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Place_code | title | publication title | publication date | page nr. | nr. of pages | properties | writer | subjects | ISBN | editor | language | remarks |
L_US_FRO | I COULD GO ON AND ON | FROG PEAK ANTHOLOGY | 0000-00-00 | 23 | 0 | DIAMOND Jody | ||||||
L_US_FRO | ONE-WAY-TO-NOT-GO | FROG PEAK ANTHOLOGY | 0000-00-00 | 89 | 0 | GARLAND Peter | POLITICS, GUATEMALA | |||||
L_US_FRO | A:10 | FROG PEAK ANTHOLOGY | 0000-00-00 | 31 | 0 | GNAZZO Anthony J | POEM, GNAZZO, A | |||||
L_US_FRO | STILL LIFE | FROG PEAK ANTHOLOGY | 0000-00-00 | 115 | 0 | GOLDSTEIN Malcolm | POEM, GOLDSTEIN, M | |||||
L_US_FRO | GRAPHIC MUSIC WITHOUT RULES | FROG PEAK ANTHOLOGY | 0000-00-00 | 73 | 0 | Score | GOODE Daniel | |||||
L_US_FRO | FIVE POEMS | FROG PEAK ANTHOLOGY | 0000-00-00 | 9 | 0 | HARRISON Lou | ||||||
L_US_FRO | A HOUSE OF DUST | FROG PEAK ANTHOLOGY | 0000-00-00 | 33 | 0 | KNOWLES Alison | ||||||
L_US_FRO | DANCING | FROG PEAK ANTHOLOGY | 0000-00-00 | 109 | 0 | LINZ Rainer | ||||||
L_US_FRO | LISTENING- THE ESTHETICS OF NOT KNOWING | FROG PEAK ANTHOLOGY | 0000-00-00 | 153 | 0 | MANN Chris | POEM, MANN, C | |||||
L_US_FRO | CREDOS | FROG PEAK ANTHOLOGY | 0000-00-00 | 107 | 0 | NAGORCKA Ron | POEM | |||||
L_US_FRO | THREE TEXTS | FROG PEAK ANTHOLOGY | 0000-00-00 | 53 | 0 | PUSINA Jan | POEM, PUSINA, J | |||||
L_US_FRO | FOUR CHILDREN SONGS | FROG PEAK ANTHOLOGY | 0000-00-00 | 1 | 0 | POLANSKY Larry | POEM, POLANSKY, L | |||||
L_US_FRO | THREE SONNETS | FROG PEAK ANTHOLOGY | 0000-00-00 | 17 | 0 | PORTER Burt | POEM, PORTER, B | |||||
L_US_FRO | THREE POEMS | FROG PEAK ANTHOLOGY | 0000-00-00 | 19 | 0 | POWELL Jarrad | POEM, POWELL, J | |||||
L_US_FRO | ATTACK ON THE ARTS | FROG PEAK ANTHOLOGY | 0000-00-00 | 95 | 0 | POVALL Richard | POLITICS | |||||
L_US_FRO | MUSIC NOTATION AND SETI | FROG PEAK ANTHOLOGY | 0000-00-00 | 103 | 0 | Article | ROSENBOOM David | NOTATION, ROSENBOOM, D | ||||
L_US_FRO | LOU HARRISON'S POLITICAL PRIMER | FROG PEAK ANTHOLOGY | 0000-00-00 | 77 | 0 | HARRISON Lou | ||||||
L_US_FRO | HOW JOHN CAGE BECAME A POLITICIAN - ALMOST | FROG PEAK ANTHOLOGY | 0000-00-00 | 85 | 0 | GOODE Daniel | ||||||
L_RUS_SITS | MUSIC OF THE REPRESSED RUSSIAN AVANT-GARDE, 1900-1929 | 1994-01-01 | 0 | 347 | Book | SITSKY Larry | RUSSIAN AVANT-GARDE, MOSOLOV, A, LOURIE, A. V., VYSHNEGRADSKY, I.,TCHEREPNINE, A. | 0193-9041 | GREENWOOD PRESS | ENGLISH | ||
L_RUS_LEMA | LA MUSIQUE DU XXE SIECLE EN RUSSIE ET DANS LES ANCIENNES REPUBLIQUES SOVIETIQUES | 1994-01-01 | 0 | 521 | Book | LEMAIRE Frans C | RUSSIAN MUSIC XXTH CENTUR | 2-213-03187-8 | FAYARD | FRENCH | ||
L_RU_SCHER | TANGO MIT KUHEN | 1998-01-01 | 0 | 112 | Book | SCHERTSJANOI Valeri | RUSSIA, FUTURISM, POETRY, TEXT SOUND,MAJAKOWSKI, V. | 3-85266-081-5 | EDITION SELENE | GERMAN | ||
L_US_FORD | COMPOSER TO COMPOSER | 1993-01-01 | 0 | 252 | Interview Book | FORD Andrew | CARTER, E, ZWILICH, E.T., BOULEZ, P, MAELE, R,SCULTHORPE, P | 0-7043-7061-1 | QUARTET BOOKS | ENGLISH | ||
L_US_FORD | COMPOSER TO COMPOSER | 0000-00-00 | 45 | 0 | Interview Book | FORD Andrew | SAARIAHO, K, BIRTWISTLE, H, REICH, S, LUMSDAINE, D,ANDRIESSEN, L | |||||
