | audience sounds (through microphones) direct dancers'movements | verb | PERFORMANCE ART | |
A4VAR1 | BUXTON William | QUARTET FOR EIGHT | 1974 | 10 | 4 instruments and 4 dancers see also A4LOG1 4 instr - 4 dancers | verb | IMPROVISATION,PERFORMANCE ART | |
A4VAR1 | BUXTON William | TRIBSANDEN | 1973 | 10 | voices 0.1.0 amplified voice, slide projections and optional electronics voice optional electronics | verb | sound poetry | |
L_US_SND | BYRON Michael | ENSEMBLES PART 1 | 1981 | 13 | str 2.1.1.1 key 2.0.1.0.1 organ or other electric polyphonic keybd string 5tet, 2 pno's, organ (or synth) | trad | POST-MINIMAL | SOUNDINGS 12 |
A4ANT2 | BYRON Michael | ENTRANCES | 1975 | 20 | key 1.0.0.0.0 1 or 2 pianos 1 or 2 pianos | trad | MINIMALISM | PIECES - SECOND ANTHOLOGY |
A4ANT2 | BYRON Michael | FRAGMENTS | 1976 | 0 | verb | POETICAL - CONCEPTUAL | PIECES - SECOND ANTHOLOGY | |
A4ANT2 | BYRON Michael | MARIMBAS | 1976 | 20 | perc 0.4.0.0 4 marimbas | trad | MINIMALISM | PIECES - SECOND ANTHOLOGY |
A4ANT1 | BYRON Michael | MUSIC OF EVERY NIGHT | 1974 | 9 | perc 6.0.6.0 marimba and gourd rattle 6 perc (marimba + rattle) | trad | POST-MINIMAL | PIECES, AN ANTHOLOGY p.41 |
A4ANT2 | BYRON Michael | SONG OF THE LIFTING UP OF THE HEAD | 1972 | 2 | key 1.0.0.0.0 piano | trad | MINIMALISM | PIECES - SECOND ANTHOLOGY |
A4ANT1 | CACCIOPO George | CASSIOPEIA | 1962 | 0 | key X.0.0.0.0 any number of pianos any number of piano's | graf verb | IMPROVISATIONAL | SCORES - SCHIRMER p.136 |
A4CAG1 | CAGE John | 4'33 | 1952 | 4 | trad | CHANCE | PETERS | |
A4PIA4 | CAGE John | 49 WALTZES FOR THE FIVE BOROUGHS FOR PERFORMER[S] OR LISTENER[S] OR RECORD MAKER[S] | 1977 | 0 | verb | INDETERMINATE | WALTZES - PETERS | |
A3CAG1 | CAGE John | A ROOM | 1943 | 5 | key 1.0.0.0.0 piano with or without preparations piano (prepared or not) | trad | EARLY CAGE | PETERS |
A4CAG2 | CAGE John | AMORES | 1943 | 9 | key 1.0.0.0.0 perc 3.0.0.0 prepared piano prepared piano and 3 percussionists | trad | EARLY CAGE | PETERS |
A4CAG1 | CAGE John | ASLSP | 1985 | 7 | key 1.0.1.0.0 piano or organ piano or organ | trad | CHANCE | PETERS |
A4CAG1 | CAGE John | ATLAS ECLIPTICALIS | 1961 | 0 | for orchestra or any other ensemble; with or without 'WINTER MUSIC';with or without electronics orchestra or any ensemble with or without electronics | graf verb | CHANCE | PETERS |
A4CAG1 | CAGE John | BIRD CAGE | 1972 | 0 | 12 tapes distributed by 1 performer in space 12 tapes diffused by one performer | verb | CHANCE | PETERS |
A4CAG1 | CAGE John | CARTRIDGE MUSIC | 1960 | 0 | cartridges; various objects or pianos or cymbals,... various objects or pianos or cymbals | graf | CHANCE | PETERS |
A4CAG2 | CAGE John | CHILD OF TREE | 1975 | 0 | perc 1.0.0.0 tree, cactus,plants,... cactus plants | verb | indeterminate | Peters |
A4CAG2 | CAGE John | CHORALS FOR VIOLIN SOLO | 1978 | 10 | str 1.0.0.0 | trad | MICROTONAL | PETERS |
A4CAG2 | CAGE John | COMPOSED IMPROVISATION FOR STEINBERGER BASS GUITAR | 1987 | 7 | voices 0.0.0.0 pluck 0.0.1.0 Steinberger Bass Guitar | graf verb | Cage | Henmar Press , NYC 1987 |
A4CAG1 | CAGE John | CONCERTO FOR PREPARED PIANO AND CHAMBER ORCHESTRA | 1951 | 22 | key 1.0.0.0.0 chamber orchestra; piano= prepared piano | trad | pre-indeterminate | Peters |
