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Place_code title publication title publication date page nr. nr. of pages properties writer subjects ISBN editor language remarks
MW69THE ART OF THE IMPOSSIBLEMUSICWORKS1997-12-12184Article
GRAY D'Arcy PhilipGRAY D'Arcy, TUDOR David, FLUORESCENT SOU, RAINFOREST,NEURAL PIECES0225-686X
MW69CITY SITES AS PERFORMANCE SETTINGSMUSICWORKS1997-12-12226Article
SZLAVNICS ChiyokoSZLAVNICS Chiyo, CITIES, PERFORM. PLACES, ENVIRONMENT0225-686X
MW69HOLLAND BLUNTS THE CUTTING EDGEMUSICWORKS1997-12-12284Article
VAN PEER ReneAPOLLO HUIS, VAN PEER Rene, PANHUYSEN Paul0225-686X
MW69ANTARCTICA: AUSTRAL SOUNDSCAPESMUSICWORKS1997-12-12326Article
QUIN DouglasQUIN Douglas, ANTARCTICA, SEALS-PENGUINS, SOUNDSCAPE0225-686X
MW69DE LA COMPOSITION TRADITIONNELLE A L'IMPROVISATIONMUSICWORKS1997-12-12384Article
HYLAND MarcHYLAND Marc, IMOROVISATION, CHROMA, VIRTUAL PIANO0225-686X
MW69DARING THE WILDERNESS: THE MUSIC OF JAMES HARLEYMUSICWORKS1997-12-12429Article
COUROUX MarcCOUROUX Marc, HARLEY James, COMPOSITION0225-686X
MW69TIME...ON DITMUSICWORKS1997-12-12523Article
BRAKHAGE StanBRAKHAGE Stan, ELDER Bruce, CHAMBERS Jack0225-686X
MW69A LOOK BACKMUSICWORKS1997-12-12591Review
DOBINSON MichaelCD-REVIEW, R.MURR. SCHAFER, DOBINSON Michae, ORCHESTRAL WORK0225-686X
MW69CHEMISTRY IN MUSICMUSICWORKS1997-12-12591Review
VAN PEER ReneCD-REVIEW, ZUMMO Peter, VAN PEER Rene, TROMBONE0225-686X
MW69GENERATION GAPMUSICWORKS1997-12-12611Review
DOBINSON MichaelCD-REVIEW, CHERNEY Lawr., OBOE, DOBINSON Michae0225-686X
MW69MEMBERS OF LOGOS DUO COMPOSE THEMSELVESMUSICWORKS1997-12-12621Review
DUTTON PaulCD-REVIEW, LOGOS DUO, LOGOS WORKS, DUTTON Paul0225-686X
EMI13#3THE FREE REEDEXPERIMENTAL MUSICAL INSTRUMENTS1998-03-0364Article
HEARST MichaelFREE REEDS, HEARST Michael, HOHNER, ,INSTRUMENT BUILDING0883-0754
EMI13#3POEME ELECTRONIQUEEXPERIMENTAL MUSICAL INSTRUMENTS1998-03-03106Article
WILDING-WHITE RayPHILIPS PAVILIO, E. VARESE, EXPO '58, XENAKIS,INSTRUMENT BUILDING0883-0754
EMI13#3HUNKA HUNKA CHURNIN' WOOD- A 2X4 CONTEST ENTRYEXPERIMENTAL MUSICAL INSTRUMENTS1998-03-03162Article
LIESTMAN ArtLIESTMAN Art, ANGKLUNG, , ,INSTRUMENT BUILDING0883-0754
EMI13#3EMPTY VESSELS Readymade resonators for string instrumentsEXPERIMENTAL MUSICAL INSTRUMENTS1998-03-03183Article
WHITEHEAD PeterWHITEHEAD Peter, RESONATORS, STRING RESONATO, ,INSTRUMENT BUILDING0883-0754
EMI13#3A SONIC ODYSSEY AND QUEST FOR CLARITYEXPERIMENTAL MUSICAL INSTRUMENTS1998-03-03214Article
HORSEFIELD PeterHORSEFIELD Pete, HARP DESIGN, , ,INSTRUMENT BUILDING0883-0754
EMI13#3SOUND SCULPTURE FROM HUNGARYEXPERIMENTAL MUSICAL INSTRUMENTS1998-03-03263Article
JOHNSON KimSOUND SCULPTURE, MODER Rezso, BUDAHELYI Tibor, JOHNSON Kim,INSTRUMENT BUILDING0883-0754 \
EMI13#3ELLEN FULLMAN'S LONG STRING INSTRUMENTEXPERIMENTAL MUSICAL INSTRUMENTS1998-03-03283Article
