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| Place_code | attribs | record_date | duration | source | composer | title | instruments | genre | editor | performers | quality | remarks |
| CD1923 | 0000-00-00 | 11' | ASHLEY Robert | PURPOSEFUL LADY SLOW AFTERNOON (1968) | voices | LIDDELL Cynthia, ASHLEY Mary, LLOYD Barbara, LUCIER Mary | ||||||
| CD1923 | 0000-00-00 | 6' | ASHLEY Robert | SHE WAS A VISITOR (1967) | voices | BRANDEIS UNIVERSITY CHAMBER CHORUS LUCIER Alvin | ||||||
| CD1924 | comp | 0000-00-00 | 41' | ASHLEY Robert | IN SARA, MENCKENM CHRIST AND BEETHOVEN THERE WERE MEN AND WOMEN | voices, electronics | tv opera | |||||
| CD1925 | comp | 0000-00-00 | 0' | TALCOTT David | TRILOGY | electronic (Vortex) | early electronic | |||||
| CD1925 | comp | 0000-00-00 | 0' | JACOBS Henry | CHAN | electronic (Vortex) | early electronic | |||||
| CD1925 | comp | 0000-00-00 | 0' | LOUGHBOROUGH William | FOR THE BIG HORN | electronic (Vortex) | early electronic | |||||
| CD1925 | comp | 0000-00-00 | 0' | JACOBS Henry | LOGOS | electronic (Vortex) | early electronic | |||||
| CD1925 | comp | 0000-00-00 | 0' | JACOBS Henry | RHYTHM STUDY #8 | electronic (Vortex) | early electronic | |||||
| CD1925 | comp | 0000-00-00 | 0' | LONGFELLOW Gordon | NOTES ON THE HISTORY OF A WORLD, PART 3 | electronic (Vortex) | early electronic | |||||
| CD1925 | comp | 0000-00-00 | 0' | TALLCOTT David | LOOP NUMBER 3 | electronic (Vortex) | early electronic | |||||
| CD1925 | comp | 0000-00-00 | 0' | JACOBS Henry | ELECTRONIC KABUKI MAMBO | electronic (Vortex) | early electronic | |||||
| CD1925 | comp | 0000-00-00 | 0' | LONGFELLOW Gordon | 350-2 | electronic (Vortex) | early electronic | |||||
| CD1926 | comp | 0000-00-00 | 0' | SUMMERS Rod | SCRATCH SYMPHONY RADICAL REMIX (WITH PAUL WINTER) | tape | ||||||
| CD1926 | comp | 0000-00-00 | 0' | WINTER Paul | SCRATCH SYMPHONY RADICAL REMIX (WITH ROD SUMMERS) | tape | ||||||
| CD1927 | 0000-00-00 | 2' | RUSSOLO Luigi & Antonio | CORALE (1921) | electronic | |||||||
| CD1927 | 0000-00-00 | 12' | RUTTMANN Walter | WEEKEND (1930) | electronic | |||||||
| CD1927 | 0000-00-00 | 4' | SCHAEFFER Pierre | CINQ ETUDES DE BRUITS: ETUDE VIOLETTE (1948) | electronic | |||||||
| CD1927 | 0000-00-00 | 7' | POUSSEUR Henri | SCAMBI (1957) | electronic | |||||||
| CD1927 | 0000-00-00 | 13' | MUMMA Gordon | THE DRESDEN INTERLEAF 13 FEBRUARY 1945 (1965) | electronic | |||||||
| CD1927 | impro | 0000-00-00 | 6' | TRANCE #2 (1965) | str 1.0.0.0 other 1.0.0.0 | electronic | MACLISE Angus, CONRAD Tony, CALE John | |||||
| CD1927 | impro | 0000-00-00 | 7' | UNTITLED #1 (2000) | electronics | electronic | JECK Philip, YOSHIHIDE Otomo, TETREAULT Martin | |||||
| CD1927 | impro | 0000-00-00 | 7' | OCTOBER 24, 1992 GRAZ, AUSTRIA (1992) | robots, noises | electronic | SURVIVAL RESEARCH LABORATORIES PAULINE Mark, JUPITTER-LARSEN GX | |||||
