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Place_code | composer | title | year | duration | instruments | notation | genre | editor |
B4VAR1 | PERLES CLASSIQUES 50 TRANSCRIPTIONS DES CHEFS-D'OEUVRE DES GRANDS MAITRES | 0 | 0 | str 1.0.0.0 violin | kitsch | |||
A4ORC1 | ? ? | PAYSAGE SAUVAGE | 1987 | 10 | wd 2.1.2.1 br 1.1.1.0 perc 2.0.0.0 pluck 0.0.0.1 small orchestra | trad | manuscript | |
A4CAR1 | A.I.M. | IMPROVISATION - HISTORY, DIRECTIONS, PRACTICE | 1984 | 0 | essay | essay | ||
A4CAR1 | A.I.M. | THE EDUCATIVE POTENTIAL OF IMPROVISED MUSIC - REPORT ON A FORUM | 1982 | 0 | essay | essay | ||
B4KAM2 | ABIKO Yoshihiro | ASTRON | 0 | 8 | str 1.0.0.0 key 1.0.0.0.0 violin and piano | trad | new music | Japan Federation of Composers |
A4ANT2 | ACKER Kathy | A MAP OF MY DREAMS | 0 | 0 | conceptual | CCM | ||
A4ANT2 | ACTUAL POETRY REVIEW | SEVEN COLLABORATIVE WORKS | 0 | 0 | poetry | CCM | ||
A4LOG1 | ADAMS John | JOHN PHILIP SOUSA (Logos version) | 0 | 0 | str 1.0.0.1 wd 1.0.0.0.1 key 1.0.0.0 violin, double bass, flute, bass clarinet and piano | trad | tonal | |
A4TUB1 | ADAMS John Luther | FOR JIM (RISING) | 1986 | 5 | br 0.4.0.4 4 horns or 4 tubas 4 horns or 4 tubas | trad | post-minimal | PERSPECTIVES OF NEW MUSIC - VOL.25 |
L_US_SND | ADAMS John Luther | MADRIGAL, from FOREST WITHOUT LEAVES | 1984 | 0 | voices 0.0.1 orchestra voice and orchestra | trad | new music | SOUNDINGS 14-15 |
A4MTX/A | ADORNO Theodor | AUS DEM SIEBENTEN RING | 1944 | 6 | voices 0.1.0 key 1.0.0.0.0 voice and piano | trad | serial lied | MUSIKTEXTE 1 P.40 |
A4SOL1 | ADRIAENSSENS Paul | LEVELS | 1985 | 9 | tape - version with 5 instr. possible tape and up to 5 instruments | trad | timbral-textural work | |
A4PIA2 | AESCHLIMANN-ROTH Esther | STAMPA | 1986 | 4 | key 1.0.0.0.0 prepared piano prepared piano | trad | educational - post-minimal | CH PIANO - NEPOMUK |
A4FLU2 | AGSTERIBBE Frank | TALLIS-VARIATIONS | 1992 | 12 | wd 1.0.0.0 key 1.1.1.1.1 pluck 1.0.0.1 ad lib.organ,harm.,piano,harps.,guitar flute and any keyboard or harp or guitar | trad | ||
A4MTX/A | AHARONIAN Coriun | LOS CADADIOS | 1980 | 5 | str 0.0.1.0 wd 0.0.1.0 br 0.0.1.0 key 1.0.0.0.0 cello, clarinet, trombone and piano | MUSIKTEXTE 43, P.44 | ||
A4KAM1 | AHARONIAN Coriun | UNA ESTRELLA, ESTA ESTRELLA, NUESTRA ESTRELLA | 1969 | 6 | str 0.0.0.1 key 1.0.0.1.0 perc 1.0.0.0 pluck 1.0.0.0 bandoneon; artificial reverberation voice, double bass, piano, bandoneon, percussion and guitar | graf | ||
A4ANT2 | AHRENS Peg | 0 | 0 | poetry | CCM | |||
A4ANT1 | ALBRIGHT William | DAYDREAM | 1975 | 7 | 3 keybd [or perc.] and 1 sustaining instr. [or ensemble] 3 keyboards and 1 sustaining instrument (or ensemble) | trad | post-minimal | SCORES - SCHIRMER P.184 |
A4ANT2 | ALDRICH Andrew | (ASTROLOGICAL CHART OF CCM | 0 | 0 | conceptual | CCM | ||
A4MTX2 | ALLENDE-BLIN Juan | ZEITSPANNE FUR KLAVIER | 1971 | 15 | key 1.0.0.0.0 | trad | timbral-temporal exploration | MUSIKTEXTE 2 |
A4_ANT2 | ALPERT Richard | 0 | 0 | performance-video | CCM | |||
A4STR1 | ALRICH Alexis | PALM BOULEVARD | 1985 | 8 | key 1.0.0.0.0 perc 0.1.0.0 mandolin piano, marimba and mandolin | trad | post-minimal | NEW MUSIC FOR PLUCKED STRINGS-FROG PEAK |
A4PER2 | ALVARES Eduardo Guimaraes | ESTUDO I | 1988 | 6 | perc 0.1.1.0 or 2 marimbas marimba and vibraphone (or 2 marimbas) | trad | minimal | |
A4MTX/A | AMBROSINI Claudio | CAPRICCIO, DETTO: | 1983 | 0 | wd 0.0.0.0.1 bass clarinet | trad | MUSIKTEXTE 49, P.8 | |
A4CLA2 | AMES Charles | DEMONSTRATIONS 7 - 11 | 1984 | 0 | wd 0.0.1.0 clarinet | trad | Frog Peak Music | |
A4PIA5 | AMES Charles | GRADIENT | 1982 | 0 | key 1.0.0.0.0 piano | trad | Frog Peak Music | |
