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| Place_code | attribs | record_date | duration | source | composer | title | instruments | genre | editor | performers | quality | remarks |
| CD170/4 | comp | 0000-00-00 | 14' | PIMENTA Emanuel Dimas | SHORT WAVES 1985 (FOR | computer | PIMENTA Emanuel Dimas | |||||
| CD1700 | comp | 0000-00-00 | 0' | TUTSCHKU Hans | MOMENT | tape | electronic | |||||
| CD1701 | comp | 0000-00-00 | 0' | TAZELAAR Kees | ELECTRONIC COMPOSITIONS | tape | electronic | |||||
| CD1702 | comp | 0000-00-00 | 9' | ZAMPRONHA Edson | MODELAGEM XII (1999) | symph. orch. | SINFONIA CULTURA ORCHESTRA RODRIGUES Lutero | |||||
| CD1702 | comp | 0000-00-00 | 11' | ZAMPRONHA Edson | MODELAGEM II (1995) | other 0.0.1.0 | BALZI Beatriz | |||||
| CD1702 | comp | 0000-00-00 | 12' | ZAMPRONHA Edson | A CRESCIMENTO DA ARVORE SOBRE A MONTANHA (2003) | tape | electronic | |||||
| CD1702 | comp | 0000-00-00 | 8' | ZAMPRONHA Edson | MODELAGEM III (1995) | wd 1.0.0.0 | CHARLIER Celina | |||||
| CD1702 | comp | 0000-00-00 | 10' | ZAMPRONHA Edson | MARMORE (2001) | br 0.0.0.1 tape | electro-acoustic | JARA Jesus | ||||
| CD1702 | comp | 0000-00-00 | 6' | ZAMPRONHA Edson | MODELAGEM VIII (1996) | other 1.0.0.0 computer | GIANESELLA Eduardo | |||||
| CD1702 | comp | 0000-00-00 | 6' | ZAMPRONHA Edson | FRAGMENTATION (1999) | tape | electronic | |||||
| CD1703 | 0000-00-00 | 0' | VEC AUDIO | VARIOUS | GEDDA LAWYER!!!! | |||||||
| CD1704 | comp | 0000-00-00 | 13' | FERREYRA Beatriz | RIO DE LOS PAJAROS | tape | electronic | |||||
| CD1704 | comp | 0000-00-00 | 9' | FERREYRA Beatriz | ECHOS | tape | electronic | |||||
| CD1704 | comp | 0000-00-00 | 0' | DASHOW James | ... AT OTHER TIMES, THE DISTANCES | tape | electronic | |||||
| CD1704 | comp | 0000-00-00 | 0' | DASHOW James | IN WINTER SHINE | tape | electronic | |||||
| CD1704 | comp | 0000-00-00 | 21' | KUEPPER Leo | INNOMINE | tape | electronic | |||||
| CD1704 | comp | 0000-00-00 | 23' | JODLOWSKI Pierre | DE FRONT (QUATUOR) | str 2.1.1.1. wd 0.0.1.0 br 1.0.0.0 other 1.0.0.0 tape | electro-acoustic | ENSEMBLE ORCHESTRAL CONTEMPORAIN KAWKA Daniel | ||||
| CD1704 | comp | 0000-00-00 | 11' | HALAC Jose | THE BREAKING OF THE SCREAM | tape | electronic | |||||
| CD1704 | comp | 0000-00-00 | 12' | HEDMAN Jens | RELIEF | tape | electronic | |||||
| CD1704 | comp | 0000-00-00 | 11' | FIELD Ambrose | EXPANSE HOTEL (DURAMGO MIX) | tape | electronic | |||||
| CD1704 | comp | 0000-00-00 | 9' | OBST Michael | METAL DROP | tape | electronic | |||||
| CD1704 | comp | 0000-00-00 | 9' | MANDOLINI Ricardo | CANCION DE MADERA Y AGUA | tape | electronic | |||||
| CD1705 | comp | 0000-00-00 | 28' | BRUMMER Ludger | NYX | tape | electronic | |||||
| CD1705 | comp | 0000-00-00 | 18' | HARRISON Jonty | ABSTRACTS | tape, symph. orch. | electro-acoustic | UNIVERSITY OF BIRMINGHAM SYMPHONY ORCHES | ||||
