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| Place_code | attribs | record_date | duration | source | composer | title | instruments | genre | editor | performers | quality | remarks |
| CD1416 | comp | 0000-00-00 | 6' | FERREYRA Beatriz | JAZZ'T FOR MILES | tape | electronic | |||||
| CD1416 | arch | 0000-00-00 | 0' | SOUND EXAMPLES FROM COMPUTER MUSIC JOURNAL VOL. 25, 2001 | ||||||||
| CD1417 | comp | 0000-00-00 | 0' | WISHART Trevor | TONGUES OF FIRE (1992-94) | tape | electronic | |||||
| CD1417 | comp | 0000-00-00 | 0' | GOBEIL Gilles | LE VERTIGE INCONNU (1993) | tape | electronic | |||||
| CD1417 | comp | 0000-00-00 | 0' | MENEZES Flo | PARCOURS DE L'ENTITE | tape | electronic | |||||
| CD1417 | comp | 0000-00-00 | 0' | HOFFMAN Elizabeth | TESSERAE (1994) | tape | electronic | |||||
| CD1417 | comp | 0000-00-00 | 0' | DI SCIPIO Agostino | 7 SHORT IMPROVISATIONS ON THE COLD (1994-95) | br 1.0.0.0. real-time computer processing | electro-acoustic | |||||
| CD1417 | comp | 0000-00-00 | 0' | TAMUL Jack | IGNITERS (1994-95) | tape | electronic | |||||
| CD1418 | comp | 0000-00-00 | 5' | COPPE Dimitri | EN PRESSION (2001) | tape | electronic | |||||
| CD1418 | comp | 0000-00-00 | 13' | COPPE Dimitri | EN DEPLOIEMENT (2002) | tape | electronic | |||||
| CD1418 | comp | 0000-00-00 | 20' | COPPE Dimitri | HG 80 (1999) | tape | electronic | |||||
| CD1419 | comp | 0000-00-00 | 3' | TRAMBLAY Jacques | LE VIDOIR | tape | musique concrete | |||||
| CD1419 | comp | 0000-00-00 | 3' | STEENHUISEN Paul | CIRCUMNAVIGATING THE SEA OF SHIT | tape | musique concrete | |||||
| CD1419 | comp | 0000-00-00 | 3' | HEDAS Kim | PRINCESS BAT WITH THE UNDERGROUND STARS | tape | musique concrete | |||||
| CD1419 | comp | 0000-00-00 | 3' | TOUSSAINT Daniel | LA CHASSE AU POUGABLUNK BOUMEU | tape | musique concrete | |||||
| CD1419 | comp | 0000-00-00 | 3' | WINGATE Mark | PUFFERFISH | tape | musique concrete | |||||
| CD1419 | comp | 0000-00-00 | 3' | ROBERT Jocelyn | PRELUDE A | tape | musique concrete | |||||
| CD1419 | comp | 0000-00-00 | 3' | YEMCKEN Andrew | BALANCO | tape | musique concrete | |||||
| CD1419 | comp | 0000-00-00 | 3' | LILLIOS Elainie | AU DEUXIEME ETAGE | tape | musique concrete | |||||
| CD1419 | comp | 0000-00-00 | 3' | PERMEDRUD Ake | CUT 1, 2, 3 PROGRESS | tape | musique concrete | |||||
| CD1419 | comp | 0000-00-00 | 3' | POTVIN Yves | MATIERES A REACTIONS | tape | musique concrete | |||||
| CD1419 | comp | 0000-00-00 | 3' | BARRETT Natasha | RACING THROUGH, RACING UNSEEN | tape | musique concrete | |||||
| CD1419 | comp | 0000-00-00 | 3' | SMITH Randall | COLLISION | tape | musique concrete | |||||
| CD1419 | comp | 0000-00-00 | 3' | DUNKELMAN Stephan | AQUAERA 1 | tape | musique concrete | |||||
| CD1419 | comp | 0000-00-00 | 3' | BOUHALASSA Ned | ECLIPSE | tape | musique concrete | |||||
