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Place_code | composer | title | year | duration | instruments | notation | genre | editor |
A4WOL1 | WOLFF Christian | PROSE PIECES - PIT MUSIC | 1968 | 0 | players dug a pit and tie a string above it | verb | CONCEPTUAL | EXPERIMENTAL MUSIC CATALOGUE |
A4WOL1 | WOLFF Christian | PROSE PIECES - PLAY ; PLAY-COLOUR VERSION | 1968 | 0 | verb | CONCEPTUAL | EXPERIMENTAL MUSIC CATALOGUE | |
A4WOL1 | WOLFF Christian | PROSE PIECES - SONG | 1968 | 0 | Spoken 1 singer; any number accompanying | verb | CONCEPTUAL | EXPERIMENTAL MUSIC CATALOGUE |
A4WOL1 | WOLFF Christian | PROSE PIECES - STICKS | 1968 | 0 | sticks of various kinds | verb | CONCEPTUAL | EXPERIMENTAL MUSIC CATALOGUE |
A4WOL1 | WOLFF Christian | PROSE PIECES - STONES | 1968 | 0 | stones | verb | CONCEPTUAL | EXPERIMENTAL MUSIC CATALOGUE |
A4WOL1 | WOLFF Christian | PROSE PIECES - YOU BLEW IT | 1968 | 0 | Spoken | verb | CONCEPTUAL | EXPERIMENTAL MUSIC CATALOGUE |
A4KAM1 | WOLMAN Amnon | MORA | 1985 | 16 | voices 0.2.0 wd 0.1.0.0 perc 1.0.0.0 Tape soprano, mezzo soprano, oboe, perc., tape | trad | CHAMBER OPERA | |
B4PIA1 | WOLPE Stefan | STEHENDE MUSIK | 1925 | 7 | key 1 piano | trad | CONSTRUCTIVIST- BAUHAUS-LIKE | |
A4_ANT2 | WONG Betty Siu Junn | POSSIBLE MUSIC FOR A SILENT WORLD | 1977 | 0 | conceptual | MMC | ||
A4CON1 | WOODROW Paul | BOOK MUSIC | 1972 | 0 | verb | CONCEPTUAL | W.O.R.K.S | |
A4VAR1 | WOODROW Paul | G.A.P.S. General Acoustic Performance System | 1974 | 35 | min. 4 instr. which require breathing as a means by which sound is produced any 4 wind/brass instr | graf verb | spatial | |
A4CON1 | WOODROW Paul | TADPOLE QUARTET | 1972 | 0 | verb | CONCEPTUAL | ||
A4VAR1 | WOODROW Paul | THE FOUR WAYS (An exhibition and ritual performance) | 1974 | 0 | graf verb | music theatre | ||
A4ANT2 | WORTON-STEWARD Andrew | BAGATELLE AND ARIA | 1987 | 5 | key 1 piano | trad | NEO-CLASSICAL | PREMIERE 4 |
A4PIA4 | WUORINEN Charles | SELF-SIMILAR WALTZ | 1977 | 3 | key 1 piano | trad | POST-SERIAL | WALTZES - PETERS |
A4VAR1 | WUTHRICH Hans | KOMMUNIKATIONSSPIELE | 1973 | 0 | ideal nr. of performers: 8-12 ad lib. 8-12 players | graf verb | GAME | MUSIK HUG |
A4ANT2 | WYLLT Dafydd | DEUAWD AND MAYA | 1987 | 3 | key 1 piano | trad | POST-MINIMAL | PREMIERE 4 |
B4SOL1 | XANTHOUDAKIS Haris | HETEROPHONIE | 1974 | 10 | br 0.0.0.1 key 1 perc 2. tuba, piano, 2 perc. | trad | ||
B4SOL1 | XANTHOUDAKIS Haris | LA TRUITE | 1981 | 10 | br 0.0.0.1 tape tuba | trad | citaat | manuscript |
A4TUB1 | XANTHOUDAKIS Haris | UN AUBREGON DE FEU | 1981 | 10 | br 0.0.0.1 synthesizer tuba | trad | ||
A4KAM7 | XENAKIS Iannis | CHARISMA | 1971 | 4 | str 0.0.1.0 wd 0.0.1.0 clarinet & cello | |||
A4VIO1 | XENAKIS Iannis | EMBELLIE | 1981 | 7 | str 0.1.0.0 viola | trad | TIMBRAL/TEXTURAL | SALABERT |
A4MTX2 | XENAKIS Iannis | EMBELLIE POUR ALTO SOLO | 1981 | 7 | str 0.1.0.0 viola | trad | MATHEMATICAL-FORMAL MUSIC | MUSIKTEXTE 13, P.35 |
A4VCL1 | XENAKIS Iannis | NOMOS ALFA | 1965 | 15 | str 0.0.1.0 cello | trad | MATHEMATICAL MUSIC | BOOSEY & HAWKES |