| CD1705 | comp | 0000-00-00 | 11' | WYATT Scott | ALL FOR ONE | other 1.0.0.0 tape | electro-acoustic | SIWE Thomas | ||||
| CD1705 | comp | 0000-00-00 | 13' | EMMERSON Simon | TIME PAST IV | soprano, tape | electro-acoustic | MANNING Jane | ||||
| CD1705 | comp | 0000-00-00 | 14' | BARRETT Natasha | THE UTILITY OF SPACE | tape | electronic | |||||
| CD1705 | comp | 0000-00-00 | 16' | PARKIN Nicholas | MAGMAS | tape | electronic | |||||
| CD1705 | comp | 0000-00-00 | 10' | PINTER Gyula | LES CLOCHES DE FLAMMES ROSES | soprano, tape | electro-acoustic | SKOFF Susanna | ||||
| CD1705 | comp | 0000-00-00 | 11' | KIM Suk-Jun | MIDONG | tape | electronic | |||||
| CD1705 | comp | 0000-00-00 | 11' | ADKINS Mathew | NOUMENA | str 0.0.1.0 tape | electro-acoustic | MITCHELL Judith | ||||
| CD1705 | comp | 0000-00-00 | 14' | SZIGETVARI Andrea | MANDALA 1 | tape | electronic | |||||
| CD1706 | comp | 0000-00-00 | 0' | LUYTEN Roeland | DECYCLAGE (SOURCE FOR 4 CHANNELS) | UT | ||||||
| CD1707 | comp | 0000-00-00 | 7' | LUYTEN Roeland | SHORT CUTS (2001) | tape | ||||||
| CD1707 | comp | 0000-00-00 | 9' | LUYTEN Roeland | DRUMMER | tape | ||||||
| CD1708 | comp | 2001-10-27 | 4' | MARIEN Tim | OOTE BOEM KRAKY? OOTE BOEM! | |||||||
| CD1708 | comp | 2001-10-27 | 0' | MARIEN Tim | GO... AND SIN NO MORE | |||||||
| CD1708 | comp | 2001-10-27 | 0' | MARIEN Tim | TIMOTHEUS' KITHARA | |||||||
| CD1708 | comp | 2001-10-27 | 0' | MARIEN Tim | MELISSA | |||||||
| CD1709 | comp | 0000-00-00 | 4' | MUSIKWORKS 88 | DHOMONT Francis | PHONURGIE (EXC.) (1998) | tape | |||||
| CD1709 | comp | 0000-00-00 | 3' | MUSIKWORKS 88 | DHOMONT Francis | SOUS LE REGARD D'UN SOLEIL NOIR (EXC.) (1981) | tape | |||||
| CD1709 | comp | 0000-00-00 | 4' | MUSIKWORKS 88 | DHOMONT Francis | NOVARS (EXC.) (1989) | tape | |||||
| CD1709 | comp | 0000-00-00 | 3' | MUSIKWORKS 88 | DHOMONT Francis | CHIAROSCURO (EXC.) (1989) | tape | |||||
| CD1709 | comp | 0000-00-00 | 6' | MUSIKWORKS 88 | DHOMONT Francis | FORET PROFONDE (EXC.) (1996) | tape | |||||
| CD1709 | comp | 0000-00-00 | 6' | MUSIKWORKS 88 | TOBIN Nancy | BAROKSOUNDSCAPES: FELLINI (2002) | tape | |||||
| CD1709 | comp | 0000-00-00 | 10' | MUSIKWORKS 88 | TOBIN Nancy | BAROKSOUNDSCAPES: SOLO DE MAUDE (2002) | tape | |||||
| CD1709 | comp impro | 0000-00-00 | 6' | MUSIKWORKS 88 | FARAH John Kameel | BAS RELIEF I (2003) | tape | |||||
| CD1709 | comp impro | 0000-00-00 | 7' | MUSIKWORKS 88 | FARAH John Kameel | BAS RELIEF II (2003) | tape | |||||
| CD1709 | comp sndscp | 0000-00-00 | 29' | MUSIKWORKS 88 | KOMOROUS Rudolf | ANATOMY OF MELANCHOLY (1974) | tapes | |||||
| CD171/1 | comp | 0000-00-00 | 23' | BRUCE Neely | EIGHT GHOSTS (1989) | sopr;mezzo;tenor;bas;4xYamaha SPX90 | ELECTRIC PHOENIX REES Judith, DICKINSON Meriel, RUNSWICK Daryl, EDWARDS Terry |