Fill in the fields you want to search for. You can also fill in part of a title, name, ...
N.b. sometimes instruments are saved in x.x.x.x. format, sometimes as text (last field under instruments)
Page: 1 ... 4 5 6 10 20 50 ... last
| Place_code | composer | title | year | duration | instruments | notation | genre | editor |
| A4GRA1 | BROWN Earle | MM - 135 [FROM 'FOLIO'] | 1953 | 2 | key 1.0.0.0.0 1 or 2 pianos 1 or 2 pianos | trad | INDETERMINATE | ASSOCIATED MUSIC |
| A4GRA1 | BROWN Earle | MM - 87 [FROM 'FOLIO'] | 1953 | 3 | key 1.0.0.0.0 1 or 2 pianos 1 or 2 pianos | trad | INDETERMINATE | ASSOCIATED MUSIC |
| A4ANT1 | BROWN Earle | MODULE I | 1970 | 12 | str 4.2.2.2 wd 2.1.2.2 br 2.2.1.1 4 vln, 2 vla, 2 vcl, 2db, 2 fl, ob, 2 cl, 2 bssn, 2 tpt, 2 hrn, 1 tbn, 1tba | trad | INDETERMINATE | SCORES - SCHIRMER p.189 |
| A4SOL1 | BROWN Earle | NINE RAREBITS | 1965 | 6 | key 0.1.0.0.0 cembalo | graf | INDETERMINATE | |
| A4GRA1 | BROWN Earle | NOVEMBER 1952 [FROM 'FOLIO'] | 1952 | 0 | key 1.0.0.0.0 piano and/or other instr. or sound-producing media piano and/or other instr. | trad graf | INDETERMINATE | ASSOCIATED MUSIC |
| A4GRA1 | BROWN Earle | TRIO FOR FIVE DANCERS [FROM FOLIO] | 1953 | 0 | key 1.0.0.0.0 piano and/or other instr. piano and/or other instr. | trad | INDETERMINATE | ASSOCIATED MUSIC |
| A4ANT1 | BROWN Marion | SUNDAY COME DOWN | 1974 | 5 | key 1.0.0.0.0 keyboard | trad | PIECES p.55 / SCORES p.110 | |
| A4ANT1 | BROWN Marion | SWEET EARTH FLYING | 1974 | 5 | key 1.0.0.0.0 keyboard | trad | SCORES - SCHIRMER p.109 | |
| A4ANT2 | BROWN Marion | SWEET EARTH FLYING | 1974 | 2 | key 1.0.0.0.0 keyboard | trad | NEO-ROMANTIC | PIECES - SECOND ANTHOLOGY |
| A4ANT1 | BROWNE Richmond | CHORTOS I | 1973 | 5 | voices 0.0.1 voic(es) | verb | textsound | SCORES - SCHIRMER p.35 |
| A4KAM3 | BROWNE Richmond | RERI VELOCITATEM | 1962 | 3 | trad | Improvisational | ||
| A4MTX/A | BRUESCH Jurg | SISYPHUS IN C-DUR | 1984 | 8 | str 0.0.1.0 cello | trad | POST-MINIMAL | MUSIKTEXTE 14, P.24 |
| A4FLU2 | BRUGGEN Frans | 5 STUDIES FOR FINGERCONTROL | 0 | 0 | wd 1.0.0.0 oth wind 0.0.0.0.1 treble recorder treble recorder | trad | Broekmans & Van Poppel | |
| A4LET1 | BRYARS Gavin | 1,2,1-2-3-4 | 1972 | 0 | cassette-recordings, headphones cassette-recordings, headphones | verb | CONCEPTUAL | VERBAL ANTHOLOGY - EMC |
| A4LET1 | BRYARS Gavin | A GAME OF FOOTBALL | 1971 | 0 | verb | CONCEPTUAL - ENVIRONMENTAL | VISUAL ANTHOLOGY - EMC | |
