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Place_code | attribs | record_date | duration | source | composer | title | instruments | genre | editor | performers | quality | remarks |
CS961/10 | comp | 1988-01-01 | 6' | RADOVANOVIC Vladan | CUT (1988) | voice, tape, synthesizers | textsound, electronic | Slowscan 8 | RADOVANOVIC Vladan | rec. at Electronic Studio of Radio BElgrade | ||
CS961/11 | comp | 1988-01-01 | 9' | ALLELUIA Dominic | MICRO COMPUTER & VOICES (1980) | voice, computer | computer-controlled textsound | Slowscan 8 | ALLELUIA Dominic | |||
CS961/12 | comp | 1988-01-01 | 5' | ALLELUIA Dominic | RING VARIATIONS (1978) | pre-recorded material (Wagner's Ring), treatments | textsound, electro-acoustic | Slowscan 8 | ||||
CS961/13 | comp | 1988-01-01 | 10' | WENDT Larry | A PIECE NOT ABOUT OAKLAND (1988) | voice, electronics | textsound | Slowscan 8 | WENDT Larry | |||
CS961/14 | comp | 1988-05-21 | 5' | DE MAREZ Cas | SOUNDSHIFT (EXCERPT) (1988) | voice, electronics | textsound | Slowscan 8 | DE MAREZ Cas | rec. at Artis, 's-Hertogenbosch, NL | ||
CS961/2 | comp | 0000-00-00 | 0' | ROFFI Gian Paolo | AUTOROUTE (CO-AUTHORED BY ADRIANO SPATOLA) | voices | textsound | Slowscan | SPATOLA Adriano, ROFFI Gian Paolo | |||
CS961/2 | comp | 1988-03-01 | 3' | LORA-TOTINO Arrigo | DIALOGO TRA DUE EXTRATERRESTRI (1974-88) | voice | textsound | Slowscan 8 | LORA-TOTINO Arrigo | sel. by Enzo MINARELLI | ||
CS961/3 | comp | 1988-03-01 | 8' | SPATOLA Adriano | AUTOROUTE (CO-AUTHORED BY GIAN PAOLO ROFFI) | voices | textsound | Slowscan 8 | SPATOLA Adriano, ROFFI Gian Paolo | sel. by Enzo MINARELLI | ||
CS961/4 | comp | 1988-03-01 | 2' | FONTANA Giovanni | SIRENE (1968-77-80) | voice | textsound | Slowscan 8 | FONTANA Giovanni | sel. by Enzo MINARELLI | ||
CS961/5 | comp | 1988-03-01 | 7' | FONTANA Giovanni | POEMA LARSEN 3 (1987) | voice, electronics | textsound | Slowscan 8 | FONTANA Giovanni | sel. by Enzo MINARELLI | ||
CS961/6 | comp | 1988-03-01 | 2' | MINARELLI Enzo | VOYEUR 2 (1981-86) | voice | textsound | Slowscan 8 | MINARELLI Enzo | |||
CS961/7 | comp | 1988-03-01 | 5' | MINARELLI Enzo | POEMS IN WORDS (1983) | voice, electronics | textsound | Slowscan 8 | MINARELLI Enzo | rec. at Electronic Studio, Beograd, YU | ||
CS961/8 | comp | 1988-03-01 | 4' | MINARELLI Enzo | LA STRADA (1987) | voice | textsound | Slowscan 8 | MINARELLI Enzo | |||
CS961/9 | comp | 1988-01-01 | 5' | MARZIDOVSEK Mario | SMALL GREEN MAN IN MY BATHROOM (SERIAL VERSION) (1988) | voice | textsound | Slowscan 8 | MARZIDOVSEK Mario | |||
CS962/1 | comp | 1988-01-01 | 4' | MUMMA Gordon | EPIFONT (1984) | computer and electronics | computer music | Slowscan 9 | MUMMA Gordon | |||
CS962/2 | comp | 1988-01-01 | 15' | MUMMA Gordon | ECHO-D | other 0.0.1.0 keybd.= harpsichord; synthesizer | electro-acoustic | Slowscan 9 | MUMMA Gordon | for a dance from the Portland Dance Company | ||
CS962/3 | comp | 1988-01-01 | 10' | MUMMA Gordon | RETROSPECT (1959-1982): DENSITIES; PHENOMENON UNARTICULATED; WOODEN PAJAMAS; SPECTRAL PORTRAIT | analog & digital synthesizers | electro-acoustic | Slowscan 9 | MUMMA Gordon | structural recomposition of four shorter electroacoustical pieces | ||
CS962/4 | comp | 1981-11-01 | 7' | MUMMA Gordon | 11 NOTE PIECES AND DECIMAL PASSACAGLIA (1978) | other 0.0.1.0 keybd.= harpsichord | Slowscan 9 | MUMMA Gordon | rec. at Mills College, Oakland, CA | |||
