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Place_code | title | publication title | publication date | page nr. | nr. of pages | properties | writer | subjects | ISBN | editor | language | remarks |
KEY 24 | STEVE MARTLAND AND THE VICTORIES OF THATCHER RULE | KEY NOTES | 1987-01-01 | 3 | 11 | Article | DE BEER Roland | MARTLAND Steve, DE BEER Roland, DUTCH MUSIC, BRITISH MUSIC | ||||
KEY 24 | A SENSE OF ESCALATION | KEY NOTES | 1987-01-01 | 14 | 9 | Article | CARL Gene | WAGENAAR Dideri | ||||
KEY 24 | ORGAN GRINDER MINUS APE | KEY NOTES | 1987-01-01 | 23 | 1 | Article | ALTENA Maarten | VAN BERGEIJK G. | ||||
KEY 24 | AN ODOUR OF TABOO | KEY NOTES | 1987-01-01 | 28 | 2 | Article | DE BEER Roland | BADINGS Henk | ||||
KEY 24 | BEING SOME SORT OF SECOND BEETHOVEN | KEY NOTES | 1987-01-01 | 32 | 6 | Article | ALTENA Maarten | DUTCH CONT. MUS, VAN ROSSEM A., FORD Ron, HOENDERDOS M.,COPPOOLSE David | ||||
KEY 24 | THERE IS NOTHING AS BORING AS A MODERN CONCERT | KEY NOTES | 1987-01-01 | 38 | 3 | Interview | ALTENA Maarten | DE GRAAFF Huba | ||||
KEY 24 | I COULD JUST AS WELL HAVE BEEN A CRIMINAL | KEY NOTES | 1987-01-01 | 41 | 2 | Interview | ALTENA Maarten | SAUER Arthur | ||||
KEY 24 | THE SANCTIFICATION OF MISAPPREHENSION INTO A DOCTRINE | KEY NOTES | 1987-01-01 | 43 | 3 | Article | BOEHMER Konrad | BOEHMER Konrad, DARMSTADT | ||||
KEY 24 | BRIEFCASE BOP AND GLOSS PAINTS | KEY NOTES | 1987-01-01 | 48 | 7 | Article | VAN DEN BERG Erik | JAZZ, FREE MUSIC | ||||
KEY 24 | A CHAIR THAT IS NOT A WORK OF ART IS NOT A CHAIR | KEY NOTES | 1987-01-01 | 55 | 2 | Article | BOEHMER Konrad | KOENIG Gottfrie | ||||
KEY 25 | DE MATERIE | KEY NOTES | 1989-01-01 | 3 | 11 | Article | COENEN Alcedo | ANDRIESSEN L., DE MATERIE | ||||
KEY 25 | EAR MAIL | KEY NOTES | 1989-01-01 | 13 | 2 | Article | VAN ROSSUM Frans | DUTCH MUSIC | ||||
KEY 25 | JOHN CAGE IN THE HAGUE: A THEATRE OF SONGS | 0000-00-00 | 0 | 0 | Article | VAN EMMERIK Ivo | ||||||
KEY 25 | JOHN CAGE IN THE HAGUE: A THEATRE OF SONGS | KEY NOTES | 1989-01-01 | 15 | 3 | Article | VAN EMMERIK Ivo | CAGE John, SONG BOOKS | ||||
KEY 25 | MATTHIJS VERMEULEN'S SYMPHONIES | KEY NOTES | 1989-01-01 | 18 | 7 | Article | BRAAS Ton | VERMEULEN M., SYMPHONIES | ||||
KEY 25 | THE NARROW PATH OF JACQUES BANK | KEY NOTES | 1989-01-01 | 25 | 7 | Article | STRAESSER Joep | BANK Jacques | ||||
KEY 25 | DE NAAM VAN DE MAAN | KEY NOTES | 1989-01-01 | 32 | 6 | Article | SAVENIJE Wenneke | CHILDREN'S OPER, OLTHUIS Kees, SCHMIDT Annie, OPERA | ||||