| A4LET1 | BRYARS Gavin | A PLACE IN THE COUNTRY | 1971 | 0 | 53 instr. of the same family; 1 conductor [another version with 24 players] 53 (or 24) instr. of same family + conductor | verb | CONCEPTUAL - ENVIRONMENTAL | VISUAL ANTHOLOGY - EMC |
| A4LET1 | BRYARS Gavin | FAR AWAY AND DIMLY PEALING | 1972 | 0 | verb | CONCEPTUAL - ENVIRONMENTAL | VERBAL ANTHOLOGY - EMC | |
| A4LET1 | BRYARS Gavin | GOLDERS[AS] GREEN BY EPS[UPS]OM['N'] DOWNS | 1970 | 0 | verb | CONCEPTUAL | VISUAL ANTHOLOGY - EMC | |
| A4LET1 | BRYARS Gavin | IN ORDER THAT YOU MAY SET THE WHOLE WORLD AN EXAMPLE IN DISCRETION I WILL TELL YOU NOTHING MORE ABOUT IT | 1972 | 0 | Spoken dancer dancer | verb | CONCEPTUAL | VERBAL ANTHOLOGY - EMC |
| A4KAM1 | BRYARS Gavin | JESUS' BLOOD NEVER FAILED ME YET | 1971 | 30 | orchestra; tape tape & orchestra | trad | minimalism | |
| A4KAM5 | BRYARS Gavin | LONG-PLAYER | 1973 | 10 | str 1.1.1.0 key 1.0.0.0.0 piano with 1, 2 or 3 strings-players 1, 2 or 3 string players with pno | trad | post-minimal | |
| A4LET1 | BRYARS Gavin | MADE IN HONG KONG | 1972 | 0 | toys toys | verb | CONCEPTUAL | VERBAL ANTHOLOGY - EMC |
| A4LET1 | BRYARS Gavin | MARVELLOUS APHORISMS ARE SCATTERED RICHLY THROUGHOUT THESE PAGES | 1969 | 0 | quiet sound sources concealed in clothes objects | verb | CONCEPTUAL - SPATIAL | VISUAL ANTHOLOGY - EMC |
| A4LET1 | BRYARS Gavin | OUSE | 1969 | 0 | voices 2 strings with objects attached to singers strings with objects qttached to singers | verb | CONCEPTUAL - SPATIAL | VISUAL ANTHOLOGY - EMC |
| A4KAM5 | BRYARS Gavin | PREMEDIAEVAL METRICS | 0 | 0 | graf | POST-MINIMAL | ||
| A4LET1 | BRYARS Gavin | PRIVATE MUSIC | 1972 | 0 | 'private sources' | verb | CONCEPTUAL | VERBAL ANTHOLOGY - EMC |
| A4LET1 | BRYARS Gavin | SERENELY BEAMING ON A 5-BARRED GATE | 1972 | 0 | headphones - 3,7,15,31,63 or 127 perf. headphones | verb | CONCEPTUAL | VERBAL ANTHOLOGY - EMC |
| A4LET1 | BRYARS Gavin | THE HARP THAT ONCE THROUGH TARA'S HALLS | 0 | 0 | gramophones gramophones | verb | CONCEPTUAL | VERBAL ANTHOLOGY - EMC |
| A4LET1 | BRYARS Gavin | THE HEAT OF THE BEAT | 1972 | 0 | percussion, brass and auxiliary performers perc., brass & auxiliary performers | verb | CONCEPTUAL - IMPROVISATIONAL | VERBAL ANTHOLOGY - EMC |
| A4LET1 | BRYARS Gavin | TO GAIN THE AFFECTION OF MISS DWYER, EVEN FOR ONE SHORT MINUTE WOULD BENEFIT ME NO END | 1970 | 0 | multiple speakers; tape tape, multiple speakers | verb | CONCEPTUAL - SPATIAL | VISUAL ANTHOLOGY - EMC |
| A4_ANT2 | BUCHLA Don | HARMONIC PENDULUM | 1972 | 0 | microphones microphones | installation | CCM | |