A4FLU1 | YANADIGA Takayoshi | MIRRORS | 1981 | 5 | wd 2.0.0.0 2 flutes | trad | MELODIC-TEXTURAL WORK | JAPAN FEDERATION OF COMPOSERS |
A4VIO1 | YANAGIDA Takayoshi | NEREUS FOR SOLO VIOLIN | 1977 | 10 | str 1.0.0.0 | trad | TIMBRAL/TEXTURAL | JAPAN FEDERATION OF COMPOSERS |
A4FLU1 | YASUMURA Yoshihiro | HAKYOKU | 1975 | 7 | wd 1.0.0.0 flute | trad | TIMBRAL-TEXTURAL | JAPAN FEDERATION OF COMPOSERS |
A4MTH1 | YOSHIZAKI Kiyotomi | FOR RESTLESS NIGHT | 1979 | 9 | Spoken 2 voices | trad | MUSIC THEATRE | JAPAN FEDERATION OF COMPOSERS |
A4MTX2 | YOUNG Douglas | JOURNEY TO THE MOUNTAIN [FROM 'DREAMLANDSCAPES'] | 1983 | 8 | key 1 piano | trad | REPETITIVE - CHROMATIC | MUSIKTEXTE 19, P.11 |
A4CON1 | YOUNG La Monte | COMPOSITION 1960 #10 | 1960 | 0 | verb | CONCEPTUAL | ||
A4CON1 | YOUNG La Monte | COMPOSITION 1960 #7 | 1960 | 0 | trad verb | CONCEPTUAL - MINIMAL | ||
A4SOL1 | YUN Isang | PIRI | 1971 | 0 | wd 0.1.0.0 oboe | trad | ||
B4KAM2 | ZAGAR Peter | FOUR PIECES FOR STRINGS | 1993 | 0 | str 2.1.1.1 strings | trad | ||
A4KAM4 | ZAGAR Peter | MUSIC FOR 2 FL.,2CL.,2BSNS.,STRINGS AND TAPE | 1988 | 8 | str 12.4.4.2 wd 2.0.2.2 | trad | ||
A4KAM4 | ZAGAR Peter | MUSIC FOR VIDEO | 1990 | 0 | str 4.1.1.0 wd 1.0.1.1 key 1 4 violins, viola, cello, flute, clarinet, bassoon, piano | trad | ||
B4KAM2 | ZAGAR Peter | TRIO | 1993 | 0 | str 0.1.1.0. key 1 viola, cello, piano | trad | ||
A4_ANT2 | ZAHURANEC Tom | MUSIC FOR UNDER-DEVELLOPED COUNTRY & YANKEE DOLLAR BILL | 0 | 0 | text & graphic | MMC | ||
A4KAM6 | ZAMAN Jan | DREHBRUECKE | 1995 | 0 | str 0.0.0.1 wd 1.0.1.0 perc 1 cembalo; tape | |||
B3KAM1 | ZAREBSKI Krzysztof | PERFORMANCE II - FOR LOGOS | 1976 | 10 | tape, slides and film show, events | verb | MUSIC THEATRE; IMPROVISATIONAL | |
A4STR1 | ZERVOS George | STRING QUARTET | 1980 | 10 | str 2.1.1.0 | trad | TEXTURAL/TIMBRAL | |
A4VAR2 | ZIMMERLIN Alfred | 3 MAL 3 | 1989 | 20 | any 9 instr. | MIKRO | ||
A4PIA6 | ZIMMERLIN Alfred | 5 PRELUDES (KLAVIERSTUECK 1) | 1982 | 0 | key 1 piano | trad | MIKRO | |
A4PIA6 | ZIMMERLIN Alfred | CLAVIERSTUECK 4 | 1992 | 0 | keyboard (any) any keyboard | MIKRO | ||
A4CLA2 | ZIMMERLIN Alfred | GAENGE | 1988 | 0 | wd 0.0.1.0 live electr. ad lib. clarinet + live electr. ad.lib. | MIKRO | ||
A4PIA6 | ZIMMERLIN Alfred | KLAVIERSTUECK 2 | 1985 | 0 | key 1 piano | trad | MIKRO | |
A4PIA6 | ZIMMERLIN Alfred | KLAVIERSTUECK 3 | 1991 | 0 | key 1 piano | trad | MIKRO | |
A4MTX2 | ZIMMERMAN Walter | HYPNEROS FUR CELLO UND KLAVIER | 1987 | 10 | str 0.0.1.0 key 1 cello, piano | trad | HOMMAGE TO FELDMAN | MUSIKTEXTE 22, P.29 |
A4MTX2 | ZIMMERMAN Walter | ICH, DU, ICH UND DU [AUS DER TANZ UND DER SCHMERZ] | 1980 | 10 | voices 1.0.0 pluck 0.0.0.1 voice, harp | trad | post-minimal | MUSIKTEXTE 12, P.31 |
L_US_SND | ZIMMERMAN Walter | ZEHN FRANKISCHE TANZE - LOKALE MUZIK T 2.1 | 1977 | 10 | str 2.1.1.0 string quartet | trad | POST-MINIMAL | SOUNDINGS 12 |
A4MTX2 | ZIMMERMANN Walter | THE EDGE | 1994 | 0 | str 0.0.1.0 wd 0.0.1.0 key 1 Tape voice, clarinet, cello, piano, tape | electro-acoustic | MUSIKTEXTE 57, P.28 |