Searh Logos' library

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Place_code title publication title publication date page nr. nr. of pages properties writer subjects ISBN editor language remarks
MELOS MDER BEGRIFF DES NEUENMELOS1970-03-01972Review
RUEHLE ChristianAESTHETICS, REINECKE,H.P., STUCKENSCHMIDT, DAHLHAUS,STEPHAN
MELOS MFRANKFURT AUS DER SUCHE ZU NEUER FREIHEITMELOS1970-03-011072Review
RIXMANN GerdMEGA-HERTZ GRUP, BECKER,G, HUBER,N.A, LOGOTHETIS,VETTER,M
MELOS MEIN BOLWERK DER NEUEN MUSIK IN TOKIOMELOS1970-03-011143Article
WITEK BernhardJAPAN
MELOS MSTRAWINSKY: DIE EVOLUTION EINER METHODEMELOS1970-04-011337Article
CONE Edward T.STRAWINSKY, COMPOSITION
MELOS MDER KOMPONIST UND SEIN MODELMELOS1970-04-011403Article
OTTE HansOTTE,H
MELOS MWER LET DER ZERSCHLAGENE LEIER?MELOS1970-04-011462Review
LINKE NorbertAESTHETICS
MELOS MAN DER SCHWELLE DER MODERNEN MUSIKMELOS1970-04-011472Review
LOHMUELLER HelmutBUSONI,F, STUCKENSCHMIDT
INTERVALGOING WITHOUT THE WIND: THE ELECTRONIC KEYBOARD OBOEINTERVAL1979-12-12183Article
DARREG IvorELECTRONIC OBOE, DARREG Ivor, OBOE, INSTRUMENT BUILDING,TUNING0276-3052
INTERVALTHE ENTIRE FIELD OF SOUNDINTERVAL1979-12-12212Article
NUNN TomSOUND, , , ,TUNING0276-3052
INTERVALDISCOVERING THE MICROTONAL RESOURCES OF YOUR VOICEINTERVAL1979-12-12232Article
GLASIER ElizabethMICROTONAL, OVERTONES, SINGING, VOICE,TUNING0276-3052
INTERVALPALEONTOLOGY: THE 12-TONED PIANOSAURUSINTERVAL1979-12-12242Article
DARREG IvorPIANO, FRUSTRATION, IGNORANCE, IMPOTENCE,TUNING0276-3052
INTERVALTHE PARTCH REVERBERATIONSINTERVAL1981-06-0665Article
SMITH JeffPARTCH, , , ,TUNING0276-3052 same article in SOUNDINGS 11, p.46
INTERVALTHEORY OF INTERVAL EFFECTINTERVAL1981-06-06111Article
MAKEIG ScottMICROTONALITY, , , ,TUNING0276-3052
INTERVALACOUSTICS OF RESONATORSINTERVAL1981-06-06135Article
BANTA ChristopherACOUSTICS, MARIMBA, , ,TUNING0276-3052
INTERVALJULIAN CARRILLO'S NOTATIONINTERVAL1981-06-06191DARREG IvorCARRILLO Julian, NOTATION, , ,TUNING0276-3052
INTERVALTHE EQUAL-BEATING TEMPERAMENTSINTERVAL1981-06-06202Review
DARREG IvorTUNING, JORGENSON Owen0276-3052
INTERVALEL INFINITO EN LAS ESCALAS Y EN LOS ACORDESINTERVAL1981-06-06211Review
DARREG IvorMICROTONALITY, CARRILLO Julian, , ,TUNING0276-3052
INTERVALWHAT IS A MEAN TONE?INTERVAL1981-12-1264Article
DARREGG IvorMEANTONE TEMPER, , , ,TUNING0276-3052
INTERVALNEW APPROACHES TO PENTATONIC NOTATIONINTERVAL1981-12-1293Article
BANTA ChristopherNOTATION, PENTATONIC SCALE, , ,TUNING0276-3052
INTERVALMUSICAL STRINGSINTERVAL1981-12-12112Article
DARREG IvorSTRINGS, , , ,TUNING0276-3052
INTERVALAN INTERVIEW WITH TERRY RILEYINTERVAL1981-12-12124Article
GLASIER JonathanRILEY Terry, INDIAN MUSIC, ETHNICAL, ,TUNING0276-3052
INTERVALRESONATORSINTERVAL1981-12-12163Article
BANTA ChristopherRESONATORS, ACOUSTICS, , ,TUNING0276-3052
INTERVALINTERVIEW IN MEXICO CITYINTERVAL1982-12-1264Interview
GLASIER JonathanCARRILLO Julian, CARRILLO Delore, MICROTONALITY, ,TUNING0276-3052
INTERVALTHE AUTOMATED MUSIC ENSEMBLEINTERVAL1982-12-12310Article
GOODMAN StephenGOODMAN Stephen, AUTOMATS, , ,TUNING0276-3052
INTERVALPROGRESS REPORT: NEW MUSICAL INSTRUMENTS AND TUNING SYSTEMSINTERVAL1982-12-12132Article
DARREG IvorMICROTONALITY, , , ,TUNING0276-3052
