Fill in the fields you want to search for. You can also fill in part of a title, name, ...
N.b. sometimes instruments are saved in x.x.x.x. format, sometimes as text (last field under instruments)
Page: 1 ... 8 9 10 20 50 ... last
Place_code | composer | title | year | duration | instruments | notation | genre | editor |
US_LIB | CORNER Philip | A DIFFICULT SOLO | 0 | 0 | verb | indeterminate | Desert Plants - W.Zimmermann | |
A4ANT2 | CORNER Philip | BELL PATH, FORMAL | 0 | 0 | perc 1.0.0.0. bells | verb | SPATIAL | PIECES - SECOND ANTHOLOGY |
A4ANT2 | CORNER Philip | BREATH-HE | 0 | 0 | Spoken breathing | verb | CONCEPTUAL | PIECES - SECOND ANTHOLOGY |
A4ANT1 | CORNER Philip | FANFARE | 1971 | 0 | verb | CONCEPTUAL/IMPROVISATIONAL | SCORES - SCHIRMER p.142 | |
A4ANT2 | CORNER Philip | GAMELAN | 0 | 0 | gamelan or non-pitched percussion orchestra gamelan or non pitched perc. | graf verb | NEW MUSIC | PIECES - SECOND ANTHOLOGY |
MTX46 | CORNER Philip | GAMELAN OF WORDS | 1992 | 0 | verb | |||
A4ANT2 | CORNER Philip | HENRY DAVID THOREAU PERFORMING JOHN CAGE'S SILENT PIECE IN THE CONCORD JAIL | 1964 | 0 | voices 1 voice | verb | CONCEPTUAL -PERFORMANCE ART | PIECES - SECOND ANTHOLOGY |
A4ANT2 | CORNER Philip | ROPE FULL SOUNDS | 1964 | 0 | ropes ropes | verb | CONCEPTUAL | PIECES - SECOND ANTHOLOGY |
A4ANT1 | CORNER Philip | THE F# SECTION IN THE MIDDLE OF THE D MAJOR PRELUDE OF CHOPIN...AS A REVELATION | 1976 | 0 | key 1.0.0.0.0 piano solo with ot without any other instruments piano solo with or without any other instr. | trad verb | MINIMAL | SCORES - SCHIRMER p.175 |
A4ANT2 | CORNER Philip | THE PIECE OF REALITY FOR TODAY | 0 | 0 | verb | CONCEPTUAL | PIECES - SECOND ANTHOLOGY | |
A4VAR1 | CORNER Philip | THE Vq CHORD WHICH BEGINS THE CHOPIN D MAJOR PRELUDE ... AS A REVELATION. | 1989 | 10 | variable instrumentation , including piano variable instr., including piano | trad | minimal | original manuscript |
US_LIB | CORNER Philip | WOWUNUPO (Grizzly Bear Hiding Place) | 0 | 0 | voices 1 voice | verb | textsound | Desert Plants - W.Zimmermann |
A4STR2 | CORNILIOS Nicos | PROS | 1981 | 20 | str 1.1.1.0 violin, viola, cello | trad | TEXTURAL/TIMBRAL | |
B3VAL1 | CORNILIOS Nicos | PROS | 1981 | 15 | str 1.1.1.0 violin, viola, cello | trad | TEXTURAL WORK | |
A4LOG1 | CORTES Jose E. | KK | 0 | 0 | verb | conceptual | ||
A4LOG1 | CORTES Manuel | SONATA-MANIFIESTO | 1965 | 0 | key 1.0.0.0.0 | trad | minimal | |
A3 MAP1 | CORYN Roland | CONCERTO VOOR VIOOL EN ORKEST (1987) | 1987 | 21 | str 3.1.1.1 wd 2.3.3.3 br 2.4.2.1 perc 3.0.0.0.0 | trad | academic | |
A4PIA1 | COSTA LIMA Paolo | FANTASIA op.23 | 1986 | 10 | key 1.0.0.0.0 | trad | UFBA-Brasil anthologie | |
A4GRA1 | COUM | UNSPECIFIC MUSIC | 1973 | 0 | ||||
A4PER1 | COUTELIER Theo | L'ETUDE DU TAMBOUR D'ORCHESTRE - STUDIE VAN DE ORKESTTROMMEL | 1965 | 0 | perc 1.0.0.0 | trad | STUDY MANUAL | METROPOLIS |
L_US_SND | COWELL Henry | TRICKSTER COYOTE | 1941 | 10 | wd 1.0.0.0 perc 1.0.0.0 flute & pecr. | trad | EARLY EXPERIMENTAL | SOUNDINGS 11 |
A4FLU1 | COWELL Henry | TWO-BITS | 1949 | 4 | wd 1.0.0.0 key 1.0.0.0 flute & piano | trad | MELODIC | CUNDY-BETTONEY |
CRAIGA4_ | CRAIG Kate | FLYING LEOPARD | 0 | 0 | video? | CMM | ||
A4STR1 | CRAWFORD Ruth | CHINAMAN, LAUNDRYMAN [ARRANGED BY Alexis ALRICH] | 0 | 4 | voices 0.1.0 pluck 0.0.0.1 mandolin, mandocello voice, harp, mandolin, mandocello | trad | POLITICAL | NEW MUSIC FOR PLUCKED STRINGS-FROG PEAK |
