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| Place_code | composer | title | year | duration | instruments | notation | genre | editor |
| A4SOL2 | KLUCEVSEK Guy | BANDONEONS, BASIL AND BAY LEAVES | 1993 | 0 | key 0.0.0.1.0 accordion | trad | ||
| A4KAM7 | CHILDS Mary Ellen | PARTERRE | 1988 | 0 | voices 1 wd 0.0.1.1 key 0.0.0.1.0 perc 1.0.0.0 oth wind 1.0.0.0.0 mezzo soprano mezzo soprano, clarinet, bassoon, saxophone, perc. & accordion | trad | ||
| A4SOL2 | CHILDS Mary Ellen | WHISTLING IN THE DARK | 1993 | 0 | key 0.0.0.1.0 accordion | trad | ||
| A4SOL2 | GOODE Daniel | DIET POLKA | 1987 | 6 | key 0.0.0.1.0 accordion | trad | ||
| TYSSENS Albert | KORTE STUKKEN | 1986 | 0 | oth wind 0.1.0.0 oboe | trad | |||
| A4VIE | VIERK Louis V. | BLUE JETS RED SPRITES | 1996 | 0 | key 0.0.0.1.0 accordion | |||
| A4SOL2 | CHILDS Maty Ellen | OA POA POLKA | 1988 | 0 | key 0.0.0.1.0 accordion | |||
| A4SOL2 | LUCIER Alvin | MUSIC FOR ACCORDION WITH SLOW SWEEP PURE WAVE OSCILLATOR | 1993 | 10 | key 0.0.0.1.0 Tape tape or oscillator | |||
| A4SOL2 | KITZKE Jerome | BREATH AND BONE | 1996 | 0 | voices 1 key 0.0.0.1.0 singing or with vocalist singing accordionist or singer & accordionist | trad | ||
| A4KAM8 | KLUCEVSEK Guy | STOLEN MEMORIES | 1993 | 0 | str 1.0.1.1 key 1.0.0.1.0 accordion and/or piano violin, cello, double bass, accordion and/or piano | trad | ||
| A4KAM8 | KLUCEVSEK Guy | TESKNOTA | 1993 | 0 | key 2 4-8 melody instr. or 2 piano's 4 to 8 melody instruments or 2 pianos | |||
| A4KAM8 | KLUCEVSEK Guy | WAVE HILL | 1995 | 0 | key 0.0.0.2 2 accordions | trad | ||
| A4KAM8 | LANZA Alcides | ARGHANUM I | 1986 | 0 | wd 0.0.2.0 key 0.0.0.1.1 perc 1.0.0.0 2 clarinets, accordion, synthesizer and percussion | |||
| A4KLS1 | BACH Johann Sebastian | CONCERTO II FUER VIOLINE (REDUCTION) | 0 | 0 | str 1.0.0.0 key 1 | trad | baroque | PETERS |
| A4KLS1 | BACH Johann Sebastian | O EWIGKEIT, DU DONNERWORT BWV20 (reduction) | 0 | 0 | voices 0.1.1.1 key 1 4-part chorus | trad | baroque | BREITKOPF |
| A4CAG2 | CAGE John | VARIATIONS IV | 1963 | 0 | ||||
| A4CAG2 | CAGE John | VARIATIONS VI | 1963 | 0 | ||||
| A4GDB1 | DE BIEVRE Guy | OF SNOW AND FINE DUST | 1997 | 0 | wd 1.0.0.0 br 1.0.0.1 key 1 synth. flute, trumpet/piano, tuba & synth. | trad | ||
| A4GDB1 | DE BIEVRE Guy | OF SNOW AND FINE DUST | 1997 | 0 | key 1 piano | trad | ||
| A4CAG2 | CAGE John | ONE 8 | 1991 | 44 | str 0.0.1.0 (with or without 108 for orchestra) cello | HENMAR PRESS | ||
| B4KAM2 | SCELSI Giacinto | PRANAM I | 0 | 0 | str 2.1.1.0 wd 1.1.1.1 br 1.1.1.0 Tape voice (mezzo); saxophone; tape mezzo soprano, string quartet, wind quintet, saxophone, trumpet & tromnbone | trad | SALABERT | |
| B4SOL1 | DUSAPIN Paul | ITOU | 1985 | 0 | wd 0.0.0.0.1 bass clarinet | trad | ||
| A3SOL1 | JARRELL Michael | ASSONANCE (POUR PHILIPPE ALBERA) | 1984 | 0 | wd 0.0.1.0 clarinet | trad | ||
| OLD | WEBER Carl Maria von | OBERON (piano reduction) | 0 | 0 | voices 4 key 1 | classical | ||
| OLD | BEETHOVEN Ludwig | FIDELIO (piano reduction) | 0 | 0 | voices 7 key 1 | classical | ||
| OLD | WAGNER Richard | TRISTAN UND ISOLDE (piano reduction) | 0 | 0 | voices 8 key 1 | romantic | ||
