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Place_code | composer | title | year | duration | instruments | notation | genre | editor |
A4MTX1 | KAIPAINEN Jouni | APRES MINUIT [FROM 'TROIS MORCEAUX DE L'AUBE'] | 1980 | 4 | str 0.0.1.0 key 1 cello & piano | trad | TIMBRAL-TEXTURAL EXPLORATION | MUSIKTEXTE 9, P.14 |
A4_ANT2 | KALBACH Paul | TWO PIECES | 0 | 0 | graphic | MMC | ||
A4PIA2 | KANZIG Eva | ATSCH | 1986 | 0 | key 1 | trad | EDUCATIONAL - NEO-SATIE | CH PIANO - NEPOMUK |
A3VAR1 | KARAKOSCHKA Erhard | THE MAGIC TRIANGLE | 0 | 0 | graf | |||
B3KAM1 | KARKOSCHKA Erhard | KOLLEKTIVES IMPROVISIEREN - COLLECTIVE IMPROVISATION | 1973 | 0 | trad verb | IMPROVISATIONAL - PEDAGOGICAL | TONOS | |
A3VAR1 | KARKOSCHKA Erhard | KOMPONIERE SELBST (Ein Baukasten aus Klang-, Zeit-, Raum- & Bewegungselementen) | 1972 | 0 | trad graf verb | indeterminate; self-composing tools | Universal | |
A4SOL1 | KARKOSCHKA Erhard | MIT/GEGEN SICH SELBST | 1970 | 0 | oth wind 0.0.0.0.1 Tape recorder & tape | trad | TIMBRAL-TEXTURAL EXPLORATION | HANSLLER VERLAG |
B3KAM1 | KAYN Roland | INERZIALI | 1963 | 0 | chamber orchestra - 5 to 20 players chamber orchestra | graf | CHANCE | MOECK |
A4SOL1 | KEANE David | TURBO TOCCATA | 1989 | 14 | midi-equiped harpsichord midi equiped harpsichord | trad | ||
A4VCL1 | KEARSLEY Robin | DARGASON DREAM | 0 | 0 | str 0.0.3.0 3 celli | trad | SCRATCH | STRING ANTHOLOGY SUPPLEMENT - EMC |
A3SOL1 | KELLER Max E. | ERINNERUNGEN II | 1980 | 4 | key 1.0.0.0.0 piano | trad | post-serial | Edition V |
A3SOL1 | KELLER Max E. | REPETITIONEN I-V | 1980 | 11 | key 0.1.0.0.0 harpsichord | trad | post-minimal | Edition V |
A4PIA2 | KELLER Max Eugene | ERINNERUNGEN III | 1986 | 3 | key 1 | graf | EDUCATIONAL | CH PIANO - NEPOMUK |
A4GRA1 | KELLER Max Eugene | MINIMA | 1970 | 0 | Tape 3 to 7 perf.; 2 tapes see also A4LOG1 3 - 7 perf., 2 tapes | graf | IMPROVISATIONAL | |
A4ELE1 | KELLER Max Eugene | SIE | 0 | 0 | voices 1 Tape voice & tape | verb | CONCEPTUAL - POLITICAL | |
A4_ANT2 | KELLEY Patricia | IF YOU CAN'T DANCE | 0 | 0 | graphic | |||
A4_ANT2 | KELLEY Patricia | THIS TIME | 0 | 0 | key 1 piano | MMC | ||
B4PIA1 | KERNIS Aaron Jay | POISENED NOCTURNES: II/LULLABY | 1987 | 5 | key 1 | trad | new music | |
A4SOL1 | KERNIS Aaron Jay | SUITE IN THREE PARTS | 1983 | 9 | key 1 any keyboard any keyboard | trad | new music | |
A4SOL1 | KERNIS Aaron Jay | SUITE IN THREE PARTS ( for organ) | 1983 | 10 | key 0.0.1 organ | trad | ||
A4CLA1 | KIETZER Robert | SCHOOL VOOR CLARINET | 0 | 0 | wd 0.0.1.0 | trad verb | PEDAGOGICAL TREATISE | MOLENAAR'S MUZIEKCENTRALE |
A4PIA5 | KIEVMAN Carson | THE TEMPORARY & TENTATIVE EXTENDED PIANO | 1977 | 0 | key 1 | trad | Intelligent Compagny Publishers | |
A4FLU1 | KIKKAWA Kazuo | POSTLUDE FOR FLUTE [POO-TEE-WEET] | 1980 | 10 | wd 1.0.0.0 | trad | MELODIC | JAPAN FEDERATION OF COMPOSERS |
A4_ANT2 | KIRCK Robin | PHOTO WITH PHONES AND DAVID BEHRMAN | 0 | 0 | photo | MMC | ||
