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| Place_code | title | publication title | publication date | page nr. | nr. of pages | properties | writer | subjects | ISBN | editor | language | remarks |
| CMJ25/1 | A FEW REMARKS ON ALGORITHMIC COMPOSITION | COMPUTER MUSIC JOURNAL | 2001-03-21 | 48 | 0 | Article | SUPPER Martin | ALGORITHMIC COMPOSITION, COMPUTER MUSIC | ||||
| CMJ25/1 | SOME ONTOLOGICAL REMARKS ABOUT MUSIC COMPOSITION PROCESSES | COMPUTER MUSIC JOURNAL | 2001-03-21 | 54 | 0 | Article | VAGGIONE Horacio | VAGGIONE, H, COMPOSITION, ALGORITM | ||||
| CMJ25/1 | - | COMPUTER MUSIC JOURNAL | 2001-03-21 | 0 | 0 | Review | KAHN, Douglas, MP3, SCHAEFFER, Pierre, CSOUND,TIPEI, SEVER | |||||
| CMJ25/1 | - | COMPUTER MUSIC JOURNAL | 2001-03-21 | 0 | 0 | Review | WINKLER, G.E., CAGE, J, KUPPER, L, LANSKY, P,K. ROLL, Kristoff | |||||
| CMJ25/1 | - | COMPUTER MUSIC JOURNAL | 2001-03-21 | 0 | 0 | Review | TRMBLAY, J, BEGLARIAN, E, XENAKIS, I, THEREMIN,TRUAX, B | |||||
| CMJ25/2 | A VIRTUALLY REAL FLUTE | COMPUTER MUSIC JOURNAL | 2001-07-01 | 13 | 0 | Article | YSTAD Solvi | FLUTE, MIDI, INTERFACE | ||||
| CMJ25/2 | SICIB: AN INTERACTIVE MUSIC COMPOSITION SYSTEM USING BODY MOVEMENTS | COMPUTER MUSIC JOURNAL | 2001-07-01 | 25 | 0 | Article | MORALES-MANZANARES Roberto | INTERFACE, BODY MOVEMENT, DANCE | ||||
| CMJ25/2 | THE SQUEEZABLES: TOWARD AN EXPRESSIVE AND INTERDEPENDENT MULTI-PLAYER MUSICAL INSTRUMENT | COMPUTER MUSIC JOURNAL | 2001-07-01 | 37 | 0 | WEINBERG Gil | INSTRUMENT, SENSORS, PRESSURE, BALL,SQUEEZABLE | |||||
| CMJ25/2 | SYNTHESIZING NATURAL SOUNDS USING DYNAMIC MODELS OF SOUND ATTRACTORS | COMPUTER MUSIC JOURNAL | 2001-07-01 | 46 | 0 | ROEBEL Axel | SOUND SYNTHESIS, DIGITAL SOUND, CHAOTIC SYSTEM, DYNAMIC MODELING | |||||
| CMJ25/2 | - | COMPUTER MUSIC JOURNAL | 2001-07-01 | 0 | 0 | Review | ALGORITMIC, CSOUND, GABURO, K, HODGKINSON, T,LE CAINE, H | |||||
| CMJ25/2 | - | COMPUTER MUSIC JOURNAL | 2001-07-01 | 0 | 0 | Review | PARKER, E, PHELPS, J, EVENGELISTI, F, FUTURA 2000,COPE, D | |||||
| CMJ25/3 | A CONVERSATION WITH BEATRIZ FERREYRA | COMPUTER MUSIC JOURNAL | 2001-10-01 | 14 | 7 | Interview | COURCHENE Kim S. | FERREYRA, B, SCHAEFFER, P, GRM, MUSIQUE CONCRETE,SOUND OBJECTS | ||||
| CMJ25/3 | FRACTAL ADDITIVE SYNTHESIS VIA HATMONIC-BAND WAVELETS | COMPUTER MUSIC JOURNAL | 2001-10-01 | 22 | 0 | Article | EVANGELISTA Gianpaolo | ADDITIVE SYNTHESIS, SOUND ANALYSIS, NOISE, FILTER | ||||
| CMJ25/3 | METHODS FOR MODELING REALISTIC PLAYING IN ACOUSTIC GUITAR SYNTHESIS | COMPUTER MUSIC JOURNAL | 2001-10-01 | 38 | 0 | Article | LAURSON Mikael | SOUND ANALYSIS, GUITAR SYNTHESISER, PLUCKED STRING | ||||