HOVANCSEK MikeLONG STRINGS, FULLMAN Ellen, HOVANCSEK Mike, ,INSTRUMENT BUILDING0883-0754
EMI13#3RAMBLINGSEXPERIMENTAL MUSICAL INSTRUMENTS1998-03-03302Article
HOPKIN BartHOPKIN Bart, HARP BUILDING, , ,INSTRUMENT BUILDING0883-0754
EMI13#3FROM FLUTES TO NUTS OR A SPRING EGG ROLLEXPERIMENTAL MUSICAL INSTRUMENTS1998-03-03323Article
GOODFELLOW RobinGOODFELLOW R., EGG FLUTES, OCARINA, CHILDREN GAME,INSTRUMENT BUILDING0883-0754
EMI13#3BUCKET DRUM TOMS AND THE MARCHING MARIMBAEXPERIMENTAL MUSICAL INSTRUMENTS1998-03-03353Article
KRUSKAL JodyKRUSKAL Jody, BUCKET DRUMS, REFUSAL PLASTIC, PERCUSSION,INSTRUMENT BUILDING0883-0754
EMI13#3THE TUNING MONOCHORDEXPERIMENTAL MUSICAL INSTRUMENTS1998-03-03381Review
BOGDANOWITSCH SashaMONOCHORD, BOGDANOWITSCH S, VAN REE BERNARD, KEYED MONOCHORD,INSTRUMENT BUILDING0883-0754
EMI13#3ENCLOSURE:3EXPERIMENTAL MUSICAL INSTRUMENTS1998-03-03391Review
BURT WarrenPARTCH H., BLACKBURN P., BIOGRAPHY, BURT Warren,INSTRUMENT BUILDING0883-0754
L_US_RODTRANSLATIONS & ARTICULATIONS1997-12-01015Book
RODEN SteveRODEN, Steve, VISUAL, PERFORMANCEGRIFFIN CONTEMP. EXH ENGLISH CD 848
LMJ7/97TO BE AND NOT TO BE: ASPECTS OF THE INTERACTION BETWEEN INSTRUMENTAL AND ELECTRONIC COMPOSITIONAL METHODSLEONARDO MUSIC JOURNAL1997-07-0738Article
MENEZES FloELECTROAC. MUSI, COMPOSITION, MENEZES Flo, PARCOURS DE L'E0961-1215
LMJ7/97EXPERIENCES IN DIGITAL TERRAIN: USING DIGITAL ELEVATION MODELS FOR MUSIC AND INTERACTIVE MULTIMEDIALEONARDO MUSIC JOURNAL1997-07-07115Article
THIBAULT BillTHIBAULT Bill, GRESHAM-LANCAST, DIG.ELEV.MODELS, MULTI-MEDIA0961-1215
LMJ7/97QUOTATION AND CONTEXT: SAMPLING AND JOHN OSWALD'S PLUNDERPHONICSLEONARDO MUSIC JOURNAL1997-07-07179Article
HOLM-HUDSON KervinOSWALD John, QUOTATION, SAMPLING, HOLM-HUDSON K.,COPYRIGHT0961-1215
LMJ7/97THE EVOLUTION OF MUSICAL ORGANISMSLEONARDO MUSIC JOURNAL1997-07-07277Article
DEGAZIO BrunoGENETIC ALGORIT, DEGAZIO Bruno, MUS.ORGAN.EVOLV, MIDIFORTH0961-1215
LMJ7/97PROPOSITIONAL MUSIC: ON EMERGENT PROPERTIES IN MORPHOGENESIS AND THE EVOLUTION OF MUSICLEONARDO MUSIC JOURNAL1997-07-07355Article
ROSENBOOM DavidROSENBOOM David, PROPOSIT. MUSIC, COMP. METHOD, IMPROVISATION0961-1215
LMJ7/97ONLINE SOUND AND VIRTUAL ARCHITECTURELEONARDO MUSIC JOURNAL1997-07-07436Article
CUBITT SeanCUBITT Sean, COMMUNICATION, COMMUNITY, KHAN Pervaiz,DE ROOY Felix0961-1215
LMJ7/97MACHINE LEARNING AND SOUND DESIGN: A CASE STUDYLEONARDO MUSIC JOURNAL1997-07-07497MIRANDA Eduardo ReckMIRANDA Eduardo, MACHINE LEARNIN, GENER.PERC.ATTR, ARTIST0961-1215
LMJ7/97COCKS CROW, DOGS BARK: NEW COMPOSITIONAL INTENTIONSLEONARDO MUSIC JOURNAL1997-07-07611Review
POLANSKY LarryPOLANSKY Larry, CD-REVIEW, TENNEY James, JOHNSON Tom,BURT Warren0961-1215
LMJ7/97METAMUSIC/METATEXT: THE BLURRY BOUNDARIES...LEONARDO MUSIC JOURNAL1997-07-07734Article