B4PIA1 | KITAZUME Yayoi | INNER SPACE | 1978 | 10 | key 2 2 pianos | trad | TIMBRAL EXPLORATION | JAPAN FEDERATION OF COMPOSERS |
L_US_SND | KLUCEVSEK Guy | OSCILLATION No. 2 | 1980 | 5 | key 1 piano | trad | POST-MINIMAL | SOUNDINGS 12 |
L_US_SND | KLUCEVSEK Guy | RECIPROCITY No.2 | 1981 | 10 | key 1 piano | trad | POST-MINIMAL | SOUNDINGS 12 |
A4CLA1 | KNITTEL Krzystof | PUNKTY/LINIE | 1973 | 17 | wd 0.0.1.0 tape, slides | trad | new music | |
A4PIA5 | KNITTEL Krzystof | QUATRE PRELUDES POUR PIANO | 1990 | 10 | key 1 | trad | new music | Van Kerkhoven |
A4KAM7 | KNOCKAERT Yves | 987 - REDUCTION I | 1984 | 0 | wd 1.1.1.0 key 1 flute, clarinet, oboe, piano | trad | Eigentijdse Muziek | |
A4KAM7 | KNOCKAERT Yves | LOUIS IN NOLAND | 1985 | 0 | oth wind 0.0.0.0.5 5 recorders | trad | Eigentijdse Muziek | |
A4ANT1 | KNOWLES Alison | PROPOSITION IV [SQUID] | 1973 | 20 | 4 or 5 perf. 4 - 5 perf. | verb | MUSIC THEATRE | SCORES - SCHIRMER P.301 |
A4FLU1 | KOBAYASHI Ken-Ichiro | TENTATIO 1 [TAKU] & 2 [REIBO] | 1978 | 8 | wd 1.0.0.0 | trad | TIMBRAL-TEXTURAL | JAPAN FEDERATION OF COMPOSERS |
A4ANT1 | KOBLITZ David | HARMONICA MONDAY PART II | 1974 | 4 | str 0.0.1.0 6 harmonicas 6 harmonicas | trad | TIMBRAL/POST-MINIMAL | SCORES - SCHIRMER P.179 |
A4ANT1 | KOBLITZ David | RIGOR VITUS | 1973 | 0 | 3 or more of the same instr. 3 or more identical instr | trad | POST-MINIMAL | SCORES - SCHIRMER P.178 |
A4MTX1 | KOCH-RAPHAEL Erwin | SEKITEI - DER STEINERNE GARTEN (OP.17) | 1979 | 12 | str 1.0.0.0 violin | trad | MUSIKTEXTE 54, P.18 | |
B4KAM1 | KOCSAR Miklos | DIALOGHI | 1968 | 9 | wd 0.0.0.1 key 1 bassoon & piano | trad | serial music | Editio Musica Budapest 1968 |
A4SOL1 | KOCSIS Zoltan | UTOLSO ELOTTI TALALKOZAS | 1981 | 7 | key 1.1.0.0.0 Cembalo or Piano cembalo or piano | trad | contemporary | Editio Musica Budapest |
A4VIO1 | KODALY Zoltan | INTERMEZZO (from | 0 | 0 | str 1.0.0.0 key 1 | trad | N | Universal Editions |
A4VAR1 | KODALY Zoltan | PANGE LINGUA | 0 | 0 | voices 1.1.1.1 key 0.0.1 choir & organ | trad | religious,choir | Universal Edition |
A4CON1 | KOEPCKE Arthur | CIGARETTE PIECE - FIRST VERSION | 1962 | 0 | verb | CONCEPTUAL - PERFORMANCE ART | ||
A4PIA4 | KOHN Karl | WALTZ | 1977 | 3 | key 1 | trad | WALTZES - PETERS | |
A4VIO1 | KOIVULA Kari | EPODOS | 1986 | 2 | str 1.0.0.0 | trad | Jasemusiikki 1986 | |
A4PIA5 | KONDO Jo | CLICK CRACK | 1973 | 10 | key 1 | trad | experimental | Zen-On |
A4KAM3 | KONDO Jo | ORIENT ORIENTATION | 1973 | 7 | trad | |||
A4PIA5 | KONDO Jo | SIGHT RHYTHMICS | 1975 | 10 | key 1 | trad | ||
B4SOL1 | KOONCE Paul | ESCAPE TONE | 1988 | 15 | wd 1.0.0.0 flute | trad | microtonal extended techniques | manuscript |
A4SOL1 | KORTEKANGAS Olli | KORAALI 'PUNAVUOREN NUOTIKIRJASTA' | 1986 | 2 | key 0.0.1 harmonium harmonium | trad | Jasemusiikki 1986 | |
A4CON1 | KOSUGI Takehisa | TENDER MUSIC | 1965 | 0 | objects objects | verb | CONCEPTUAL - FLUXUS | |
A4PIA1 | KRAFT Leo | STATEMENTS AND COMMENTARIES [***incomplete***] | 1965 | 0 | key 1 | trad |