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| Place_code | title | publication title | publication date | page nr. | nr. of pages | properties | writer | subjects | ISBN | editor | language | remarks |
| OS2/2 | SURVIVAL OR RENEWAL? STRUCTURAL IMAGINATION IN RECENT ELECTROACOUSTIC AND COMPUTER MUSIC | ORGANISED SOUND | 1997-08-08 | 83 | 13 | Article | GRABOCZ Marta | GRABOCZ Marta, MACROSTRUCTURES, INSPIRAT.SOURCE | 1355-7718 | |||
| OS2/2 | A PERCEPTUAL APPROACH TO THE ANALYSIS OF J.C. RISSET'S SUD:... | ORGANISED SOUND | 1997-08-08 | 97 | 10 | Article | FERREIRA Giselle Martins | FERREIRA Giselle, RISSET J.C., SUD, PERCEPTION,ANALYSIS | 1355-7718 | |||
| OS2/2 | SPECTROMORPHOLOGY: EXPLAINING SOUND-SHAPES | ORGANISED SOUND | 1997-08-08 | 107 | 20 | Article | SMALLEY Denis | SMALLEY Denis, SPECTROMORPH. | 1355-7718 | |||
| OS2/2 | THE PHASE VOCODER: THEORY AND PRACTICE | ORGANISED SOUND | 1997-08-08 | 127 | 19 | Article | FISCHMAN Rajmil | FISCHMAN Rajmil, FOURIER ANALYS., PHASE VOCODER | 1355-7718 | |||
| CMJ21/1 | SOCIOLOGICAL, ARTISTIC, AND PEDAGOGICAL FRAMEWORKS FOR ELECTRONIC ART | COMPUTER MUSIC JOURNAL | 1997-03-03 | 18 | 8 | Article | POVALL Richard | POVALL Richard, SOCIOLOGY, PEDAGOGY, ART,AND ELECTR. MUS | 0148-9267 | |||
| CMJ21/1 | ELECTRONIC MUSIC: FROM ANALOG CONTROL TO COMPUTERS | COMPUTER MUSIC JOURNAL | 1997-03-03 | 26 | 3 | Article | KROPFL Francisco | KROPFL Franc., ELECTRONIC MUSI, ARGENTINA, LIPM | 0148-9267 | |||
| CMJ21/1 | AN INTRODUCTION TO COMMON MUSIC | COMPUTER MUSIC JOURNAL | 1997-03-03 | 29 | 6 | TAUBE Heinrich | TAUBE Heinrich, COMMON MUSIC | 0148-9267 | ||||
| CMJ21/1 | SOUNDHACK: A BRIEF OVERVIEW | COMPUTER MUSIC JOURNAL | 1997-03-03 | 35 | 4 | Article | ERBE Tom | ERBE Tom, SOUNDHACK | 0148-9267 | |||
| CMJ21/1 | MIDI FORMERS | COMPUTER MUSIC JOURNAL | 1997-03-03 | 39 | 2 | Article | DE LAUBIER Serge | DE LAUBIER S., MIDI FORMERS | 0148-9267 | |||
| CMJ21/1 | THEBACKTOBASICS JUST-IN-TIME-PRE-PRODUCTION PARADIGM | COMPUTER MUSIC JOURNAL | 1997-03-03 | 41 | 2 | Article | STRAMAGLIA Mark | STRAMAGLIA M., BACKTOBASICS, SAMPLING | 0148-9267 | |||
| CMJ21/1 | SOUNDMAKER PLUG-INS | COMPUTER MUSIC JOURNAL | 1997-03-03 | 43 | 4 | Article | NORRIS Michael | NORRIS Michael, SOUNDMAKER, AMPLITUDE EFFEC, TIME STRETCHING,SPECTRAL EFFECT | 0148-9267 | |||
| CMJ21/1 | THE HIERARCHICAL STRUCTURE OF TIME AND METER | COMPUTER MUSIC JOURNAL | 1997-03-03 | 47 | 11 | Article | YAKO Masako | TIME, METER, HIERARCHY | 0148-9267 | |||
