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Place_code | attribs | record_date | duration | source | composer | title | instruments | genre | editor | performers | quality | remarks |
CD113/6 | comp | 1989-01-01 | 6' | JOHNSON Lonnie | HAUNTED HOUSE | el. & acoustic guitar, voice | blues | The Aerial 1 | MAZZACANE Loren, LANGILLE Suzanne | music arr. by MAZZACANE & LANGILLE | ||
CD113/7 | comp | 1989-01-01 | 5' | DAVISSON Ananias | IDUMEA (1815) | str 1.0.0.0 wd 1.0.0.0 voice | traditional | The Aerial 1 | LOST SOULS PETERS Steve | music arr. by PETERS | ||
CD113/8 | comp graf | 1986-01-01 | 8' | GOLDSTEIN Malcolm | QERNERAQ - OUR BREATH AS BONES | voice | textsound | The Aerial 1 | GOLDSTEIN Malcolm | vocal part excerpt from composition for voice and instrumental ensemble | ||
CD113/9 | impro | 1989-01-01 | 3' | BURIAL SONG | voices, gourd guitar, gourd saxophone | The Aerial 1 | FLOATING CONCRETE OCTOPUS WAS Elizabeth, AND Miekal | |||||
CD1130 | comp | 0000-00-00 | 5' | GODMAN Robert | EYE SPEAK | other tape | electronic | |||||
CD1131 | comp | 0000-00-00 | 11' | DUROCHER Jean Sebastien | LAISSEZ UNE VOIX | tape | electronic | |||||
CD1132 | comp | 0000-00-00 | 0' | MACKAY Robert | VOICEWIND - POSTCARDS FROM THE SUMMER - FLUTE MELT (1998-1999) | wd 1.0.0.0 tape | electronic | |||||
CD1133 | comp | 0000-00-00 | 13' | SIGAL Rodrigo | CYCLES | tape | electronic | |||||
CD1134 | comp | 0000-00-00 | 17' | GERWIN Thomas | ROLENSPIEL /PIR2 | tape | electronic | |||||
CD1135 | comp | 0000-00-00 | 9' | RADFORD Laurie | FLIT (1996) | tape | electronic | |||||
CD1136 | comp | 0000-00-00 | 7' | GOODMAN Paul | MIRROR IMAGES | tape | electronic | |||||
CD1137 | comp | 0000-00-00 | 9' | KAWAMOTO Hideko | NIGHT ASCENDS FROM THE EAR LIKE A BUTTERFLY (1999) | tape | electronic | |||||
CD1138 | comp | 0000-00-00 | 0' | BATCHELOR Peter | FLEETING - REEL - DISCOURSE - VELOCITY | tape | electronic | |||||
CD1139 | comp | 0000-00-00 | 7' | LAPLANTE Chantale | OBJETS | tape | electronic | |||||
CD114/1 | comp | 1988-10-01 | 4' | RASKIN/DAVIS Jon/Bob | POISON HOTEL | voices | music for theatre | The Aerial 2 | KEMANIS Aina, GLOVER Sheilah | prod. by SOON3 Theatre, text by Alan FINNERAN | ||
CD114/1 | comp | 1988-10-01 | 4' | DAVIS Bob | POISON HOTEL (CO-AUTHORED BY JON RASKIN) | voices | music for theatre | The Aerial 2 | KEMANIS Aina, GLOVER Sheilah | prod. by SOON3 Theatre, text by Alan FINNERAN | ||
CD114/10 | comp | 1987-01-01 | 11' | WESTERKAMP Hildegard | CRICKET VOICE | composed soundscape | The Aerial 2 | |||||
CD114/2 | comp sndscp | 1990-01-01 | 9' | DUNN David | CHAOS & THE EMERGENT MIND OF THE POND | underwater sounds | composed soundscape | The Aerial 2 | ||||
CD114/3 | comp | 1988-01-01 | 4' | KIM Jin Hi | KOMUNGO PERMUTATIONS | komungo, electronics | electro-acoustic | The Aerial 2 | KIM Jin Hi | rec. at Studio PASS, NYC | ||
CD114/4 | comp | 1989-01-01 | 4' | GREINKE Jeff | ROAD TO SOLO | javanese metallophone, electronics, voice | electro-acoustic, ethnic oriented | The Aerial 2 | GREINKE Jeff | |||
CD114/5 | comp | 1988-04-01 | 8' | SHULTIS Christopher | MOTION/LESS | other 1.0.0.0 | indeterminate | The Aerial 2 | SHULTIS Christopher | |||
CD114/6 | comp | 1989-04-01 | 3' | PARRA Violetta | SANTIAGO PENANDO ESTAS | other 1.0.0.0 drum machine, voice | political song | The Aerial 2 | COCHRANE Chris, BARNETT Pippin | prod. by Tom CORA: music arr. by C.COCHRANE | ||
CD114/7 | comp | 1989-01-01 | 6' | HARKEY Sue Ann | IN THIS THE YEAR OF THE SNAKE | voice, harp-guitar | performance art | The Aerial 2 | HARKEY Sue Ann | |||
CD114/8 | comp | 1989-01-01 | 11' | LOCKWOOD Annea | NAUTILUS | other 1.0.0.0 didjeridoo, conch shell, voice | spatial improvisation | The Aerial 2 | BARON Art, ROBINSON Scott | |||