A4STR1 | CRAWFORD Ruth | SACCO, VANZETTI [ARRANGED BY Larry POLANSKY] | 0 | 5 | voices 0.1.0 pluck 1 mandolin, mandola, mandocello, guitar mandolin, mandola, mandocello, guitar | trad | POLITICAL | NEW MUSIC FOR PLUCKED STRINGS-FROG PEAK |
A4ANT1 | CRUMB George | DREAM IMAGES [LOVE-DEATH MUSIC] - FROM MAKROKOSMOS, VOLUME 1 | 1974 | 7 | key 1.0.0.0.0 piano | trad | TIMBRAL/TEXTURAL WORK | SCORES - SCHIRMER p.112 |
A3KAM3 | CRUMB George | MADRIGALS - Books I - II - III IV | 1969 | 0 | str 0.0.0.1 wd 1.0.0.0 perc 0.0.1.0 harp soprano, double bass, vibraphone/perc., harp, flute (+ piccolo + alto flute) | trad | experimental | Peters |
A4TUB1 | CSEKO Luiz Carlos | VIBRACOES GRAVES | 0 | 5 | br 0.0.0.1 or any number of tubas any number of tubas | trad | TIMBRAL/TEXTURAL | |
A4PER2 | CSEKO Luiz Carlos | VOLUME EM SOMBRAS | 1990 | 6 | perc 2 2 perc. | trad | ||
A4KAM2 | CSEMICZKY Miklos | MAQUAM (six duos for flute and viola) | 1979 | 8 | str 0.1.0.0 wd 1.0.0.0 | trad | EDITIO MUSICA BUDAPEST | |
A4MTX/A | CULVER Andrew | BLUE JAY | 1992 | 0 | voices 1 key 1 voice & piano | trad verb | MUSIKTEXTE 46, P.46 | |
A4_ANT2 | CUNO James Bash | THE CONFESSION OF JOHN VORSTER | 1977 | 0 | Spoken text | text | CCM | |
B4PIA1 | CURRAN Alvin | 11 SCHTETL SETTINGS | 1988 | 20 | key 1 piano | trad | post-minimal | |
A4MTX1 | CURRAN Alvin | FOR CORNELIUS | 1982 | 10 | key 1 piano | trad | POST-MINIMAL | MUSIKTEXTE 6, P.39 |
B4PIA1 | CURRAN Alvin | FOR CORNELIUS - PART I & II | 1981 | 20 | key 1 piano | trad | POST-SATIE - MINIMAL | |
US LIB | CURRAN Alvin | FROM 'GRAND PIANO' - PART 2 | 1982 | 10 | key 1 piano | trad | POST-MINIMAL | SOUNDINGS 12 |
A4ANT1 | CURRAN Alvin | PROCESSIONAL | 1971 | 0 | voices 0.0.1 chorus and 1 solo voice choir + solo voice | trad | post-minimal | SCRATCH ANTHOLOGY - EMC p.57 |
A4ANT1 | CURRAN Alvin | ROUNDS | 1969 | 0 | voices 0.0.1 voice | trad | MINIMAL - CHORAL | SCORES - SCHIRMER p.58 |
A4MTX1 | CURRAN Alvin | WHEN MY FEET FELT THE PATH THAT MY EYES COULD NOT SEE | 1993 | 0 | voices 1.1.1.1 optional 1trumpet, 1perc. 4 voices (ad lib. tpt, perc.) | trad | MUSIKTEXTE 53, P.40 | |
B4KAM2 | CUVILIER Charles | THE LILAC DOMINO | 1914 | 0 | voices 1.1.0 key 1 2 voices & piano | trad | popular songs | Feldman |
A4KLA2 | DHAENE Frederic | BRIEF AAN KANDINSKY | 1992 | 0 | Spoken wd 0.0.0.0.1 piano (resonance) & voice bassclarinet | trad | ||
A4ANT1 | DA COSTA Noel G. | FIVE/SEVEN | 1975 | 5 | voices 0.0.1 chorus= only S/A female choir | trad | choral | SCORES - SCHIRMER p.56 |
A4ANT1 | DADSON Philip | PURPOSELESS WORK 1 | 1971 | 0 | verb | MUSIC THEATRE - SCRATCH | SCRATCH ANTHOLOGY - EMC | |
A4DARGE | DARGE Moniek | ABBEYSOUNDS | 1987 | 0 | tapes (soundscape and voices) tape | sound environment/installation | ||
A4DARGE | DARGE Moniek | ABBEYSOUNDS 2 | 1987 | 12 | Spoken soundscape tape | electro-acoustic; tape-work | ||
A4DARGE | DARGE Moniek | ALVI CEBA | 1990 | 0 | str 5.2.1.1 5 violins, 2 violas, cello, dbass | trad | new music | |
A4DARGE | DARGE Moniek | ANTAGONISM | 1982 | 0 | str 1.0.0.0 wd 0.0.1.0 violin & clarinet | graf | experimental | |
A4DARGE | DARGE Moniek | BRATSCHEBRAUT | 1984 | 0 | str 0.1.0.0 viola= prepared viola viola | music theatre | ||
A4DARGE | DARGE Moniek | CLOUDS | 1986 | 0 | str 1.0.0.0 Tape tape: Eurus (pneumaphone built by G.W.RAES); slides violin & tape | audio-visual, elctro-acoustic | ||
A4ANT1 | DARGE Moniek | CREATIVE PLAYING | 0 | 0 | cards containing actions cards | verb | GAME | LOGOS ANTHOLOGY |