| CD1927 | 0000-00-00 | 5' | RAGOUT: KUECHEN REZEPT (1998) | sounds | electronic | EINSTUERZENDE NEUBAUTEN BARGELD Blixa, UNRUH N.U., VAN BORSOG D. Alexander, EINHEIT F.M. | ||||||
| CD1927 | 0000-00-00 | 16' | ASPEKT (1966) | str BOEHMER wd Konrad | electronic | |||||||
| CD1927 | 0000-00-00 | 5' | PAIK Nam June | HOMMAGE A JOHN CAGE (1958-9) | electronic | |||||||
| CD1927 | 0000-00-00 | 8' | CAGE John | ROZART MIX (1965) | electronic | |||||||
| CD1927 | 0000-00-00 | 6' | AUDIENCE (1983) | microphones, audience | electronic | SONIC YOUTH MOORE Thurston, RANALDO Lee, GORDON Kim, SHELLEY Steve | ||||||
| CD1927 | 0000-00-00 | 8' | VARESE Edgard | POEME ELECTRONIQUE (1957-8) | electronic | |||||||
| CD1927 | 0000-00-00 | 3' | XENAKIS Iannis | CONCRET PH (1958) | electronic | |||||||
| CD1927 | 0000-00-00 | 9' | MILLER Paul D. | FTP>BUNDLE / CONDUIT 23 (2001) | electronic | |||||||
| CD1927 | 0000-00-00 | 30' | OLIVEROS Pauline | A LITTLE NOISE IN THE SYSTEM (1966) | electronic | |||||||
| CD1927 | 0000-00-00 | 1' | IKEDA Ryoji | ONE MINUTE (1997) | electronic | |||||||
| CD1928 | 0000-00-00 | 3' | USSACHVSKY Vladimir | INCANTATION FOR TAPE (1953) (WITH OTTO LUENING) | ||||||||
| CD1928 | 0000-00-00 | 3' | LUENING Otto | INCANTATION FOR TAPE (1953) (WITH VLADIMIR USSCHEVSKI) | tape | |||||||
| CD1928 | 0000-00-00 | 11' | FERRARI Luc | VISAGE V (1958-9) | tape | |||||||
| CD1928 | 0000-00-00 | 13' | DOCKSTADER Tod | AERIAL > SONG (2002) | electronic | |||||||
| CD1928 | 0000-00-00 | 6' | BEYER Johanna M. | MUSIC OF THE SPERES (1938) | electric instruments, triangle, lions roar | |||||||
| CD1928 | 0000-00-00 | 7' | SUBOTNIK Morton | MANDOLIN (1962) | electronic | |||||||
| CD1928 | 0000-00-00 | 9' | ORAM Daphne | FOUR ASPECTS (1960) | electronic | |||||||
| CD1928 | 0000-00-00 | 5' | RIMBAUD Robion | EMILY (2003) | electronic | |||||||
| CD1928 | 0000-00-00 | 13' | DAVIES Hugh | QUINTET (1967-8) | live electronic | |||||||
| CD1928 | 0000-00-00 | 4' | SPLET Alan R. | SPACE TRAVEL W/ CHANGING CHORAL TEXTURES (1985) | tape, electronic | |||||||
| CD1928 | 0000-00-00 | 5' | CASCONE Kim | ZEPHIRUM SCAN (2002) | electronic | |||||||
| CD1928 | 0000-00-00 | 6' | BOOTH Sam | BRONCHUS ONE:I (1991) (WITH ROB BROWN) | electronic | AUTECHRE BOOTH Sam, BROWN Rob | ||||||
| CD1928 | 0000-00-00 | 6' | BROWN Rob | BRONCHUS ONE:I (1991) (WITH SAM BOOTH) | electronic | AUTECHRE BOOTH Sam, BROWN Rob | ||||||
| CD1928 | 0000-00-00 | 10' | HANNO Yoshihiro | ON/OFF EDIT (2001) | electronic | |||||||
| CD1928 | 0000-00-00 | 4' | ASHER Meira | TORTURE - BODYPARTS (2001) (WITH GUY HARRIES) | electronic | BODYLAB HARRIES Guy, ASHER Meira | ||||||
| CD1928 | 0000-00-00 | 4' | HARRIES Guy | TORTURE - BODYPARTS (2001) (WITH MEIRA ASHER) | electronic | BODYLAB HARRIES Guy, ASHER Meira | ||||||
| CD1928 | 0000-00-00 | 6' | STEEN Lasse | PURZUIT OV NOIZE (1994) | electronic | |||||||
| CD1928 | 0000-00-00 | 7' | MCBRIDE Woody | PULP (1993) | electronic |