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Place_code | title | publication title | publication date | page nr. | nr. of pages | properties | writer | subjects | ISBN | editor | language | remarks |
MELOS M | DER BEGRIFF DES NEUEN | MELOS | 1970-03-01 | 97 | 2 | Review | RUEHLE Christian | AESTHETICS, REINECKE,H.P., STUCKENSCHMIDT, DAHLHAUS,STEPHAN | ||||
MELOS M | FRANKFURT AUS DER SUCHE ZU NEUER FREIHEIT | MELOS | 1970-03-01 | 107 | 2 | Review | RIXMANN Gerd | MEGA-HERTZ GRUP, BECKER,G, HUBER,N.A, LOGOTHETIS,VETTER,M | ||||
MELOS M | EIN BOLWERK DER NEUEN MUSIK IN TOKIO | MELOS | 1970-03-01 | 114 | 3 | Article | WITEK Bernhard | JAPAN | ||||
MELOS M | STRAWINSKY: DIE EVOLUTION EINER METHODE | MELOS | 1970-04-01 | 133 | 7 | Article | CONE Edward T. | STRAWINSKY, COMPOSITION | ||||
MELOS M | DER KOMPONIST UND SEIN MODEL | MELOS | 1970-04-01 | 140 | 3 | Article | OTTE Hans | OTTE,H | ||||
MELOS M | WER LET DER ZERSCHLAGENE LEIER? | MELOS | 1970-04-01 | 146 | 2 | Review | LINKE Norbert | AESTHETICS | ||||
MELOS M | AN DER SCHWELLE DER MODERNEN MUSIK | MELOS | 1970-04-01 | 147 | 2 | Review | LOHMUELLER Helmut | BUSONI,F, STUCKENSCHMIDT | ||||
INTERVAL | GOING WITHOUT THE WIND: THE ELECTRONIC KEYBOARD OBOE | INTERVAL | 1979-12-12 | 18 | 3 | Article | DARREG Ivor | ELECTRONIC OBOE, DARREG Ivor, OBOE, INSTRUMENT BUILDING,TUNING | 0276-3052 | |||
INTERVAL | THE ENTIRE FIELD OF SOUND | INTERVAL | 1979-12-12 | 21 | 2 | Article | NUNN Tom | SOUND, , , ,TUNING | 0276-3052 | |||
INTERVAL | DISCOVERING THE MICROTONAL RESOURCES OF YOUR VOICE | INTERVAL | 1979-12-12 | 23 | 2 | Article | GLASIER Elizabeth | MICROTONAL, OVERTONES, SINGING, VOICE,TUNING | 0276-3052 | |||
INTERVAL | PALEONTOLOGY: THE 12-TONED PIANOSAURUS | INTERVAL | 1979-12-12 | 24 | 2 | Article | DARREG Ivor | PIANO, FRUSTRATION, IGNORANCE, IMPOTENCE,TUNING | 0276-3052 | |||
INTERVAL | THE PARTCH REVERBERATIONS | INTERVAL | 1981-06-06 | 6 | 5 | Article | SMITH Jeff | PARTCH, , , ,TUNING | 0276-3052 | same article in SOUNDINGS 11, p.46 | ||
INTERVAL | THEORY OF INTERVAL EFFECT | INTERVAL | 1981-06-06 | 11 | 1 | Article | MAKEIG Scott | MICROTONALITY, , , ,TUNING | 0276-3052 | |||
INTERVAL | ACOUSTICS OF RESONATORS | INTERVAL | 1981-06-06 | 13 | 5 | Article | BANTA Christopher | ACOUSTICS, MARIMBA, , ,TUNING | 0276-3052 | |||
INTERVAL | JULIAN CARRILLO'S NOTATION | INTERVAL | 1981-06-06 | 19 | 1 | DARREG Ivor | CARRILLO Julian, NOTATION, , ,TUNING | 0276-3052 | ||||
INTERVAL | THE EQUAL-BEATING TEMPERAMENTS | INTERVAL | 1981-06-06 | 20 | 2 | Review | DARREG Ivor | TUNING, JORGENSON Owen | 0276-3052 | |||