KEY 25 | NETHERLANDS MUSIC TODAY | KEY NOTES | 1989-01-01 | 38 | 1 | Article | VERMEULEN Ernst | DUTCH MUSIC, SHORTNESS, WEBERN | ||||
KEY 25 | INTERNATIONAL WEEK OF 20TH CENTURY RECORDER MUSIC | KEY NOTES | 1989-01-01 | 39 | 3 | Article | O'KELLY Eve | RECORDER MUSIC | ||||
KEY 25 | A FORUM DISCUSSION | KEY NOTES | 1989-01-01 | 42 | 3 | Article | NIEUWENHUIZEN Michael | RECORDER MUSIC | ||||
KEY 25 | JAN ROKUS VAN ROSENDAEL'S ROTATIONS | KEY NOTES | 1989-01-01 | 45 | 3 | Article | VAN HAUWE Walter | VAN ROSENDAEL J, RECORDER, VAN HAUWE W. | ||||
KEY 25 | COMPOSERS AND COMPUTERS IN THE NETHERLANDS | KEY NOTES | 1989-01-01 | 48 | 3 | Article | MANASSEN Alex | COMPUTERS | ||||
KEY 25 | INTERVIEWS | KEY NOTES | 1989-01-01 | 51 | 4 | Interview | BOSMA Hannah | BERG P., DE BONDT C., WAISVISZ M., MANASSEN A.,DE GRAAFF Huba | ||||
KEY 26/1 | THE NIEUW ENSEMBLE | KEY NOTES | 1992-04-04 | 4 | 3 | Article | VAN ROSSUM Frans | NIEUW ENSEMBLE | ||||
KEY 26/1 | GERMAN MUSIC | KEY NOTES | 1992-04-04 | 7 | 1 | Article | BOEHMER Konrad | GERMAN MUSIC | ||||
KEY 26/1 | ASPECTS OF A SYMPHONIE AS REFERENCE GAME | KEY NOTES | 1992-04-04 | 8 | 5 | Article | SAMAMA Leo | KETTING Otto, THIRD SYMPHONY | ||||
KEY 26/1 | KEES VAN BAAREN'S ANTISCHOOL | KEY NOTES | 1992-04-04 | 14 | 4 | Article Interview | VERMEULEN Ernst | VAN BAAREN Kees | ||||
KEY 26/1 | I'M NOT A MISSIONARY | KEY NOTES | 1992-04-04 | 18 | 3 | Article | SCHNEEWEISZ Oswin | SNIJDERS John | ||||
KEY 26/1 | WRITING MUSIC IS A CRANKY BUSINESS | KEY NOTES | 1992-04-04 | 22 | 4 | Article | ZUIDAM Rob, COMPOSING | |||||
KEY 26/2 | LIFE WITH AN IDIOT IN HOLLAND | KEY NOTES | 1992-08-08 | 4 | 4 | Article | HILLEN Kees | SCHNITTKE A., LIFE WITH AN ID, ROSTROPOWITSCH, POKROVSKY B.,OPERA | ||||
KEY 26/2 | PETER SCHAT'S TONE CLOCK | KEY NOTES | 1992-08-08 | 8 | 7 | Article | DOUW Andre | SCHAT Peter, TONE CLOCK | ||||
KEY 26/2 | NIEUW SINFONIETTA AMSTERDAM | KEY NOTES | 1992-04-04 | 16 | 4 | Article | OSKAMP Jacqueline | NIEUW SINFONIET, MARKIZ Lev | ||||
KEY 26/2 | DROWNING IN A FJORD | KEY NOTES | 1992-08-08 | 22 | 3 | Article | VERMEULEN Ernst | JAZZ INFLUENCE, FINNISH MUSIC | ||||
KEY 26/2 | - | 0000-00-00 | 0 | 0 | ||||||||
KEY 26/3 | DE IJSBREKER | KEY NOTES | 1992-11-11 | 8 | 6 | Article | SMIT Sytze | DE IJSBREKER, WOLFF Jan | ||||
KEY 26/3 | THE SPONTANEOUS SPARKS OF PIANIST RENE ECKHARDT | KEY NOTES | 1992-11-11 | 14 | 3 | Interview | KOLSTEEG Johan | ECKHARDT Rene, PIANO | ||||