CD114/9 | impro | 1988-01-01 | 3' | GREEN SONG | str 0.0.1.0 other 1.0.0.0 guitar, casio, voice | improvisation | The Aerial 2 | SMITH LaDonna, WILLIAMS Davey, CORA Tom, BARNETT Pippin | ||||
CD1140 | impro | 0000-00-00 | 0' | MAN (DEMO CD) | str 0.0.1.1 other 0.0.1.0 guitar, drumcomputer,... | L'HOMME QUI RETRECIT BIYIKLI Francois, CHARRIER Charles-Eric, MOULNY Lara, TAILLARD Anthony | ||||||
CD1141 | comp | 0000-00-00 | 0' | KUCHARZ Larry | UNIT 28: BLUE MOTION | synth. | KUCHARZ Larry | |||||
CD1142 | comp | 0000-00-00 | 0' | KUCHARZ Larry | TECHNO UNIT 30 : AUDIOCHROME | synth. | KUCHARZ Larry | |||||
CD1143 | comp impro | 0000-00-00 | 0' | WACHTELAER Dirk | VANISHING PICTURES | other 3.0.0.0 electronics, samplers, turntables, saxophone | WACHTELAER Dirk, GRAZZHOPPA DJ, LUTTON Paul, VALKENAERS Gerrit | |||||
CD1143 | comp impro | 0000-00-00 | 0' | WACHTELAER Dirk | VANISHING PICTURES | MISHALLE Luk, WEILACHER Michael | ||||||
CD1144 | comp | 0000-00-00 | 0' | BALDWIN John | 4 VOCUM | recorders | baroque | MALLE SYMEN QUARTET BLISCHKE Katja, DANKSAGMULLER Raphaela, HENSING Cathelijne, WIECZOREK Ina | ||||
CD1144 | comp | 0000-00-00 | 0' | DESPREZ Josquin | SANCTUS FROM MISSA LA SOL FA RE MI | recorders | renaiscance | MALLE SYMEN QUARTET | ||||
CD1144 | comp | 0000-00-00 | 0' | FAYRFAX Robert | MESE TENOR & PARAMESE TENOR | recorders | renaiscance | MALLE SYMEN QUARTET | ||||
CD1144 | comp | 0000-00-00 | 0' | LOCKE Matthew | COURANTE & AYRE & SARABAND (FROM SUITE NO.4) | recorders | baroque | MALLE SYMEN QUARTET | ||||
CD1144 | comp | 0000-00-00 | 0' | DE KEMP Bart | LIETO (1990) | recorders | MALLE SYMEN QUARTET BLISCHKE Katja, DANKSAGMULLER Raphaela, HENSING Cathelijne, WIECZOREK Ina | |||||
CD1144 | comp | 0000-00-00 | 0' | SWAAN Egmont | ABODAMFOS DROBEN ENAN (1997) | recorders | MALLE SYMEN QUARTET | |||||
CD1144 | comp | 0000-00-00 | 0' | PADDING Martijn | IN PAIRS (EXC.) (1992) | recorders | MALLE SYMEN QUARTET | |||||
CD1145 | impro | 0000-00-00 | 0' | PUT | str 0.0.0.1 br 1.0.0.0 other 1.0.0.0 | improvisation | UMLAUT ULHER Birgit, PHILLIPP Ulrich, TURNER Roger | |||||
CD1146 | comp impro | 0000-00-00 | 0' | NAPHTALI Dafna | KALEID-O-PHONE (DEMO) | voice, audio treatments, endangered guitar, drums, bass, saxophones | TAMMEN Hans, BEYER Tom, GELUSO Paul, ATTIAS Michael | |||||
CD1147 | impro | 1997-11-18 | 0' | SECRET MEASURES | soprano saxophone, live electronics | BUTCHER John, DURRANT Phil | ||||||
CD1148 | comp | 0000-00-00 | 0' | NEWMARK Mary Lou | GREEN ANGEL | electric violin, tape | NEWMARK Mary Lou | |||||
CD1149 | comp | 0000-00-00 | 0' | WOLMAN Amnon | ROAD WORK (II.I) (FOR ACCORDION & TAPE) | tape | performance tape | |||||
CD1149 | comp | 0000-00-00 | 0' | WOLMAN Amnon | HAZARDOUS MTERIAL (TUBA & TAPE) | tape | performance tape | |||||
CD1149 | comp | 0000-00-00 | 0' | WOLMAN Amnon | NOISES (ENSEMBLE & TAPE) | tape | performance tape | |||||
CD115/1 | comp | 1989-01-01 | 8' | FULLMAN Ellen | STAGGERED STASIS (EXCERPT) | Long String Instrument | experimental | The Aerial 3 | FULLMAN Ellen | |||
CD115/10 | comp | 1989-01-01 | 7' | DALABA Lesli | CORE SAMPLE (SYLVAN) | br 1.0.0.0 cornet, tape | electro-acoustic, improvisation | The Aerial 3 | DALABA Lesli, ROBERTSON Herb | |||
CD115/2 | comp | 1989-01-01 | 5' | BARRECA Marc | MESSIER CROSSES THE BLUE LINE | el. guitar feedback, glass and wooden tubes, electronics | electro-acoustic | The Aerial 3 | BARRECA Marc | |||
CD115/3 | comp | 1989-01-01 | 8' | COLLINS Nicolas | TOBABO FONIO | pre-existing tape, electronics | electro-acoustic | The Aerial 3 | COLLINS Nicolas | rec. at STEIM, Amsterdam | ||
CD115/4 | comp | 1989-01-01 | 6' | CUSACK Peter | DANDELION CLOCK | guitar, electronics | structured improvisation | The Aerial 3 | CUSACK Peter, COLLINS Nicolas | |||
CD115/5 | comp | 1990-01-01 | 8' | GURALNICK Tom | OVER TIME | saxophones, electronics | electro-acoustic, improvisation | The Aerial 3 | GURALNICK Tom |