| CMJ21/1 | THE SEARCH FOR ADAPTATIONS IN SONG MELODIES | COMPUTER MUSIC JOURNAL | 1997-03-03 | 58 | 10 | Article | BAKHMUTOVA e.a. Irene | BAKHMUTOVA I., GUSEV V., TITKOVA T., SONG ANALYSIS | 0148-9267 | |||
| CMJ21/1 | LARRY AUSTIN: ROBERT KEEFE... | COMPUTER MUSIC JOURNAL | 1997-03-03 | 72 | 2 | Review | HARTMANN Robert | HARTMANN Robert, AUSTIN Larry, CD-REVIEW | 0148-9267 | |||
| CMJ21/1 | FRANCOISE BARRIERE: FRANCOISE BARRIERE | COMPUTER MUSIC JOURNAL | 1997-03-03 | 74 | 1 | Review | PITCHER Gavin | PITCHER Gavin, BARRIERE F., CD-REVIEW | 0148-9267 | |||
| CMJ21/1 | OKTOPHONIE | COMPUTER MUSIC JOURNAL | 1997-03-03 | 74 | 2 | Review | VAN SCHOONHOVEN Vik | VAN SCHOONHOVEN, STOCKHAUSEN K., CD-REVIEW, OKTOPHONIE | 0148-9267 | |||
| CMJ21/2 | JUAN BLANCO: CUBA'S PIONEER OF ELECTROACOUSTIC MUSIC | COMPUTER MUSIC JOURNAL | 1997-06-06 | 10 | 11 | Article | LEONARD III Neil | LEONARD III N., BLANCO Juan, CUBAN MUSIC | 0148-9267 | |||
| CMJ21/2 | ANALYTICAL METHODS FOR GROUP ADDITIVE SYNTHESIS | COMPUTER MUSIC JOURNAL | 1997-06-06 | 21 | 19 | Article | OATES Shaun | OATES Shaun, EAGLESTONE B., GAS, CLUSTERING | 0148-9267 | |||
| CMJ21/2 | A MULTIDIMENSIONAL SCALING ANALYSIS OF MUSICAL INSTRUMENTS... | COMPUTER MUSIC JOURNAL | 1997-06-06 | 40 | 16 | Article | HOURDIN a.o. Christophe | HOURDIN C., CHARBONNEAU G., MOUSSA T., SPECTRUM-TIME,INSTRUMENTS | 0148-9267 | |||
| CMJ21/2 | A SOUND-SYNTHESIS TECHNIQUE BASED ON MULTIDIMENSIONAL SCALING OF SPECTRA | COMPUTER MUSIC JOURNAL | 1997-06-06 | 56 | 13 | Article | HOURDIN a.o. Christophe | HOURDIN Christ., CHARBONNEAU G., MOUSSA T., SOUND SYNTHESIS,SPECTRA SCALING | 0148-9267 | |||
| CMJ21/2 | MUSICAL APPLICATIONS OF ELECTRIC FIELD SENSING | COMPUTER MUSIC JOURNAL | 1997-06-06 | 69 | 21 | Article | PARADISO Joseph A. | PARADISO J., GERSHENFELD N., ELECTRIC FIELD, FIELD SENSING | 0148-9267 | |||
| CMJ21/2 | SYNTHESE 96 | COMPUTER MUSIC JOURNAL | 1997-06-06 | 90 | 3 | Review | THRALL Michael | BOURGES 96, GMEB, THRALL Michael | 0148-9267 | |||
| CMJ21/2 | JOEL CHADABE: AFTER SOME SONGS | COMPUTER MUSIC JOURNAL | 1997-06-06 | 94 | 1 | Review | BURT Warren | BURT Warren, CHADABE Joel, CD-REVIEW | 0148-9267 | |||
| CMJ21/2 | NEIL B. ROLNICK: REQUIEM SONGS | COMPUTER MUSIC JOURNAL | 1997-06-06 | 96 | 1 | Interview | CUMMINGS Robert | CUMMINGS Robert, ROLNICK Neil B., CD-REVIEW | 0148-9267 | |||
| CMJ21/2 | TREVOR WISHART: TONGUES OF FIRE | COMPUTER MUSIC JOURNAL | 1997-06-06 | 97 | 1 | Review | CUMMINGS Robert | CUMMINGS Robert, WISHART Trevor, CD-REVIEW | 0148-9267 | |||