DIDKOVSKY NickDIDKOVSKY Nick, METAMUSIC, DOWNTOWN ENSEM., COMPUTER COMP.,MARKOV PROCESS0961-1215
LMJ7/97THIS IS ART, NOT SCIENCELEONARDO MUSIC JOURNAL1997-07-07774Article
MONRO GordonSYNTHESIS, DIGITAL SYNTHESIS, ALGORITHMIC COMP., DRY RIVERS0961-1215
LMJ7/97MY COMPUTER-COMPOSED INSTRUMENTAL WORKS OF THE 1980SLEONARDO MUSIC JOURNAL1997-07-07811Article
AMES CharlesAMES Charles, ARTIFACTS, COMPUTER-COMP., COMP. NOTES,ALGORITHMIC COMP0961-1215
LMJ7/97MICROTONAL AND STRUCTURAL ASPECTS OF MY MONODIES I AND IILEONARDO1997-07-07812Article
BURT WarrenBURT Warren, MONODIES I-II, MICROTONALITY, GUITAR,COMPOS. NOTES0961-1215
LMJ7/97NOTES ON LEONARDO MUSIC JOURNAL1997-07-07832Article
FELDMAN DavidFELDMAN David, COMPOSIT. NOTES, STILL PLENTY0961-1215
LMJ7/97JUICY SPEECH MAKES MELODIES WITH COMPUTER VOICESLEONARDO MUSIC JOURNAL1997-07-07853Article
GOODE DanielGOODE Daniel, COMP.NOTES, PORNOGRAPHY, COMPUTER0961-1215
LMJ7/97EULOGYLEONARDO MUSIC JOURNAL1997-07-07881Article
SIMONI MarySIMONI Mary, EULOGY, COMP.NOTES0961-1215
LMJ7/97AN INFORMATION-THEORY-BASED COMPOSITIONAL MODELLEONARDO MUSIC JOURNAL1997-07-07891Article
SPIEGEL LaurieSPIEGEL Laurie, COMP. NOTES, INFORMATION THEORY0961-1215
LMJ7/97FOR MAGNETIC TAPE I AND EXERCISE 10LEONARDO MUSIC JOURNAL1997-07-07901Article
WOLFF ChristianWOLFF Christian, COMP. NOTES, FOR MAGN. TAPE, EXERCISE 100961-1215
LMJ7/97YOGYAKARTA GAMELAN FESTIVAL 1997LEONARDO MUSIC JOURNAL1997-07-07924Review
DIAMOND JodyGAMELAN FESTIVA, DIAMOND Jody, SUTANTO0961-1215
LMJ7/97THE EVOLUTION OF THE MUSICAL KEYBOARDLEONARDO MUSIC JOURNAL1997-07-07962Article
DURINGER JacobKEYBOARD DESIGN, DURINGER Jacob, THE MONOLITH0961-1215
LMJ7/97GRAVIKORDS, WHIRLIES AND PYROPHONES: EXPERIMENTAL MUSICAL INSTRUMENTSLEONARDO MUSIC JOURNAL1997-07-07991Review
LAMBELET PatrickLAMBELET Patr., HOPKIN Bart, INSTR. BUILDING0961-1215
LMJ7/97SUSPENDED IN AMBERLEONARDO MUSIC JOURNAL1997-07-071001Review
LAMBELET PatrickCD-REVIEW, SARAH PEEBLES, LAMBELET Patric0961-1215
LMJ7/97ELECTRIC SOUND: THE PAST AND PROMISE OF ELECTRONIC MUSICLEONARDO MUSICAL JOURNAL1997-07-071001Review
BATTIER MarcBATTIER Marc, ELECTRON. MUS., CHADABE Joel0961-1215
LEO30/4PROPOSITIONAL MUSIC: ON EMERGENT PROPERTIES IN MORPHOGENESIS AND THE EVOLUTION OF MUSICLEONARDO1997-07-072917Article
ROSENBOOM DavidROSENBOOM David, PROPOSIT. MUSIC, MORPHOGENESIS0024-094X
LEO31/1MUSIC OF SOUND AND LIGHT: XENAKIS'S POLYTOPESLEONARDO1998-01-015511Article
HARLEY Maria AnnaHARLEY Maria, XENAKIS, POLYTOPES0024-094X
OS2/2PSYCHOACOUSTICALLY INFORMED SPECTROGRAPHY AND TIMBREORGANISED SOUND1997-08-086512Article
HOWARD DavidDAVID Howard, TYRRELL Andy M., SPECTROGRAPHY, TIMBRE1355-7718
OS2/2FREQUENCY STRUCTURE IN ELECTROACOUSTIC MUSIC: IDEOLOGY, FUNCTION AND PERCEPTIONORGANISED SOUND1997-08-08776Article
WINDSOR W. LukeWINDSOR W. Luke, FREQUENCY1355-7718