CS962/5 | comp | 1972-01-01 | 13' | concert | MUMMA Gordon | SCHOOLWORK (1970) | bowed psaltery, piano melodica, bowed crosscut saw | Slowscan 9 | MUMMA Gordon, BEHRMAN David, MORTON Katherine | |||
CS962/6 | comp | 1988-01-01 | 9' | MUMMA Gordon | HORN (1965) | br 0.1.0.0 voices, cybersonic console | electro-acoustic | Slowscan 9 | ASHLEY Robert, CACIOPPO George, MUMMA Gordon, RIBBENS William | |||
CS963/1 | comp | 1989-01-01 | 14' | BELKIN Alan | NIGHT LABYRINTH | MIDI synthesizers, Macintosh computer | electronic | Musicworks 43 | BELKIN Alan | Musicworks 43 Equal Opportunity | ||
CS963/10 | comp | 1989-01-01 | 4' | LE CAINE Hugh | SOUNDS TO FORGET (196?) | frequency modulator | early electronic | Musicworks 43 | Musicworks 43 Equal Opportunity | |||
CS963/11 | comp | 1989-01-01 | 4' | LE CAINE Hugh | THE BURNING DECK (1958) | other 0.0.1.0 multitrack tape recorder | electro-acoustic | Musicworks 43 | LE CAINE Hugh | Musicworks 43 Equal Opportunity | ||
CS963/2 | comp | 1989-01-01 | 5' | BLACKWOOD Easley | 19-NOTE MICROTONAL ETUDE | synthesizer | electronic, microtonal | Musicworks 43 | BLACKWOOD Easley | Musicworks 43 Equal Opportunity | ||
CS963/3 | comp | 1989-01-01 | 1' | RAPOPORT Paul | ARTICHOKE (FROM SONGS OF FRUITS AND VEGETABLES) (EXCERPT) | scalatron (31-note equal temperament) | electronic, microtonal | Musicworks 43 | LEE Susan | Musicworks 43 Equal Opportunity | ||
CS963/4 | comp | 1989-01-01 | 3' | BLACKWOOD Easley | 15-NOTE MICROTONAL ETUDE | synthesizer | electronic, microtonal | Musicworks 43 | BLACKWOOD Easley | Musicworks 43 Equal Opportunity | ||
CS963/5 | comp | 1989-01-01 | 4' | BLACKWOOD Easley | 13-NOTE MICROTONAL ETUDE | synthesizer | electronic, microtonal | Musicworks 43 | BLACKWOOD Easley | Musicworks 43 Equal Opportunity | ||
CS963/6 | comp spkn | 1989-01-01 | 2' | RAPOPORT Paul | DEMONSTRATION OF THE 13-NOTE SCALE | scalatron | microtonal, electronic | Musicworks 43 | LEE Susan RAPOPORT Paul | Musicworks 43 Equal Opportunity | ||
CS963/7 | comp | 1989-01-01 | 9' | SHEPHERD Stu | BIRTHDAY MUSIC (OPENING & CONCLUSION) | other 1.0.0.0 saxophones, guitar, synthesizer, bass guitar | post-modern | Musicworks 43 | WEISS Al, PARSONS Bill, FARQUHARSON Mike, McKAY Blair | Musicworks 43 Equal Opportunity | ||
CS963/8 | comp | 1989-01-01 | 3' | LE CAINE Hugh | INVOCATION (1957) | various sounds, multitrack tape recorder | electronic | Musicworks 43 | Musicworks 43 Equal Opportunity | |||
CS963/9 | comp | 1989-01-01 | 7' | MONTGOMERY Jim | AFFINITY GROUPS | computer, synthesizer | computer music | Musicworks 43 | MONTGOMERY Jim | Musicworks 43 Equal Opportunity | ||
CS964/1 | comp verb | 1986-01-01 | 3' | MORROW Charlie | BP FOR BP | voice | textsound | Musicworks 44 | MORROW Charlie | Musicworks 44 | ||
CS964/2 | comp | 1989-01-01 | 3' | NICHOL bp | POME POEM (1972) | voice | textsound | Musicworks 44 | NICHOL bp | Musicworks 44 | ||
CS964/3 | comp | 1989-01-01 | 2' | NICHOL bp | ANOTHER DAY OLDER (1968) | voice, tape recorder | textsound, electro-acoustic | Musicworks 44 | NICHOL bp | Musicworks 44 | ||
CS964/4 | impro | 1987-10-10 | 12' | THE FOUR HORSEMEN | voice | textsound, improvisation | Musicworks 44 | THE FOUR HORSEMEN NICHOL bp, McCAFFERY Steve, DUTTON Paul, BARRETO-RIVERO Rafael | Musicworks 44 rec. at the Music Gallery, Toronto | |||
CS964/5 | impro | 1984-01-01 | 9' | FREE BOP | other 0.0.1.0 voice | improvisation, textsound | Musicworks 44 | SOKOL Casey, NICHOL bp | Musicworks 44 rec. at the Music Gallery, Toronto | |||