| CMJ21/2 | DAVID JAFFE: THE SEVEN WONDERS OF THE ANCIENT WORLD | COMPUTER MUSIC JOURNAL | 1997-06-06 | 98 | 1 | Review | FIELDS Ken | JAFFE David, FIELDS Ken, CD-REVIEW | 0148-9267 | |||
| CMJ21/3 | ACOUSMATIC MORPHOLOGY: AN INTERVIEW WITH FRANCOIS BAYLE | COMPUTER MUSIC JOURNAL | 1997-09-09 | 11 | 9 | Interview | DESANTOS Sandra | BAYLE Francois, DESANTOS Sandra, ACOUSMATICS, INA-GRM,MUSIQE CONCRETE | 0148-9267 | |||
| CMJ21/3 | THE COMPOSER'S UNDERSCORING ENVIRONMENT:CUE | COMPUTER MUSIC JOURNAL | 1997-09-09 | 20 | 18 | Article | COPE David | COPE David, CUE, COMP.MUS.PROGR. | 0148-9267 | |||
| CMJ21/3 | PHYSICALLY INFORMED SONIC MODELING (PHISM): SYNTHESIS OF PERCUSSIVE SOUNDS | COMPUTER MUSIC JOURNAL | 1997-09-09 | 38 | 12 | Article | COOK Perry R. | COOK Perry, PHISM, PERCUSSION, SYNTHESE METHOD | 0148-9267 | |||
| CMJ21/3 | MACHINE TONGUES XIX: NYQUIST, A LANGUAGE FOR COMPOSITION AND SOUND SYNTHESIS | COMPUTER MUSIC JOURNAL | 1997-09-09 | 50 | 11 | Article | DANNENBERG Roger B. | DANNENBERG R., NYQUIST, COMPUT. LANGUGE | 0148-9267 | |||
| CMJ21/3 | ABSTRACT TIME WARPING OF COMPOUND EVENTS AND SIGNALS | COMPUTER MUSIC JOURNAL | 1997-09-09 | 61 | 10 | Article | DANNENBERG Roger | DANNENBERG R., TIME FUNCTIONS, TIME WARPING | 0148-9267 | |||
| CMJ21/3 | THE IMPLEMENTATION OF NYQUIST, A SOUND SYNTHESIS LANGUAGE | COMPUTER MUSIC JOURNAL | 1997-09-09 | 71 | 12 | Article | DANNENBERG Roger B. | DANNENBERG Roge, NYQUIST, SOUND SYNTHESE | 0148-9267 | |||
| CMJ21/3 | REAL-TIME SOFTWARE SYNTHESIS ON SUPERSCALAR ARCHITECTURES | COMPUTER MUSIC JOURNAL | 1997-09-09 | 83 | 12 | Article | DANNENBERG Roger B. | DANNENBERG Roge, THOMPSON Nick, SUPERSCALAR, SOFTWARE SYNTH. | 0148-9267 | |||
| CMJ21/3 | JIM '96: THIRD JOURNEES D'INFORMATIQUE MUSICALE | COMPUTER MUSIC JOURNAL | 1997-09-09 | 95 | 2 | Review | CHEMILLIER Marc | CHEMILLIER M., ASSAYAG G., JIM '96 FRANCE | 0148-9267 | |||
| CMJ21/3 | ACADEMIE BOURGES: AESTHETICS AND ELECTROACOUSTIC MUSIC | COMPUTER MUSIC JOURNAL | 1997-09-09 | 98 | 2 | Review | KAISER Karl | KAISER KARL, AESTHETICS, GMEB | 0148-9267 | |||
| CMJ21/3 | JOEL CHADABE: ELECTRIC SOUND: THE PAST AND PROMISE OF ELECTRONIC MUSIC | COMPUTER MUSIC JOURNAL | 1997-09-09 | 100 | 1 | Review | ARPEL Anna Laura | CHADABE Joel, HIST.ELECTR.MUS, ARPEL Anna L. | 0148-9267 | |||
| CMJ21/3 | STAN TEMPELAARS: SIGNAL PROCESSING, SPEECH, AND MUSIC | COMPUTER MUSIC JOURNAL | 1997-09-09 | 101 | 1 | Review | SCHIMMEL Claude | SCHIMMEL Claude, TEMPELAARS Stan, SIGNAL PROCESS. | 0148-9267 | |||
| CMJ21/3 | DAVID COPE: EXPERIMENTS IN MUSICAL INTELLIGENCE | COMPUTER MUSIC JOURNAL | 1997-09-09 | 102 | 1 | Review | COPE David | COPE David, PUTNAM Karl W., EMI, STYLE IMITATION,MUSICAL INTELL. | 0148-9267 | |||