| CMJ25/3 | FROM TIME TO TIME: THE REPRESENTATION OF TIMING AND TEMPO | COMPUTER MUSIC JOURNAL | 2001-10-01 | 50 | 0 | Article | HONING Henkjan | TIMING, TEMPO | ||||
| MTX97 | IRAK KRIEG | MUSIKTEXTE | 2003-04-01 | 94 | 0 | IRAK, GULF WAR, HAYS, S, JENEY, Z,SCHENKER, F | GERMAN | |||||
| MTX97 | IRAK KRIEG | MUSIKTEXTE | 2003-04-01 | 6 | 0 | TILBURY, J, CORNER, P, TSANGARIS, M, HUBER, K,GALEANO, E | GERMAN | |||||
| MTX97 | IRAK KRIEG | MUSIKTEXTE | 2003-04-01 | 0 | 0 | ASHLEY, R, SPAHLINGER, M, OTTE, H, WOLFF, C,MAHNKOPF, S | GERMAN | |||||
| MTX97 | IRAK KRIEG | MUSIKTEXTE | 2003-04-01 | 0 | 0 | FULLMAN, E, SCHWEHR, C, POUSSEUR, H, CHLOPECKI, A,BEHRMAN, D | GERMAN | |||||
| MTX97 | IRAK KRIEG | MUSIKTEXTE | 2003-04-01 | 0 | 0 | GOLDMANN, F, BOEHMER, K, DINESCU, V, HAUBENSAK, E,AHARONIAN, C | GERMAN | |||||
| MTX97 | IRAK KRIEG | MUSIKTEXTE | 2003-04-01 | 0 | 0 | SCHLUNZ, A, CURRAN, A, THOMMESSEN, O, ULLMANN, J,TARNOPOLSKI, W | GERMAN | |||||
| MTX97 | IRAK KRIEG | MUSIKTEXTE | 2003-04-01 | 0 | 0 | SCHMICKLER, M, HAJDU, G, SCHOLLHORN, J, AUGST, O,ABAD, E. A. | GERMAN | |||||
| MTX97 | IRAK KRIEG | MUSIKTEXTE | 2003-04-01 | 0 | 0 | MANZONI, G, MUENZ, H, OLIVEROS, P, VON SCHWEINITZ, W,STOCKHAUSEN, K | GERMAN | |||||
| MTX97 | IRAK KRIEG | MUSIKTEXTE | 2003-04-01 | 0 | 0 | ETKIN, M, BIRKENKOTTER, J, SCHMIDT, M, KLEIN, J,HOLSZKY, A | GERMAN | |||||
| MTX97 | IRAK KRIEG | MUSIKTEXTE | 2003-04-01 | 0 | 0 | RZEWSKI, F, HUBER, N, PLATZ, R, RIENACKER, G,STABLER, G | GERMAN | |||||
| MTX97 | IRAK KRIEG | MUSIKTEXTE | 2003-04-01 | 0 | 0 | GOEBBELS, H, ORE, C, LACHENMANN, H, NORGARD, P | GERMAN | |||||
| MTX97 | KUENSTLER UND WISSENSCHAFTLER | MUSIKTEXTE | 2003-04-01 | 11 | 4 | Article | HIRSBRUNNER Theo | HERVE, Jean-Luc, COMPOSITION | GERMAN | |||
| MTX97 | SCHWEBENDE WORTE - NEUE DENKSTRUCTUREN | MUSIKTEXTE | 2003-04-01 | 33 | 0 | Article | SCHMIDT-OIRRO Julia | CAGE, J, ALEATORIC, SPEAKER, COMPOSITION | GERMAN | |||
| MTX97 | ZWISCHEN | MUSIKTEXTE | 2003-04-01 | 45 | 0 | Article | KOFRON Petr | CZECHIA, KOTIK, P, ADAMIKS, J, GRAHAM, P,DUVAL, P | GERMAN | |||
| MTX97 | ZWISCHEN | MUSIKTEXTE | 2003-04-01 | 45 | 0 | Article | KOFRON Petr | SIMACEK, M, SLAVIK, J | GERMAN | |||
| MTX97 | MUSIK, DIE WAECHST WIE DAS HOLZ IM WALD | MUSIKTEXTE | 2003-04-01 | 59 | 0 | Article | HIEKEL Jorn Peter | GRAHAM, P, KAFKA, F, COMPOSITION, MICROTONAL | GERMAN | |||
| MTX97 | DER UMGESTIMMTE KOMPONIST | MUSIKTEXTE | 2003-04-01 | 83 | 0 | Article | SCHULZ Reinhard | SMOLKA, M, COMPOSITION | GERMAN | |||
| MTX97 | ISOLATION, IRONIE UND RELIGIOSITAET | MUSIKTEXTE | 2003-04-01 | 98 | 0 | Article | HIEKEL Jorn Peter | KOPELENT, M | GERMAN | |||