INTERVALLIVING AND LISTENING IN REAL TIMEINTERVAL1982-12-12141Article
WOLF Daniel J.LA MONTE YOUNG, MINIMAL MUSIC, YOUNG LaMonte, ,TUNING0276-3052
INTERVALNEW MUSIC FOR AN OLD TEMPERAMENTINTERVAL1982-12-12164Article
LEEDY DouglasMEANTONE, , , ,TUNING0276-3052
INTERVALADVANTAGES AND DISADVANTAGES OF THE 17-TONE EQUAL TEMPERAMENTINTERVAL1982-12-12221Article
DARREGG IvorMICROTONALITY, , DARREGG Ivor, ,TUNING0276-3052
INTERVALMICROTONES AND MELODYINTERVAL1982-12-12231Article
CAMPOS Arthur N.MICROTONALITY, , , ,TUNING0276-3052
INTERVALEARLY PARTCH WORK-PART IINTERVAL1983-09-0962Article
GLASIER JonathanPARTCH, , , ,TUNING0276-3052
INTERVALTUNING NOISES AND PAINTING TIMEINTERVAL1983-09-0984Article
DARREGG IvorFUTURISM, NOISE, TIME, ,TUNING0276-3052
INTERVALTHE BASCHET EXPERIENCE PART IINTERVAL1983-09-09123Article
BASCHET FrancoisBASCHET BROS., SOUND SCULPTURE, , ,TUNING0276-3052
INTERVALJUST INTONATION ON A HOME BUILT DIGITAL SYNTHESIZER COMPUTERINTERVAL1983-09-09158Article
HILL Ralph DavidJUST INTONATION, ELECTRONIC, , ,TUNING0276-3052
INTERVALIVOR ETC.INTERVAL1983-09-09232Article
DARREG IvorDARREG, MICROTONAL, , ,TUNING0276-3052
INTERVALSTEPHEN KENT GOODMAN SOUND SCULPTURES AT LAICAINTERVAL1983-09-09252Article
SOUND SCULPTURE, GOODMAN Stephen, , ,TUNING0276-3052
INTERVALLIVING AND LISTENING IN REAL TIMEINTERVAL1983-09-09271Article
WOLF DanielLA MONTE YOUNG, MINIMALISM, YOUNG, ,TUNING0276-3052
INTERVALTHE BASCHET EXPERIENCE PART IIINTERVAL1984-04-0462Article
BASCHET FrancoisBASCHET BROS., SOUND SCULPTURE, , ,TUNING0276-3052
INTERVALEXPOSITION OF MONOPHONYINTERVAL1983-04-0482Article
PARTCH HarryPARTCH Harry, , , ,TUNING0276-3052
INTERVALHARRY PARTCH & THE HARRY PARTCH ENSEMBLEINTERVAL1983-04-0492Article
SOHL NormPARTCH ENSEMBLE, , , ,TUNING0276-3052
INTERVALMICROTONAL MUSICINTERVAL1984-04-04112Article
SOHL NormMICROTONALITY, , , ,TUNING0276-3052
INTERVALUPON HEARING A PERORMANCE OF THE WELL-TUNED PIANOINTERVAL1984-04-04138Interview
PELINSKI RomanYOUNG LaMonte, ZAZEELA Marian, MINIMALISM, JUST INTONATION,TUNING0276-3052
INTERVALSAN DIEGO SONGINTERVAL1984-04-04214Article
SAN DIEGO SONG, SONG, VOCAL, VOICE,TUNING0276-3052
INTERVALIVOR DARREG YEAR IN REVIEWINTERVAL1984-04-04254Article
Interview
DARREG IvorDARREG Ivor, , , ,TUNING0276-3052
INTERVALHARRY PARTCH REVIEWS YASSER'S THEORY OF EVOLVING TONALITYINTERVAL1985-04-0452Article
PARTCH HarryYASSER Joseph, MICROTONALITY, , ,TUNING0276-3052
INTERVALA SELECTIVE LIST OF SOURCE MATERIALS ON ALTERNATIVE TUNING SYSTEMS IN AMERICAM MUSICINTERVAL1985-04-0473Article
LEEDY DouglasMICROTONALITY, , , ,TUNING0276-3052
INTERVALPIERRE-JEAN CROSET AND HIS LYRAINTERVAL1985-04-04105Interview
GLASIER JonathanCROSET P.-J., LYRA, MICROTONALITY, ,TUNING0276-3052
INTERVALTHE PENTAPHONE-UNFOLDING FIVESINTERVAL1985-04-04142Article
GLASIER JonathanMARIMBA, GLASIER Jonatha, PENTAPHONE, PENTATONICS,TUNING0276-3052
INTERVALUPON HEARING A PERFORMANCE OF THE WELL-TUNED PIANOINTERVAL1985-04-04169Article
PELINSKI RamonLA MONTE YOUNG, MINIMALISM, YOUNG, ,TUNING0276-3052
INTERVALTHEREMIN-THE FIRST ANALOG SYNTHESIZERINTERVAL1985-04-04258Article
DARREG IvorTHEREMIN, , , ,TUNING0276-3052
INTERVALPROGRESS REPORTINTERVAL1985-04-04335Article
DARREG IvorDARREG Ivor, MICROTONALITY, , ,TUNING0276-3052