KEY 26/3 | COMPOSER THEO VERBEY: A SUBTLE INNOVATOR | KEY NOTES | 1992-11-11 | 17 | 3 | Article | OSKAMP Jacqueline | VERBEY Theo, COMPOSING | ||||
KEY 26/3 | DARMSTADT AND AFTER | KEY NOTES | 1992-11-11 | 20 | 4 | Article | VERMEULEN Ernst | DARMSTADT INFLU | ||||
EMI IX/3 | ELEMENTAL MALLET INSTRUMENTS | EXPERIMENTAL MUSICAL INSTRUMENTS | 1994-03-03 | 7 | 3 | Article | DOBLE Jim | PERCUSSION INST, DOBLE Jim, , ,INSTRUMENT BUILDING | 0883-0754 | |||
EMI IX/3 | THE BAMBOOLIN: A JAMAICAN IDIOCHORD ZITHER | EXPERIMENTAL MUSICAL INSTRUMENTS | 1994-03-03 | 10 | 4 | Article | HOPKIN Bart | BAMBOOLIN, IDIOCHORD, HOPKIN Bart, JAMAICA,INSTRUMENT BUILDING | 0883-0754 | |||
EMI IX/3 | THE BENTA: AN AFRICAN-DERIVED GLISSED IDIOCHORD ZITHER OF EASTERN JAMAICA | EXPERIMENTAL MUSICAL INSTRUMENTS | 1994-03-03 | 14 | 3 | Article | GRAHAM Richard | BENTA, IDIOCHORD, ZITHER, JAMAICA,INSTRUMENT BUILDING | 0883-0754 | |||
EMI IX/3 | REPORT FROM THE CLOUD EIGHT ARCHIVE OF MUSICAL INSTRUMENTS | EXPERIMENTAL MUSICAL INSTRUMENTS | 1994-03-03 | 17 | 3 | Article | WILLIAMS Davey | WILLIAMS Davey, IMAG. HUM. INS., , ,INSTRUMENT BUILDING | 0883-0754 | |||
EMI IX/3 | TWO HARDWARE STORE INSTRUMENTS | EXPERIMENTAL MUSICAL INSTRUMENTS | 1994-03-03 | 20 | 2 | Article | HALL Barry | HALL Barry, FLOWER POT-O-PH, WASHER CHIMES, ,INSTRUMENT BUILDING | 0883-0754 | |||
EMI IX/3 | ENVIRONMENT AND PROCES | EXPERIMENTAL MUSICAL INSTRUMENTS | 1994-03-03 | 22 | 5 | Article | HALVERSON Marlin | GRIMMER Mineko, SOUND SCUPTURE, , ,INSTRUMENT BUILDING | 0883-0754 | |||
EMI IX/3 | CIRCUIT BENDING | EXPERIMENTAL MUSICAL INSTRUMENTS | 1994-03-03 | 27 | 3 | Article | GHAZALA QUBAIS REED | GHAZALA Reed, CIRCUIT BENDING, , ,INSTRUMENT BUILDING | 0883-0754 | |||
EMI IX/3 | NOVELTY INSTRUMENTS FROM THE EARLY DAYS AT MUSSEHL & WESTPHAL | EXPERIMENTAL MUSICAL INSTRUMENTS | 1994-03-03 | 30 | 5 | Article | HOPKIN Bart | NOVELTY INSTRUM, CURIOSITY'S, , ,INSTRUMENT BUILDING | 0883-0754 | |||
MW58 | NIGREDO HOTEL | MUSICWORKS | 1994-03-03 | 9 | 10 | Article | GOTHAM Nic | NIGREDO HOTEL, GOTHAM Nic, CHAMBER OPERA | 0225-686X | |||
MW58 | TIME...ON DIT | MUSICWORKSS | 1994-03-03 | 18 | 4 | Article | BRAKHAGE Stan | BRAKHAGE Stan, ELDER Bruce | 0225-686X | |||
MW58 | UNE TENSION ET UNE DE-TENSION | MUSICWORKS | 1994-03-03 | 22 | 9 | Article Interview | RIVEST Johanne | LEANDRE Joelle, DOUBLE BASS | 0225-686X | |||
MW58 | A GUITARIST WHO SPEAKS A DIFFERENT LANGUAGE | MUSICWORKS | 1994-03-03 | 31 | 3 | Article | DENIS Jean-Francois | LUSSIER Rene, GUITAR | 0225-686X |