A3CAG1 | CAGE John | CREDO IN US | 1942 | 20 | key 1.0.0.0.0 perc 3.0.0.0 perf. play perc., phonograph or radio, etc... pno, 3 perc. | trad | EARLY CAGE | PETERS |
A4CAG2 | CAGE John | DREAM | 1948 | 3 | key 1.0.0.0.0 piano | trad | EARLY CAGE | PETERS |
EARVL8N1 | CAGE John | EAR FOR EAR - ANTIPHONIES | 1983 | 0 | ||||
A4CAG1 | CAGE John | ELECTRONIC MUSIC FOR PIANO | 1965 | 0 | key X.0.0.0.0 electronic treatments; any number of pianos | verb | CHANCE | PETERS |
A3CAG1 | CAGE John | EXPERIENCES N?1 | 1948 | 3 | key 2.0.0.0.0 2 pno's | trad | EARLY CAGE | PETERS |
A3CAG1 | CAGE John | EXPERIENCES N?2 | 1948 | 3 | voices 1 voice | trad | EARLY CAGE | PETERS |
A4CAG2 | CAGE John | FIRST CONSTRUCTION IN METAL | 1939 | 9 | perc 6.0.0.0 assistant needed 6 perc. | trad | EARLY CAGE | PETERS |
A4CAG1 | CAGE John | FOUR | 1989 | 30 | str 2.1.1.0 string 4tet | trad | indeterminate | Peters |
A3CAG1 | CAGE John | IN A LANDSCAPE | 1948 | 5 | key 1.0.0.0.0 pluck 0.0.0.1 piano or harp pno or harp | trad | EARLY CAGE | PETERS |
A4MTX1 | CAGE John | MUOYCE - WRITING FOR THE FIFTH TIME THROUGH FINNEGANS WAKE | 1983 | 30 | voices 1 | verb | SOUND POETRY | MUSIKTEXTE 1 |
A4CAG1 | CAGE John | MUSIC FOR MARCEL DUCHAMP | 1947 | 5 | key 1.0.0.0.0 prepared piano prepared piano | trad | EARLY CAGE | PETERS |
A3CAG1 | CAGE John | MUSIC FOR PIANO N?20 | 1953 | 0 | key 1.0.0.0.0 | trad | INDETERMINATE | PETERS |
A4CAG2 | CAGE John | NOCTURNE FOR VIOLIN AND PIANO | 1947 | 3 | str 1.0.0.0 key 1.0.0.0.0 | trad | EARLY CAGE | PETERS |
A4CAG1 | CAGE John | NOWTH UPON NACHT | 1984 | 2 | voices 1 key 1.0.0.0.0 voice & piano | trad | MINIMAL | PETERS |
A4CAG1 | CAGE John | RADIO MUSIC | 1956 | 6 | 1 to 8 performers, each one at 1 radio | verb | CHANCE | PETERS |
A4CAG1 | CAGE John | ROOT OF AN UNFOCUS | 1944 | 5 | key 1.0.0.0.0 prepared piano prepared piano | trad | EARLY CAGE | PETERS |
A4CAG2 | CAGE John | RYOANJI - Solos for Voice | 1983 | 38 | voices 1 Tape some pieces with multiple voice tape voice & tape | trad graf | microtonal | Peters |
A4MTX22 | CAGE John | SCENARIO FOR M.F. | 1986 | 5 | voices 1 voice | verb | MESOSTICS - TEXTCOMPOSITION | MUSIKTEXTE 22 |
A4CAG2 | CAGE John | SEVEN HAIKU | 1960 | 5 | key 1.0.0.0.0 piano | trad | INDETERMINATE | PETERS |
A4CAG1 | CAGE John | SIX MELODIES FOR VIOLIN AND KEYBOARD | 1950 | 8 | str 1.0.0.0 key 1.0.0.0.0 | trad | EARLY CAGE | PETERS |
B3KAM1 | CAGE John | SIXTY-TWO MESOSTICS RE MERCE CUNNINGHAM | 1971 | 0 | voices 1 | graf | CHANCE; SOUND POETRY | PETERS |
A4CAG2 | CAGE John | SOLO FOR VOICE 1 | 1958 | 0 | voices 1 | trad graf | indeterminate | Peters |
A4CAG1 | CAGE John | SOLO FOR VOICE 2 | 1960 | 0 | voices 1 may be used alone or with other CAGE pieces - see score | graf | CHANCE | PETERS |
A4ANT1 | CAGE John | SOLO FOR VOICE 23 - O'OO | 1970 | 0 | contact microphones | verb | MUSIC THEATRE | SCORES - SCHIRMER [PETERS] p. 204 |
US_LIB | CAGE John | SOLO FOR VOICE 35 (from | 1970 | 0 | voices 1 | trad verb | indeterminate | Desert Plants - W.Zimmermann |
A4ANT1 | CAGE John | SOLO FOR VOICE 43 [THEATRE WITH ELECTRONICS - RELEVANT] - FROM 'SONG BOOKS' | 1970 | 3 | voices 1 tape | graf verb | MUSIC THEATRE - CHANCE | SCORES - SCHIRMER [PETERS] p. 204 |
A4CAG1 | CAGE John | SONATA FOR CLARINET | 1933 | 4 | wd 0.0.1.0 | trad | EARLY CAGE | PETERS |