| A4MTX/B | BREDEMEYER Reiner | DIE KRAEHE (FROM 'DIE WINTEREISE') | 1984 | 0 | voices 1 br 0.1.0.0 key 1 voice, F.horn, piano | trad | MUSIKTEXTE 64 P.34 | |
| A4CAG2 | CAGE John | ONE | 1988 | 10 | key 1 piano | MUSIKTEXTE 65 | ||
| A4MTX/B | KONDO Jo | BONJIN | 1985 | 7 | str 0.0.0.1 wd 1.0.0.0 5 string double bass; alto flute female voice, alto flute, double bass (5str.) | trad | MUSIKTEXTE 59 P.30 | |
| A4VOR1 | DE MAREZ OYENS Tera | WERKEN MET MODERNE KLANKEN | 1978 | 0 | educational | De Toorts | ||
| GW_LIB | RUEHM Gerhard | EINTONSTUECK FUER KLAVIER | 1952 | 0 | key 1 | trad | in CAGE BOX, p.40 | |
| A4MTX/B | GROSSKOPF Erhard | SIEBEN GESAENGE FUER SOPRAN, AKKORDEON, VIOLINE UND VIOLONCELLO | 1994 | 11 | str 1.0.1.0 key 0.0.0.1.0 soprano | trad | MUSIKTEXTE 67,68 P.15 | |
| L_US_BO | BOWLES Paul | SELECTED SONGS | 0 | 0 | voices 1 key 1 | trad | SOUNDINGS | |
| L_US_BO | BOWLES Paul | THREE GUITAR TRANSCRIPTIONS | 0 | 0 | voices 1 pluck 1 | trad | SOUNDINGS | |
| L_US_SMI | SMITH Leo | RHYTHM | 1976 | 0 | improvisation education | |||
| L_US_LUC | LUCIER Alvin | CHAMBERS | 1968 | 0 | small resonant environments | verb | performance | in CHAMBERS p.3 |
| L_US_LUC | LUCIER Alvin | VESPERS | 1969 | 0 | sondols or other means of echolocation | verb | performance | in CHAMBERS p.16 |
| L_US_LUC | LUCIER Alvin | 1969 | 0 | microphone, tape recorder, amplifier, loudspeaker | verb | performance | in CHAMBERS p.30 | |
| L_US_LUC | LUCIER Alvin | (HARTFORD) MEMORY SPACE | 1970 | 0 | verb | performance | in CHAMBERS p.43 | |
| L_US_LUC | LUCIER Alvin | QUASIMODO THE GREAT LOVER | 1970 | 0 | microphon-amplifier-loudspeaker system(s) live electronic | verb | performance | in CHAMBERS p.55 |
| L_US_LUC | LUCIER Alvin | MUSIC FOR SOLO PERFORMER | 1965 | 0 | amplified brain waves and percussion live electronic | verb | performance | in CHAMBERS p.69 |
| L_US_LUC | LUCIER Alvin | THE DUKE OF YORK | 1971 | 0 | voices 1 synthesiser(s) synth(s) | verb | peformance | in CHAMBERS p.80 |
| L_US_LUC | LUCIER Alvin | THE QUEEN OF THE SOUTH & TYNDALL ORCHESTRATIONS | 1972 | 0 | players, responsive surfaces players | verb | performance | in CHAMBERS p.94 |
| L_US_LUC | LUCIER Alvin | GENTLE FIRE | 1971 | 0 | taperecorder, synthesiser(s) synth., tape | verb | performance | in CHAMBERS p.111 |
| L_US_LUC | LUCIER Alvin | STILL AND MOVING LINES OF SILENCE IN FAMILIES OF HYPERBOLAS | 1973 | 0 | singers, players, dancers and unattended percussion, oscillators singers, players, dancers,... | verb | performance | in CHAMBERS p.128 |
| L_US_LUC | LUCIER Alvin | OUTLINES & BIRD AND PERSON DYNING | 1975 | 0 | microphones, loudspeakers electronic sounds live electronic | verb | performance | in CHAMBERS p.147 |
| L_US_LUC | LUCIER Alvin | MUSIC ON A LONG THIN WIRE | 1977 | 0 | oscillator, electronic monochord live electronic | verb | performance | in CHAMBERS p.160 |
| L_US_MOR | MORROW Charlie | WRITINGS & DRAWINGS (A COLLECTION OF PIECES 1977-93) | 0 | 0 | performance | OTHER MEDIA NEW YORK & STOCKHOLM | ||
| A3SOL1 | COX Frank | CLAIRVOYANCE (cello transcription) | 1995 | 0 | str 0.0.1.0 | trad | ||
| A3SOL1 | COX Frank | RECOIL | 1994 | 0 | str 0.0.1.0 cello | trad |