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N.b. sometimes instruments are saved in x.x.x.x. format, sometimes as text (last field under instruments)
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| Place_code | composer | title | year | duration | instruments | notation | genre | editor |
| B3VAL1 | GABURO Kenneth | CANTILENA FOUR | 1975 | 7 | voices 0.1.0 br 0.0.1.0 voice & trombone | trad | SOUND POETRY | LINGUA |
| A3VAR1 | GABURO Kenneth | COLLABORATION ONE (GABURO'S | 1972 | 0 | Spoken 1 speaker, 6 scribers, 7 projectionists, 2- and 4-channel tape, laser light | graf verb | PERFORMANCE ART - IMAGE AND TEXT | LINGUA |
| A4LIN1 | GABURO Kenneth | DANTE'S JOYNTE LINGUA 1 POEMS AND OTHER THEATERS | 1968 | 0 | Spoken 6 shouting voices, overhead amber spot, 16mm film, 2-channel sound tape 6 voices | graf verb | MUSIC THEATRE | LINGUA PRESS |
| A4LET1 | GABURO Kenneth | DIRIGE [ANTIPHONAE] I-IV | 0 | 0 | Spoken | verb | TEXT-SOUND | |
| B3VAL1 | GABURO Kenneth | LINGUA II: MALEDETTO | 1967 | 30 | voices 7 7 voices | verb | SOUND POETRY | LINGUA |
| A4LIN1 | GABURO Kenneth | MASS | 1958 | 0 | voices 0.0.1 choir = tenors and basses only choir (tenors & basses only) | trad | sacred music | LINGUA PRESS |
| B4SOL1 | GABURO Kenneth | MOUTH-PIECE (SEXTET FOR SOLO TRUMPET) | 1970 | 0 | br 1.0.0.0 projector (slide system) | graf verb | MUSIC THEATRE | LINGUA PRESS |
| B3VAL1 | GABURO Kenneth | NEVER 1 | 1966 | 5 | voices 0.0.1 male voices only; at least 36 singers at least 36 male singers | trad | TEXT COMPOSITION | LINGUA |
| B3VAL1 | GABURO Kenneth | POESIES | 1965 | 12 | Tape 7 (or more) sculptured humans and tape 7 people & tape | verb | MUSIC THEATRE | LINGUA |
| A4LIN1 | GABURO Kenneth | PRIVACY TWO: MY,MY,MY,WHAT A WONDERFUL FALL... | 1974 | 25 | Spoken Tape 5 dancers/acrobats, text on 4-channel audio-tape, sculpted light 5 dancers, tape, light,... | graf verb | textsound, dance | LINGUA PRESS |
| A4LIN1 | GABURO Kenneth | PSALM | 1965 | 0 | voices 0.0.1 voice | trad | SACRED MUSIC | LINGUA PRESS |
| A4LIN1 | GABURO Kenneth | THE BEAUTY OF IRRELEVANT MUSIC | 1976 | 0 | Spoken | verb | SOUND POETRY COMPOSER'S WRITINGS | LINGUA PRESS |
| A4LIN1 | GABURO Kenneth | THE FLOW OF (U) | 1974 | 25 | voices 1.2.0 3 voices | graf verb | INTONATION STUDY | LINGUA PRESS |
| A4LIN1 | GABURO Kenneth | TWENTY SENSING (INSTRUCTION) COMPOSITIONS (BOOK 1) | 1976 | 0 | Spoken | verb | MUSIC THEATRE PEDAGOGICAL | |
| EARVL8N1 | GARLAND David | ANOTHER MISTAKE | 1981 | 0 | voices 1 wd 1.0.0.0 bass flute voice & bass flute | |||
| EARVL8N1 | GARLAND Peter | DAYBREAK | 1982 | 0 | key 0.1.0.0.0 harpsichord | trad | ||
| A4GAR1 | GARLAND Peter | HUMMINGBIRD SONGS | 1974 | 15 | voices 4 handclapping, guiro, didjeridu, whistling, slit drum 4 voices | trad | POST-MINIMAL | PIECES, AN ANTHOLOGY(p1) also in A4ANT1 |
| A4MTX/A | GARLAND Peter | JORNADA DEL MUERTO [FROM 'HERMIT SONGS'] | 1987 | 3 | key 1 piano | trad | POST-MINIMAL | MUSIKTEXTE 22, P.42 |
| A4GAR1 | GARLAND Peter | MATACHIN DANCES | 1981 | 15 | str 2.0.0.0 perc 1.0.0.0 rattles 2 violins, perc | trad | POST-MINIMAL | |
| A4MTX1 | GARLAND Peter | NOSTALGIA OF THE SOUTHERN CROSS [FOR HARP OR PIANO] | 1976 | 5 | key 1 pluck 0.0.0.1 piano or harp piano or harp | trad | POST-MINIMAL | MUSIKTEXTE 1 |
| A4GAR1 | GARLAND Peter | OBSTACLES OF SLEEP | 1973 | 5 | wd 1.O.O.O key 1 perc 4 2 sirens, ratchet,lion's roar; fl.=piccolo flute, piano, 4 perc | trad | POST-MINIMAL | |
| A4GAR1 | GARLAND Peter | THE FALL OF QUANG TRI | 1972 | 3 | key 1 piano | trad | POST-MINIMAL | PERSPECTIVES OF NEW MUSIC VOL.25 |