| CD1419 | comp | 0000-00-00 | 3' | HOFFMAN Elizabeth | ALCHEMY | tape | musique concrete | |||||
| CD1419 | comp | 0000-00-00 | 3' | JEAN Monique | LACRIMOUS | tape | musique concrete | |||||
| CD1419 | comp | 0000-00-00 | 3' | DOYLE Roger | THE FIRST SPIRIT LEVEL | tape | musique concrete | |||||
| CD1419 | comp | 0000-00-00 | 3' | NORMAN Katharine | SQUEAKY REEL | tape | musique concrete | |||||
| CD1419 | comp | 0000-00-00 | 3' | KARPEN Richard | MASS | tape | musique concrete | |||||
| CD1419 | comp | 0000-00-00 | 3' | CAMILLERI Lelio | PART OF THE DANCE | tape | musique concrete | |||||
| CD1419 | comp | 0000-00-00 | 3' | JUSTEL Elsa | CHI-PA-BOO | tape | musique concrete | |||||
| CD1419 | comp | 0000-00-00 | 3' | ECKERMAN Sylvia | BAD ROOM | tape | musique concrete | |||||
| CD1419 | comp | 0000-00-00 | 3' | SMOLDERS Jos | MANGA POUR L'OREILLE | tape | musique concrete | |||||
| CD1419 | comp | 0000-00-00 | 3' | OLSSON Justice | A MAN IS A DELICATE FLAME | tape | musique concrete | |||||
| CD142/1 | comp | 1988-01-01 | 13' | BACEWICZ Grazyna | SONATA (1958) | str 1.0.0.0 | Gaudeamus | SZREDER Robert | ||||
| CD142/2 | comp | 1988-01-01 | 17' | BERIO Luciano | SEQUENZA VIII (1976) | str 1.0.0.0 | Gaudeamus | SZREDER Robert | ||||
| CD142/3 | comp | 1988-01-01 | 9' | GRILLO Fernando | TAIACIS (1984) | str 0.0.0.1 | Gaudeamus | GRILLO Fernando | ||||
| CD142/4 | comp | 1988-01-01 | 1' | CAGE John | 59 1/2 SECONDS FOR A STRING PLAYER (1953) | str 0.0.1.0 | Gaudeamus | BACH Michael | ||||
| CD142/5 | comp graf | 1988-01-01 | 4' | FELDMAN Morton | INTERSECTION 4 (1953) (VERSION 190888 BY M.BACH) | str 0.0.1.0 | Gaudeamus | BACH Michael | ||||
| CD142/6 | comp | 1988-01-01 | 2' | HOSOKAWA Toshio | SEN II (1986) (2ND MVT) | str 0.0.1.0 | Gaudeamus | BACH Michael | ||||
| CD142/7 | comp | 1988-01-01 | 3' | YUN Isang | GLISSEES (1970) (3RD MVT) | str 0.0.1.0 | Gaudeamus | BACH Michael | ||||
| CD142/8 | comp | 1988-01-01 | 2' | KRENEK Ernst | NACHDENKLICH (1963) | str 0.0.1.0 | Gaudeamus | BACH Michael | ||||
| CD142/9 | comp | 1988-01-01 | 4' | ZIMMERMANN Bernd-Alois | FOUR SHORT STUDIES (1970) | str 0.0.1.0 | Gaudeamus | BACH Michael | ||||
| CD1420 | comp | 0000-00-00 | 5' | MOBBERLEY James | STUDY FOR VOX INHUMANA | tape | electronic | |||||
| CD1421 | comp | 0000-00-00 | 0' | DELAP Gordon | MERCURIUS | tape | electronic | |||||
| CD1424 | comp | 0000-00-00 | 12' | GOBEIL Giles | DERRIERE LA PORTE LA PLUS ELOIGNEE... (1998) | tape | electronic | |||||
| CD1424 | comp | 0000-00-00 | 14' | GOBEIL Giles | PROJET PROUST (1995-2000) | tape | electronic | |||||
| CD1424 | comp | 0000-00-00 | 12' | GOBEIL Giles | POINT DE PASSAGE (1997) | tape | electronic | |||||
| CD1424 | comp | 0000-00-00 | 13' | GOBEIL Giles | NUIT CENDRE (1995) | tape | electronic |