INTERVAL | EL INFINITO EN LAS ESCALAS Y EN LOS ACORDES | INTERVAL | 1981-06-06 | 21 | 1 | Review | DARREG Ivor | MICROTONALITY, CARRILLO Julian, , ,TUNING | 0276-3052 | |||
INTERVAL | WHAT IS A MEAN TONE? | INTERVAL | 1981-12-12 | 6 | 4 | Article | DARREGG Ivor | MEANTONE TEMPER, , , ,TUNING | 0276-3052 | |||
INTERVAL | NEW APPROACHES TO PENTATONIC NOTATION | INTERVAL | 1981-12-12 | 9 | 3 | Article | BANTA Christopher | NOTATION, PENTATONIC SCALE, , ,TUNING | 0276-3052 | |||
INTERVAL | MUSICAL STRINGS | INTERVAL | 1981-12-12 | 11 | 2 | Article | DARREG Ivor | STRINGS, , , ,TUNING | 0276-3052 | |||
INTERVAL | AN INTERVIEW WITH TERRY RILEY | INTERVAL | 1981-12-12 | 12 | 4 | Article | GLASIER Jonathan | RILEY Terry, INDIAN MUSIC, ETHNICAL, ,TUNING | 0276-3052 | |||
INTERVAL | RESONATORS | INTERVAL | 1981-12-12 | 16 | 3 | Article | BANTA Christopher | RESONATORS, ACOUSTICS, , ,TUNING | 0276-3052 | |||
INTERVAL | INTERVIEW IN MEXICO CITY | INTERVAL | 1982-12-12 | 6 | 4 | Interview | GLASIER Jonathan | CARRILLO Julian, CARRILLO Delore, MICROTONALITY, ,TUNING | 0276-3052 | |||
INTERVAL | THE AUTOMATED MUSIC ENSEMBLE | INTERVAL | 1982-12-12 | 3 | 10 | Article | GOODMAN Stephen | GOODMAN Stephen, AUTOMATS, , ,TUNING | 0276-3052 | |||
INTERVAL | PROGRESS REPORT: NEW MUSICAL INSTRUMENTS AND TUNING SYSTEMS | INTERVAL | 1982-12-12 | 13 | 2 | Article | DARREG Ivor | MICROTONALITY, , , ,TUNING | 0276-3052 | |||
INTERVAL | LIVING AND LISTENING IN REAL TIME | INTERVAL | 1982-12-12 | 14 | 1 | Article | WOLF Daniel J. | LA MONTE YOUNG, MINIMAL MUSIC, YOUNG LaMonte, ,TUNING | 0276-3052 | |||
INTERVAL | NEW MUSIC FOR AN OLD TEMPERAMENT | INTERVAL | 1982-12-12 | 16 | 4 | Article | LEEDY Douglas | MEANTONE, , , ,TUNING | 0276-3052 | |||
INTERVAL | ADVANTAGES AND DISADVANTAGES OF THE 17-TONE EQUAL TEMPERAMENT | INTERVAL | 1982-12-12 | 22 | 1 | Article | DARREGG Ivor | MICROTONALITY, , DARREGG Ivor, ,TUNING | 0276-3052 | |||
INTERVAL | MICROTONES AND MELODY | INTERVAL | 1982-12-12 | 23 | 1 | Article | CAMPOS Arthur N. | MICROTONALITY, , , ,TUNING | 0276-3052 | |||
INTERVAL | EARLY PARTCH WORK-PART I | INTERVAL | 1983-09-09 | 6 | 2 | Article | GLASIER Jonathan | PARTCH, , , ,TUNING | 0276-3052 | |||
INTERVAL | TUNING NOISES AND PAINTING TIME | INTERVAL | 1983-09-09 | 8 | 4 | Article | DARREGG Ivor | FUTURISM, NOISE, TIME, ,TUNING | 0276-3052 | |||
INTERVAL | THE BASCHET EXPERIENCE PART I | INTERVAL | 1983-09-09 | 12 | 3 | Article | BASCHET Francois | BASCHET BROS., SOUND SCULPTURE, , ,TUNING | 0276-3052 | |||
INTERVAL | JUST INTONATION ON A HOME BUILT DIGITAL SYNTHESIZER COMPUTER | INTERVAL | 1983-09-09 | 15 | 8 | Article | HILL Ralph David | JUST INTONATION, ELECTRONIC, , ,TUNING | 0276-3052 | |||
