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| Place_code | attribs | record_date | duration | source | composer | title | instruments | genre | editor | performers | quality | remarks |
| CS222.14 | comp | 0000-00-00 | 0' | BENNETT John M. | CIRCLE OF CHAIR | VEC AUDIO EXCHANGE | ||||||
| CS222.15 | comp | 0000-00-00 | 0' | PETURSSON Finnbogi | PARON | VEC AUDIO EXCHANGE | ||||||
| CS222.16 | comp | 0000-00-00 | 0' | PALSSON Thor Elis | COMPOSITION | VEC AUDIO EXCHANGE | ||||||
| CS222.17 | comp | 0000-00-00 | 0' | RAQUIDED Bulbo | EL ASESINO DE NINOS | VEC AUDIO EXCHANGE | ||||||
| CS222.18 | comp | 0000-00-00 | 0' | GLASS Jesse | SMALL THINGS | VEC AUDIO EXCHANGE | ||||||
| CS222.19 | comp | 0000-00-00 | 0' | MAGGI Ruggero | MENHIR MAKERS | VEC AUDIO EXCHANGE | ||||||
| CS222.2 | comp | 0000-00-00 | 0' | DE FABRIEK | NEVELEILAND | VEC AUDIO EXCHANGE | ||||||
| CS222.20 | comp | 0000-00-00 | 0' | BANANA Anna | CANADIAN FALL | VEC AUDIO EXCHANGE | ||||||
| CS222.21 | comp | 0000-00-00 | 0' | PORT SAID | ELF DANCE | VEC AUDIO EXCHANGE | ||||||
| CS222.22 | comp | 0000-00-00 | 0' | NATIONS Opal | TOWER OF SPALOOMA | VEC AUDIO EXCHANGE | ||||||
| CS222.23 | comp | 0000-00-00 | 0' | RADIO MOSCOW | ARTIFICIAL LIGHT | rock | VEC AUDIO EXCHANGE | |||||
| CS222.24 | comp | 0000-00-00 | 0' | SMITH Larry D. | OCTOBER INCIDENT | VEC AUDIO EXCHANGE | ||||||
| CS222.25 | comp | 0000-00-00 | 0' | TISA Antoinette | STORY | VEC AUDIO EXCHANGE | ||||||
| CS222.26 | comp | 0000-00-00 | 0' | MORANDI CONSPIRACY | COMBINATION RAG | VEC AUDIO EXCHANGE | ||||||
| CS222.27 | comp | 0000-00-00 | 0' | HOROBIN Pete | LIVE AT THE BASEMENT | VEC AUDIO EXCHANGE | ||||||
| CS222.28 | comp | 0000-00-00 | 0' | ACONITE | PROFIT DUB | VEC AUDIO EXCHANGE | ||||||
| CS222.28 | comp | 0000-00-00 | 0' | THOMAS Paul | DENIAL | VEC AUDIO EXCHANGE | ||||||
| CS222.29 | comp | 0000-00-00 | 0' | VIZENTS Allan | RED LINE | VEC AUDIO EXCHANGE | ||||||
| CS222.3 | comp | 0000-00-00 | 0' | PSYCHO | KIDS ARE FOR TRICKS | VEC AUDIO EXCHANGE | ||||||
| CS222.30 | comp | 0000-00-00 | 0' | PORTMANTEAU | OVERLOOKING THE INSIGNIA | VEC AUDIO EXCHANGE | ||||||
| CS222.31 | comp | 0000-00-00 | 0' | GIACOMUCCI Ubaldo | INFRANGIBLE | VEC AUDIO EXCHANGE | ||||||
| CS222.32 | comp | 0000-00-00 | 0' | MALZNER Erik | ICHISANGOSICHI | VEC AUDIO EXCHANGE | ||||||
| CS222.33 | comp | 0000-00-00 | 0' | KANE Mike | DARKER SIDE OF AMERICAN POLITICS | VEC AUDIO EXCHANGE | ||||||
| CS222.33 | comp | 0000-00-00 | 0' | ARTFOOT | THE OPERATION | VEC AUDIO EXCHANGE | ||||||
| CS222.34 | comp | 0000-00-00 | 0' | TRUX | TRAX310182 | VEC AUDIO EXCHANGE | ||||||
| CS222.34 | comp | 0000-00-00 | 0' | ABRILE Enzo | NECROINDUSTRIE | VEC AUDIO EXCHANGE | ||||||
| CS222.35 | comp | 0000-00-00 | 0' | SCHMIDT-OLSON Carsten | P.A.V.1070 | VEC AUDIO EXCHANGE | ||||||