| A4_ANT2 | BUCHLA Don | KEYBOARD ENCOUNTER | 1976 | 0 | key 2.0.0.0.0 | verb | performance,improvisation | CCM |
| A4_ANT2 | BUCHLA Don | VIDEO MIRROR IV | 1973 | 24 | dancer, 2 camera operators,... | verb | performance | CCM |
| A4PIA5 | BUCKINX Boudewijn | ADAGIO (The famous one, of course) | 1984 | 5 | key 1.0.0.0.0 pno | trad | post-modern | Van Kerkhoven/Poetic Piano of the 80ies |
| A4PIA4 | BUCKINX Boudewijn | DAGDROMEN | 0 | 9 | key 2.0.0.0.0 2 pno's | trad | TONAL; POST-MINIMAL | |
| A4KAM7 | BUCKINX Boudewijn | P.C. BLOEM | 1984 | 0 | str 1.0.0.0 key 1.0.0.0.0 vln & pno | pomo | Eigentijdse Muziek | |
| A4KAM6 | BUCKINX Boudewijn | TETRA-LOGIE (of de Monfriedidylle) | 1990 | 10 | br 1.0.0.0 key 1.0.0.0.0 tpt & pno | trad | post-modern | |
| A4MTX1 | BUCKLEY John | FANTASIA No.2 | 1987 | 4 | oth wind 0.0.0.0.1 fl.= treble recorder or other treble instr. recorder | trad | TIMBRAL EXPLORATION | MUSIKTEXTE 20, P.22 |
| A4ANT1 | BUDD Harold | LET US GO INTO THE HOUSE OF THE LORD | 1974 | 5 | voices 1 voice | trad | MEDITATIONAL | PIECES, AN ANTHOLOGY p.61 |
| A4ANT1 | BUDD Harold | LIRIO | 1971 | 0 | perc 1.0.0.0 large gong gong | verb | MINIMAL | SCORES - SCHIRMER p.89 |
| A4ANT2 | BUDD Harold | SONG OF PARADISE | 1974 | 10 | voices 1.0.0 perc 2.0.1.0 pluck 0.0.0.1. glockenspiel, vibraphone, small perc. 2 perc., vibes, harp | trad | MEDITATIONAL | PIECES - SECOND ANTHOLOGY |
| A4PIA2 | BUHRER Urs | FABI-GEBI-BUGI | 1984 | 2 | key 1.0.0.0.0 | trad | EDUCATIONAL - NEO-SATIE | CH PIANO - NEPOMUK |
| A4STR2 | BURLAS Martin | LAMENT (1993 VERSION) | 1977 | 0 | key 1.0.0.0.0 pno | trad | ||
| A4PIA4 | BURT Warren | 5 DRONES FOR SOLO PIANO | 1974 | 7 | key 1.0.0.0.0 | trad | POST-MINIMAL | |
| B3VAL1 | BURT Warren | AARDVARKS II: MR.NATURAL ENCOUNTERS FLAKEY FOONT! | 1973 | 5 | key 1.0.0.0.0 pno | trad | SPEED STUDY | LINGUA |
| A4VIO1 | BURT Warren | FRAGMENT OF THE URUGRII MUSIC OF ATLANTIS | 1974 | 2 | str 0.1.0.0 viola | trad | ETHNIC | |
| A4_ANT2 | BURT Warren | HEBRAIC VARIATIONS | 1977 | 0 | str 0.1.0.0 technician viola & techniian | performance | CCM | |
| A3MAP1 | BURT Warren | NIGHTHAWK 1 | 1973 | 0 | Spoken | verb | SOUND POETRY | LINGUA |
| A4VOK1 | BURT Warren | VEGETARIAN MEN | 1990 | 10 | voices 0.0.1 voice | trad | textsound | |
| A4_ANT2 | BURT Warren | WE CAN'T CALL IT PRELUDE TO NAPLES | 1977 | 0 | synth.operator, cassette operator synth operatot, cassette operator | verb | performance | CCM |