A4_ANT2 | AMIRKHANIAN CharLes | ANOTHER NORTHER | 1976 | 0 | Spoken | textsound | CCM | |
A4VAR1 | AMIRKHANIAN Charles | HIS ANXIOUS HOURS - SOMNIFERENCES OF JOHANNES BRAHMS | 1987 | 24 | key 1.0.0.0.0 perc 1.0.0.0 soprano; tape; other instr. free | trad verb | collage-work, experimental | L_US_SND Soundings 16 |
L_US_SND | AMIRKHANIAN Charles | METROPOLIS SAN FRANCISCO | 1986 | 55 | various sounds | graf | h?rspiel | Soundings 16 |
A4ANT2 | AMIRKHANIAN Charles | SOUND NUTRITION | 1972 | 7 | voices 2.0.0 2 voices | verb | conceptual - textsound | PIECES - SECOND ANTHOLOGY |
A4HRP1 | AMMAN Benno | ELEMENTS D'UN SONGE | 0 | 5 | pluck 0.0.0.1 harp | trad | timbral - textural exploration | |
A4FLU1 | AMMAN Benno | PANDA | 1974 | 5 | wd 1.0.0.0 perc 1.0.0.0 perc.= 2 bongos and tom-tom flute and percussion | trad | timbral-textural work | |
A3KAM2 | ANDERSON Barry | SOUND THE TUCKET SONANCE AND THE NOTE TO MOUNT | 1980 | 10 | br 0.0.2.0 tape 2 trombones and tape | trad | timbral-textural exploration | |
A4_ANT2 | ANDERSON Beth | CRACKERS AND CHECKERS | 1977 | 0 | Spoken | text-sound | CCM | |
A4KAM2 | ANDERSON Beth | DOCTOR BLOOD'S ... LULLABY | 0 | 0 | wd 1.0.0.0 flute | trad | POMO kitsch | |
A4_ANT2 | ANDERSON Beth | HE IS NOT AFRAID OF MARRYING ME... | 1976 | 0 | Spoken | poetry | CCM | |
A4_ANT2 | ANDERSON Beth | HE SAID | 1975 | 0 | Spoken wd 0.0.2.0 tape; video 2 clarinets, tape and video | electro-acoustic | CCM | |
A4KAM2 | ANDERSON Beth | LULLABY OF THE EIGHTH ANCESTOR | 1980 | 4 | key 1.1.1.1.1 for melodic instrument and keyboard melody instrument and keyboard | trad | neotonale kitsch POMO | |
A4KAM2 | ANDERSON Beth | PREPARATION FOR THE DOMINANT | 1979 | 4 | wd 1.0.0.0 ocarina or flute ocarina or flute | trad | POMO Kitsch | |
A4KAM2 | ANDERSON Beth | THE PRAYING MANTIS AND THE BLUEBIRD | 1980 | 5 | key 1.1.1.1.1 pluck 0.0.0.1 for melodic instrument and keyboard or harp melody instrument and keyboard or harp | trad | POMO - Kitsch | |
A4ANT1 | ANDERSON Beth | TOWER OF POWER | 1973 | 5 | key 0.0.1.0.0 tape (recording of rehearsals) organ and tape | verb | music theatre | SCORES - SCHIRMER P.202 |
A4ANT1 | ANDERSON Beth | VALID FOR LIFE | 1973 | 10 | 2 large matching strung things (piano, harp,...)and 1 set of large membranophones 2 large matching strung things and 1 set of large membranophones | verb | improvisational | SCORES - SCHIRMER P.92 |
A4ANT1 | ANDERSON Dennis | GAMELAN | 1976 | 5 | perc 3.1.1.0 solo marimba and perc. ensemble solo marimba and 4 percussionists | trad | post-minimal | SCORES - SCHIRMER p.98 |
A4ANT1 | ANDERSON Laurie | DUET FOR VIOLIN AND DOOR JAMB | 1977 | 0 | str 1.0.0.0 contact microphones at door jambs | verb | performance art | SCORES - SCHIRMER p.209 |
A4ANT1 | ANDERSON Laurie | FILM SONGS IN 24/24 TIME | 1977 | 0 | graf verb | conceptual - performance art | SCORES - SCHIRMER p.210 | |
A4ANT1 | ANDERSON Laurie | NARRATIVE SONG FOR VOICE AND AUDIO TAPE | 1977 | 5 | voices 1 tape | verb | textsound performance art | SCORES - SCHIRMER p.207 |
A4ANT1 | ANDERSON Laurie | STEREO SONG FOR STEVEN WEED | 1977 | 5 | str 1.0.0.0 perf. sings and plays violin - 2 microphones performer sings and plays violin | verb | sound poetry performance art | SCORES - SCHIRMER P.206 |
A4ANT1 | ANDERSON T.J. | FIVE EASY PIECES | 1973 | 7 | str 1.0.0.0 key 1.0.0.0.0 jew's harp violin, piano and jew's harp | trad | post-minimal | SCORES - SCHIRMER P.166 |
A4MTX1 | ANDRIESSEN Louis | CHORALE | 1992 | 2 | key 1.0.0.0.0 piano | trad | MUSIKTEXTE 46/47, P.111 | |
A4MTX1 | ANDRIESSEN Louis | ENDE | 1980 | 10 | oth wind 0.0.0.0.1 flutist plays 2 alto recorders flutist plays 2 alto recorders | trad | post-minimal | MUSIKTEXTE 9, P.29 |