| CS222.36 | comp | 0000-00-00 | 0' | REICHLING Klaus | PHONETIC DESTRUCTION | VEC AUDIO EXCHANGE | ||||||
| CS222.37 | comp | 0000-00-00 | 0' | KOSTELANETZ Richard | FROM AUDIO ART | VEC AUDIO EXCHANGE | ||||||
| CS222.38 | comp | 0000-00-00 | 0' | GROH Klaus | HEADLESS GUITAR | VEC AUDIO EXCHANGE | ||||||
| CS222.39 | comp | 0000-00-00 | 0' | FISCHER Roberto | PAUSE | VEC AUDIO EXCHANGE | ||||||
| CS222.4 | comp | 0000-00-00 | 0' | MAHON Dermot | HEAVEN & HELL | VEC AUDIO EXCHANGE | ||||||
| CS222.40 | comp | 0000-00-00 | 0' | ROGUE Frank | FROM AUDIO ANTHOLOGY | VEC AUDIO EXCHANGE | ||||||
| CS222.41 | comp | 0000-00-00 | 0' | F.O.M.T. | VERITY | VEC AUDIO EXCHANGE | ||||||
| CS222.5 | comp | 0000-00-00 | 0' | HEAD CHEESE | TEENAGE IDOL | VEC AUDIO EXCHANGE | ||||||
| CS222.6 | comp | 0000-00-00 | 0' | WINTER Tom | INTRO, GREEK TWEET, PPC | VEC AUDIO EXCHANGE | ||||||
| CS222.7 | comp | 0000-00-00 | 0' | SUMMERS Rod | INTRO, GREEK TWEET | VEC AUDIO EXCHANGE | ||||||
| CS222.9 | comp | 0000-00-00 | 0' | DOWNSBOROUGH Peter | ENROLLEN | VEC AUDIO EXCHANGE | ||||||
| CS14 | impro | 1978-01-01 | 0' | concert | IMPROVISATIONS | improvisation | COLLECTIF CREATION X-TET | |||||
| CS140 | comp | 0000-00-00 | 0' | PARTCH Harry | CASTOR & POLLUX (EXCERPT) | chamber ensemble (instruments built by H.PARTCH), voices | experimental | CRI | University of Illinois Ensemble GARVEY John | |||
| CS140.1 | comp trad | 1957-01-01 | 0' | PARTCH Harry | THE BEWITCHED | chamber ensemble (instruments built by H.PARTCH), voices | early experimental, | CRI | University of Illinois Ensemble GARVEY John, SCHELL Freda | |||
| CS140.3 | comp trad | 1952-01-01 | 0' | PARTCH Harry | THE LETTER | voice, 2 instruments built by H.PARTCH | experimental | CRI | PARTCH Harry, JOHNSTON Ben | |||
| CS141 | comp | 1983-01-01 | 5' | HOPKINS Sarah | DORIAN MODE | str 0.0.1.0 psaltery, voice | improvisational | BANDT Ros, HOPKINS Sarah | demo-tape | |||
| CS141 | comp | 1983-01-01 | 5' | BANDT Ros | LOOPS (EXCERPT) | wd 1.0.0.0 recorders and tape | minimal | BANDT Ros | ||||
| CS141 | impro | 1983-01-01 | 5' | CELLO IMPROVISATION | str 0.0.1.0 | improvisation | HOPKINS Sarah | demo-tape | ||||
| CS141.2 | comp | 1983-01-01 | 0' | BANDT Ros | FLAGONG AND CELLO | str 0.0.1.0 other 1.0.0.0 | improvisational | HOPKINS Sarah, BANDT Ros | ||||
| CS141.5 | comp | 1983-01-01 | 2' | HOPKINS Sarah | PARTICLE FLOW | str 0.0.1.0 synthesizer | minimal | HOPKINS Sarah, BANDT Ros | demo-tape | |||
| CS141.6 | comp | 1983-01-01 | 5' | BANDT Ros | GENESIS | psaltery, tape | minimal, meditative | BANDT Ros | ||||
| CS142 | comp | 0000-00-00 | 15' | MANN Chris | POSITION AS ARGUMENT | str 1.0.0.0 voice, environmental sounds | textsound, soundscape | MANN Chris, DUNN David | ||||
| CS142.2 | comp | 1983-01-01 | 0' | MANN Chris | OTHER | voice, computer | textsound | MANN Chris, BURT Warren | demo-tape |