| CMJ21/3 | WESLEY FULLER AND THOMAS DELIO: 20TH CENTURY AMERICAN MUSIC... | COMPUTER MUSIC JOURNAL | 1997-09-09 | 104 | 1 | Review | SCHENKER Boris | SCHENKER Boris, FULLER Wesley, DELIO Thomas, CD-REVIUEW | 0148-9267 | |||
| CMJ21/3 | NEW MUSIC FROM THE AMERICAS,3: TRANSMUTATIONS, MUSIC FOR VOICE, PIANO AND ELECTRONICS | COMPUTER MUSIC JOURNAL | 1997-09-09 | 105 | 1 | Review | DEANE Anne | DEANE Anne, LANZA A., KASEMETS U., PENNYCOOK B.,CD-REVIEW | 0148-9267 | |||
| CMJ21/3 | PRISCILLA AND BARTON MCLEAN: RAINFOREST IMAGES | COMPUTER MUSIC JOURNAL | 1997-09-09 | 107 | 1 | Review | GOLEA Velma | GOLEA Velma, MCLEAN P.and B., CD-REVIEW | 0148-9267 | |||
| CMJ21/3 | WARREN BURT: 39 DISSONANT ETUDES | COMPUTER MUSIC JOURNAL | 1997-09-09 | 108 | 1 | Review | MOSS Shirley | MOSS Shirley, BURT Warren, CD-REVIEW | 0148-9267 | |||
| CMJ21/4 | TOWARD A TAXONOMY OF LATIN AMERICAN ELECTROACOUSTIC AND COMPUTER MUSIC | COMPUTER MUSIC JOURNAL | 1997-12-12 | 5 | 2 | Article | FUMAROLA Martin | FUMAROLA Martin, LATIN AMERICA | 0148-9267 | |||
| CMJ21/4 | THE BEGINNINGS OF ELECTRONIC MUSIC IN JAPAN, WITH A FOCUS ON THE NHK STUDIO: THE 195OS AND 1960S | COMPUTER MUSIC JOURNAL | 1997-12-12 | 11 | 14 | Article | LOUBET Emmanuelle | JAPAN, ELECTR. MUSIC, LOUBET E., NHK STUDIO | 0148-9267 | |||
| CMJ21/4 | MODELING ANALOG SYNTHESIS WITH DSPs | COMPUTER MUSIC JOURNAL | 1997-12-12 | 23 | 19 | Article | LANE John | ANALOG SYNTHESI, DSP, LANE John, HOORY Dan,MARTINEZ Ed | 0148-9267 | |||
| CMJ21/4 | DISTRIBUTED PARALLEL PROCESSING: LESSONS LEARNED FROM A 160-TRANSPUTER NETWORK | COMPUTER MUSIC JOURNAL | 1997-12-12 | 42 | 13 | Article | ITAGAKI Takebumi | ITAGAKI Takeb., PARALLEL PROC., MANNING Peter, PURVIS A.,160-TRANSPUTER | 0148-9267 | |||
| CMJ21/4 | A COMPARISON OF WAVETABLE AND FM PARAMETER SPACES | COMPUTER MUSIC JOURNAL | 1997-12-12 | 55 | 31 | Article | HORNER Andrew | HORNER Andrew, WAVETABLE SPACE, FM PARAMET.SPAC | 0148-9267 | |||
| CMJ21/4 | FLORIVALDO MENEZES (EDITOR): MUSICA ELECTROACUSTICA | COMPUTER MUSIC JOURNAL | 1997-12-12 | 88 | 1 | Review | PALOMBINI Carlos | MENEZES Flor., SCHAEFFER P., PALOMBINI C., BOOK REVIEW | 0148-9267 | |||
| CMJ21/4 | IANNIS XENAKIS | COMPUTER MUSIC JOURNAL | 1997-12-12 | 89 | 6 | Review | HARLEY James | HARLEY James, XENAKIS I., CD-REVIEWS | 0148-9267 | |||
| CMJ21/4 | ROBERT BLACK: STATE OF THE BASS | COMPUTER MUSIC JOURNAL | 1997-12-12 | 94 | 1 | Review | MARWEG Roberta | MARWEG Roberta, BLACK Robert, CD-REVIEW | 0148-9267 |