| CMJ25/3 | USING MULTIATTRIBUTE PREDICTION SUFFIX GRAPHS TO PREDICT AND GENERATE MUSIC | COMPUTER MUSIC JOURNAL | 2001-10-01 | 62 | 0 | Article | TRIVINO-RODRIGUEZ J. L. | MARKOV CHAIN, ALGORITHM, COMPOSITION, ANALYSE | ||||
| RESON9/2 | A FEW OF MY WAKING TIMES | RESONANCE | 2002-01-01 | 4 | 2 | Article | NAKAMURA Toshimaru | NAKAMURA, T | ||||
| RESON9/2 | ALL THIS AND BRAINS TOO: THIRTY YEARS OF HOWLING ROUND | RESONANCE | 2002-01-01 | 2 | 6 | Article | COLLINS Nicolas | COLLINS, N, FEEDBACK, COMPOSITION | ||||
| RESON9/2 | DAVID TUDOR'S UNTITLED FEEDING FORWARD | RESONANCE | 2002-01-01 | 3 | 8 | ROGALSKY Matt | TUDOR, D, ROGALSKY, M, FEEDBACK, LIVE ELECTRONICS,FEEDBACK | |||||
| RESON9/2 | OTHER KINDS OF FEEDBACK | RESONANCE | 2002-01-01 | 1 | 11 | DURRANT Phil | DURRANT, P, BUTCHER, J, FEEDBACK, LIVE ELECTRONICS,IMPROVISATION | |||||
| RESON9/2 | A PERSONAL JOURNEY THROUGH THE OUROBOUROS | RESONANCE | 2002-01-01 | 12 | 2 | MYERS David Lee | MYERS, D. L., FEEDBACK, DELAY, OUROBOUROS | |||||
| RESON9/2 | FEEDBACK IS EVERYWHERE | RESONANCE | 2002-01-01 | 14 | 2 | AUFERMANN Knut | AUFERMANN, K, FEEDBACK, CHEMICAL CLOCK | |||||
| RESON9/2 | EXPLORATIONS IN BIOELECTRONICS | RESONANCE | 2002-01-01 | 16 | 3 | PRIME Michael | PRIME, M, BIOELECTRONICS, ECOLOGY, PLANTS | |||||
| RESON9/2 | ELECTRONIC FEEDBACK SYSTEMS | RESONANCE | 2002-01-01 | 20 | 2 | NICHOLS Barry G. | FEEDBACK, CHLADNI FIGURES, NICHOLS, B | |||||
| RESON9/2 | MY AFFAIRS WITH FEEDBACK | RESONANCE | 2002-01-01 | 24 | 2 | LUCIER Alvin | LUCIER, A, FEEDBACK, BIRDCALL, VESSEL | |||||
| RESON9/2 | PERFORMANCE, FEEDBACK, NOISE AND MOVING PICTURES | RESONANCE | 2002-01-01 | 26 | 6 | FLINT Rob | FLINT, R, FEEDBACK, VIDEO | |||||
| L_UK_IMP | IMPROVISATION - HISTORY, DIRECTIONS, PRACTICE | 1984-04-01 | 0 | 13 | Article | SEVERAL | IMPROVISATION, BLUES, JAZZ, PARKER, Evan | AIM | ENGLISH | PHOTOCOPY OBTAINED FROM CHRIS ATTON | ||
| L_UK_IMP | NO MEANINGS WITHOUT RULES | 1984-04-01 | 0 | 0 | Article | SMALL Christopher | IMPROVISATION | AIM | ENGLISH | |||
| L_UK_IMP | IMPROVISATION - ARGUMENTS AFTER THE FACT | 1984-04-01 | 0 | 0 | DURANT Alan | IMPROVISATION | AIM | ENGLISH | ||||
| L_UK_IMP | COMMENTARY | 1984-04-01 | 0 | 0 | Article | PREVOST Eddie | IMPROVISATION | AIM | ENGLISH | |||
| eenmalig t | MUSIK SPRECHEN | NEUE ZEITSCHRIFT FUER MUSIK: MUSIK SPRECHEN | 1998-10-01 | 0 | 0 | TEXTSOUND, BLONK, J, POETRY, CLAUS, Carlfriedrich,HAUSSMANN, Raoul | GERMAN | |||||
| eenmalig t | MUSIK SPRECHEN | NEUE ZEITSCHRIFT FUER MUSIK: MUSIK SPRECHEN | 1998-10-01 | 0 | 0 | SCHNEBEL, Dieter, MORGENSTERN, Christian, MON, Franz, SCHERSTJANOI, Valeri,MINTON, Phil | GERMAN |