| A4GAR1 | GARLAND Peter | THE THREE STRANGE ANGELS | 1973 | 4 | key 1 perc 1 perc.= bass drum and bullroarer piano & perc | trad | POST-MINIMAL | |
| A4GAR1 | GARLAND Peter | THREE SONGS OF MAD COYOTE | 1973 | 7 | perc 5 tom-toms; 2 bullroarers, 1 lion's roar; tom-toms, bass drums and pianos 5 perc | trad | POST-MINIMAL | |
| A4GAR1 | GARLAND Peter | THREE VALENTINES FOR SOLO VIOLIN | 1983 | 7 | str 1.0.0.0 | trad | POST-MINIMAL | |
| A4PIA2 | GASSER Ulrich | SKIZZE: CHORALITER | 1986 | 3 | key 1 | trad | EDUCATIONAL | CH PIANO - NEPOMUK |
| A4COL1 | GATTI | SELECTED STUDIES | 0 | 0 | br 0.0.0.2 2 tubas | trad | studie | |
| A4LET1 | GEBBET P.J. | BAROQUE RECONSTRUCTION | 1972 | 0 | at least 5 melodic instr. al least 5 melodic instr. | verb | BAROQUE-LIKE IMPROVISATION | VERBAL ANTHOLOGY - EMC |
| A4PIA4 | GEBBET P.J. | PIECE FOR PIANO | 1970 | 5 | key 1 | trad | MINIMAL | |
| A4ANT1 | GEBBETT Phil | PIECE FOR PIANO | 1970 | 10 | key 1.0.0.0.0 | trad | POST-MINIMAL | SCRATCH ANTHOLOGY - EMC |
| A4PER1 | GEHLAAR Rolf | BECKENSTUCK - TRAJECTORIES | 1969 | 19 | perc 1.0.0.0. Live electronics 1 sound-prokectionist; perc.= 6 cymbals perc & amplification | graf | TIMBRAL/TEXTURAL/SPATIAL | STUDIO VERLAG |
| A4PIA4 | GEHLAAR Rolf | KLAVIERSTUCK 1-2 CONSTELLATIONS | 1971 | 25 | key 1 Tape tape, synthesizer, echo,... piano, synth, echo, tape | trad graf | MOBILE FORM | FEEDBACK STUDIO VERLAG |
| A4STR2 | GEIGER Juergen | HUMORESK | 0 | 0 | str 0.0.1.0 key 1 cello & piano | |||
| A4PIA3 | GENA Peter | JOHN HENRY | 1985 | 5 | key 1 | trad | POST-MINIMAL | VERLAG 'PLANE' |
| A4VOK1 | GENA Peter | MOTHER JONES | 1983 | 6 | voices 0.1.0 key 1 voice & piano | trad | POST-MINIMAL | VERLAG 'PLANE' |
| A4PIA4 | GENA Peter | VALSE | 1977 | 2 | key 1 | trad | NEO-SATIE | WALTZES - PETERS |
| A4FLU2 | GEYSEN Frans | BINNEN EN BUITEN | 1984 | 0 | wd 1.0.0.0 flute | |||
| A4PIA6 | GHISLAIN Olivier | MANDALA 1 | 0 | 0 | key 1 piano | trad | ||
| A4VCL1 | GHISLAIN Olivier | MANDALA 2 | 0 | 0 | str 0.0.2.0 2 cellos | trad | ||
| A4_ANT2 | GIBSON John | EQUAL DISTRIBUTION | 1977 | 0 | wd 1.0.0.0 flute | table of numbers for composition | CCM | |
| A4ANT1 | GIBSON Jon | 30'S | 1971 | 20 | trad | MINIMAL | SCORES - SCHIRMER p.173 | |
| A4ANT2 | GIBSON Stephen | FROM THE SEED THERE WEEPS A WILLOW | 1985 | 10 | wd 0.1.0.0 slides oboe & slides | trad | TIMBRAL/TEXTURAL WORK | PREMIERE 2 |
| A4_ANT2 | GILLERMAN James | 4 PIECES | 0 | 0 | conceptual | CCM | ||
| A4VOK2 | GILS Gust | LITTLE ANNIE'S LONELY SONGBOOK | 1974 | 0 | voices 1 voice | trad | SONGS | WALTER SOETHOUDT |
| B3KAM1 | GINNANES Ingomar | LIPMANNS LEIB | 0 | 18 | str 0.1.0.1 wd 0.0.1.0 key 1 perc 1 1 speaker; 1 actor voices, viola, double bass, clarinet, piano & perc | trad verb | MUSIC THEATRE | |
| A4PIA3 | GLANVILLE-HICKS Peggy | OBEISANCE TO A LUCITE SPECTRUM | 1949 | 3 | key 1 | trad | CAGEIAN | NOTATIONS |
| L_US_SND | GLANVILLE-HICKS Peggy | THOMSONIANA - FIVE EXCERPTS FROM THE DAILY PRESS | 1949 | 15 | str 2.1.1.0 wd 1.0.0.0 br 0.1.0.O key 1 voice, flute, f.horn, piano & string 4tet | trad | HUMORISTIC | SOUNDINGS 14-15 |
| A4ANT1 | GLASS Philip | 1 + 1 | 1968 | 0 | perc 1.0.0.0 amplified table top perc | trad | MINIMAL | SCORES - SCHIRMER p.83 |
| A4PIA4 | GLASS Philip | MODERN LOVE WALTZ | 1977 | 6 | key 1 | trad | MINIMAL | WALTZES - PETERS |
| A4PIA2 | GLAUS Daniel | KLAVIERSTUCK - UBER DIE REIHE DAS KINDERSTUCKS' VON ANTON WEBERN | 1980 | 2 | key 1 | trad | EDUCATIONAL - SERIAL | CH PIANO - NEPOMUK |