CS964/6 | comp | 1989-01-01 | 3' | DUTTON Paul | FOR THE LETTER THAT BEGINS THEM ALL, H | voice | textsound | Musicworks 44 | DUTTON Paul | Musicworks 44 | ||
CS964/7 | ethn | 1989-05-19 | 25' | STARO SELO: TRADITIONAL VOCAL MUSIC FROM BULGARIA, MACEDONIA & YUGOSLAVIA | voices, tambura, tapan, gaida, kaval, gadulka | traditional, popular | Musicworks 44 | STARO SELO ASTON Chris, BROWN Jayne, GRIGORIADIS Sophia, OUROUMIS Nick | Musicworks 44 Staro Selo is a Toronto-based group; rec. at the Music Gallery, To | |||
CS964/8 | ethn | 1989-01-01 | 5' | LES MISERABLES: BRASS MUSIC FROM BULGARIA AND MACEDONIA | brass ensemble | traditional | Musicworks 44 | LES MISERABLES BERG Charlie, DARRIAU Matthieu, HARRIS David, LONDON Frank | Musicworks 44 group is based in NYC | |||
CS965/1 | comp | 1990-01-01 | 47' | SCHAFER Robert Murray | CARNIVAL OF SHADOWS - SOUNDTRACK BASED ON PATRIA III: THE GREATEST SHOW:LA TESTA D'ARIADNE;BEAUTY AND THE BEAST;THE CROWN OF ARIADNE | str 2.1.1.0 other 0.1.1.0 voices, actors | music theatre | Musicworks 45 | MORENCY STRING QUARTET TIEFENBACH Peter, MACEROLLO Joseph, LOMAN Judy, ROMERO Laurie | Musicworks 45 | ||
CS965/2 | comp | 1988-07-01 | 0' | WESTERKAMP Hildegard | HARBOUR SYMPHONY (EXCERPT) | boathorns | composed soundscape | Musicworks 45 | Musicworks 45 rec. at Sound Symposium, Newfoundland | |||
CS965/3 | comp | 1988-07-01 | 0' | KEANE David | HARBOUR SYMPHONY (EXCERPT) | boat horns | composed soundscape | Musicworks 45 | Musicworks 45 rec. at Sound Symposium, Newfoundland | |||
CS965/4 | comp | 1988-07-01 | 0' | WHERRY Don | BELLS | boathorns, alphorn, church bells | composed soundscape | Musicworks 45 | LORETAN John | Musicworks 45 rec. at Sound Symposium, Newfoundland | ||
CS965/5 | comp | 1988-07-01 | 0' | MONAHAN Gordon | THE LONG AEOLIAN PIANO (CO-AUTHORED BY THADDEUS HOLOWNIA) | piano strings | outdoor sound sculpture | Musicworks 45 | Musicworks 45 rec. at Sound Symposium, Newfoundland | |||
CS965/5 | comp | 1988-07-01 | 0' | HOLOWNIA Thaddeus | THE LONG AEOLIAN PIANO (CO-AUTHORED BY GORDON MONAHAN) | piano strings | outdoor sound sculpture | Musicworks 45 | Musicworks 45 rec. at Sound Symposium, Newfoundland | |||
CS965/6 | ethn | 1988-07-01 | 0' | SOUND SYMPOSIUM COLLAGE: TRADITIONAL MUSIC FROM QUEBEC, NEWFOUNDLAND | str 2.0.0.0 other 1.0.0.0 | traditional | Musicworks 45 | BENOIT Emile, SMITH Christina, COPEAU Joachim | Musicworks 45 rec. at Sound Symposium, Newfoundland | |||
CS965/7 | ethn | 1988-07-01 | 0' | SOUND SYMPOSIUM COLLAGE: TRADITIONAL MUSIC FROM GAMBIA | kora | traditional | Musicworks 45 | TONGUE Mamma | Musicworks 45 rec. at Sound Symposium, Newfoundland | |||
CS965/8 | comp | 1990-01-01 | 10' | STERNBERG Barbara | TRANSITIONS | various sounds | film soundtrack | Musicworks 45 | Musicworks 45 | |||
CS965/9 | comp | 1990-01-01 | 12' | OLIVEROS Pauline | DREAM HORSE SPIEL (CO-AUTHORED BY PANAIOTIS) | voices, various sounds | radioplay | Musicworks 45 | PANAIOTIS , FERGUSSON Honora, BALLITT Julie Lyon, OLIVEROS Pauline | Musicworks 45 commissioned by WDR | ||
CS965/9 | comp | 1990-01-01 | 12' | PANAIOTIS | DREAM HORSE SPIEL (CO-AUTHORED BY PAULINE OLIVEROS) | voices, various sounds | radioplay | Musicworks 45 | PANAIOTIS , FERGUSSON Honora, BALLITT Julie Lyon, OLIVEROS Pauline | Musicworks 45 commissioned by WDR |