INTERVAL | IVOR ETC. | INTERVAL | 1983-09-09 | 23 | 2 | Article | DARREG Ivor | DARREG, MICROTONAL, , ,TUNING | 0276-3052 | |||
INTERVAL | STEPHEN KENT GOODMAN SOUND SCULPTURES AT LAICA | INTERVAL | 1983-09-09 | 25 | 2 | Article | SOUND SCULPTURE, GOODMAN Stephen, , ,TUNING | 0276-3052 | ||||
INTERVAL | LIVING AND LISTENING IN REAL TIME | INTERVAL | 1983-09-09 | 27 | 1 | Article | WOLF Daniel | LA MONTE YOUNG, MINIMALISM, YOUNG, ,TUNING | 0276-3052 | |||
INTERVAL | THE BASCHET EXPERIENCE PART II | INTERVAL | 1984-04-04 | 6 | 2 | Article | BASCHET Francois | BASCHET BROS., SOUND SCULPTURE, , ,TUNING | 0276-3052 | |||
INTERVAL | EXPOSITION OF MONOPHONY | INTERVAL | 1983-04-04 | 8 | 2 | Article | PARTCH Harry | PARTCH Harry, , , ,TUNING | 0276-3052 | |||
INTERVAL | HARRY PARTCH & THE HARRY PARTCH ENSEMBLE | INTERVAL | 1983-04-04 | 9 | 2 | Article | SOHL Norm | PARTCH ENSEMBLE, , , ,TUNING | 0276-3052 | |||
INTERVAL | MICROTONAL MUSIC | INTERVAL | 1984-04-04 | 11 | 2 | Article | SOHL Norm | MICROTONALITY, , , ,TUNING | 0276-3052 | |||
INTERVAL | UPON HEARING A PERORMANCE OF THE WELL-TUNED PIANO | INTERVAL | 1984-04-04 | 13 | 8 | Interview | PELINSKI Roman | YOUNG LaMonte, ZAZEELA Marian, MINIMALISM, JUST INTONATION,TUNING | 0276-3052 | |||
INTERVAL | SAN DIEGO SONG | INTERVAL | 1984-04-04 | 21 | 4 | Article | SAN DIEGO SONG, SONG, VOCAL, VOICE,TUNING | 0276-3052 | ||||
INTERVAL | IVOR DARREG YEAR IN REVIEW | INTERVAL | 1984-04-04 | 25 | 4 | Article Interview | DARREG Ivor | DARREG Ivor, , , ,TUNING | 0276-3052 | |||
INTERVAL | HARRY PARTCH REVIEWS YASSER'S THEORY OF EVOLVING TONALITY | INTERVAL | 1985-04-04 | 5 | 2 | Article | PARTCH Harry | YASSER Joseph, MICROTONALITY, , ,TUNING | 0276-3052 | |||
INTERVAL | A SELECTIVE LIST OF SOURCE MATERIALS ON ALTERNATIVE TUNING SYSTEMS IN AMERICAM MUSIC | INTERVAL | 1985-04-04 | 7 | 3 | Article | LEEDY Douglas | MICROTONALITY, , , ,TUNING | 0276-3052 | |||
INTERVAL | PIERRE-JEAN CROSET AND HIS LYRA | INTERVAL | 1985-04-04 | 10 | 5 | Interview | GLASIER Jonathan | CROSET P.-J., LYRA, MICROTONALITY, ,TUNING | 0276-3052 | |||
INTERVAL | THE PENTAPHONE-UNFOLDING FIVES | INTERVAL | 1985-04-04 | 14 | 2 | Article | GLASIER Jonathan | MARIMBA, GLASIER Jonatha, PENTAPHONE, PENTATONICS,TUNING | 0276-3052 | |||
INTERVAL | UPON HEARING A PERFORMANCE OF THE WELL-TUNED PIANO | INTERVAL | 1985-04-04 | 16 | 9 | Article | PELINSKI Ramon | LA MONTE YOUNG, MINIMALISM, YOUNG, ,TUNING | 0276-3052 | |||
INTERVAL | THEREMIN-THE FIRST ANALOG SYNTHESIZER | INTERVAL | 1985-04-04 | 25 | 8 | Article | DARREG Ivor | THEREMIN, , , ,TUNING | 0276-3052 | |||
INTERVAL | PROGRESS REPORT | INTERVAL | 1985-04-04 | 33 | 5 | Article | DARREG Ivor | DARREG Ivor, MICROTONALITY, , ,TUNING | 0276-3052 |