L_US_FORD | COMPOSER TO COMPOSER | 0000-00-00 | 87 | 0 | Interview | FORD Andrew | TAVENER, J, EDWARDS, R, HENDERSON, M, WEIR, J,DONATONI, F | |||||
L_US_FORD | COMPOSER TO COMPOSER | 0000-00-00 | 123 | 0 | Interview | FORD Andrew | GUBAIDULINA, S, GOEHR, A, STOCKHAUSEN, K, FERNEYHOUGH, B,LIM, L | |||||
L_US_FORD | COMPOSER TO COMPOSER | 0000-00-00 | 163 | 0 | Interview | FORD Andrew | BUTTERLEY, N, CAGE, J, BROPHY, G, NYMAN, M,CONYNGHAM, B | |||||
L_US_FORD | COMPOSER TO COMPOSER | 0000-00-00 | 203 | 0 | Interview | FORD Andrew | BENNETT, R.R., SMALLEY, R, RUDERS, P, WESLEY-SMITH, M,TIPPETT, M | |||||
L_B_MESENS | E.L.T. MESENS L'ALCHIMISTE MECONNU DU SURREALISME | 1998-01-01 | 0 | 186 | Book | GEURTS-KRAUSS Christiane | MESENS, E.L.T., SURREALISME, MAGRITTE, R, COLLAER, P,BAEYENS, A | 2-8040-1360-X | EDITIONS LABOR | FRENCH | ||
L_B_SEUPHO | MUSIQUE A DHIANANDA | 1996-01-15 | 0 | 153 | Book | SEUPHOR Michel | SEUPHOR, M, BERCKELAERS, F, POETRY | ROUGERIE | FRENCH | |||
L_B_STEELS | THE TALKING HEADS EXPERIMENT VOL.I. WORDS AND MEANINGS | 1999-01-01 | 0 | 238 | Book | STEELS Luc | ARTIFICIAL INTELLIGENCE, SEMIOTICS, ROBOTS, COMPUTER,PERCEPTION | LABORATORIUM | ENGLISH | |||
L_US_SOME | SOME/THING | 1968-06-01 | 0 | 119 | SCHWERNER, A, ANTIN, D, EIGNER, L, ROTHENBERG, J,EDSON, R | |||||||
L_US_SOME | SOME/THING | 0000-00-00 | 0 | 0 | MALANGA, G, ALEXANDER, D, TAGGART, J, MAC LOW, J,TAGLIABUE, J | |||||||
L_US_SOME | SOME/THING | 0000-00-00 | 0 | 0 | ESHLEMAN, C, HOLLO, A, SILV ERTON, M, HOLST, S,DOWDEN, G | |||||||
L_US_SOME | SOME/THING | 0000-00-00 | 0 | 0 | BERGE, C, KAPROW, A, OSSMAN, D, RANDALL, M,WAKOSKI, D | |||||||
L_US_SOME | SOME/THING | 0000-00-00 | 0 | 0 | EVANS, P, ANTIN, E, NEUFELD, L, SNYDER, G,CORNER, P | |||||||
L_B_OOSTER | PARTITIONS | 0000-00-00 | 0 | 0 | Book | OOSTERLYNCK Baudouin | OOSTERLYNCK, B, INSTALLATION | |||||
L_US_RODEN | I SPEAK THROUGH A HOLE IN MY HEAD... | 2000-01-01 | 0 | 0 | Book | RODEN Steve | RODEN, Steve, POETRY | |||||
L_US_CAWS | MANIFESTO - A CENTURY OF ISMS | 0000-00-00 | 0 | 713 | Book | CAWS Ann | MANIFESTO, SYMBOLISM, PRIMITIVISM, CUBISM,FUTURISM | 0-8032-6407-0 | ||||
L_US_CAWS | - | MANIFESTO | 0000-00-00 | 0 | 713 | Book | CAWS Ann | BRUITISM, EXPRESSIONISM, FAUVIUSM, BLAUE REITER,DADA | 0-8032-6407-0 | |||
L_US_CAWS | MANIFESTO | MANIFESTO | 0000-00-00 | 0 | 713 | Book | CAWS Ann | DE STIJL, VORTICISM, BAUHAUS, OULIPO,LETTRISM | 0-8032-6407-0 | |||
L_D_WOLL | SELECTED WORKS | 2001-01-01 | 0 | 99 | Book | WOLLSCHEID Achim | WOLLSCHEID, A, INSTALLATION, LABELLE, B | 3-943801-01-3 | SELEKTION SB 04 | GERM-ENGL | ||
L_DK_CBN | EYE MUSIC - THE GRAPHIC ART OF NEW MUSICAL NOTATION | 1986-01-01 | 0 | 0 | Article | DAVIES Hugh | DAVIES, H, GRAPHIC SCORES, NOTATION | ARTS COUNCIL | ENGLISH | PHOTOCOPIES C. BERGSTROEM-NIELSSEN | ||
L_DK_CBN | RESONANCE - AN LMC SUPPLEMENT | 0000-00-00 | 0 | 0 | VARIOUS | IMPROVISATION, BARRETT, R, DENLEY, J, PARKER, E,CROSS, K | LMC | ENGLISH | PHOTOCOPIES C. BERGSTROEM-NIELSSEN | |||
L_DK_CBN | THE EDUCATIVE POTENTIAL OF IMPROVISED MUSIC | 1982-11-16 | 0 | 0 | PREVOST Eddie | PREVOST, E, IMPROVISATION, PEDAGOGIC | AIM | ENGLISH | PHOTOCOPIES C.BERGSTROEM-NIELSSEN | |||
L_DK_CBN | DAS SCHRIFTBILD DER MUSIK | 1974-01-01 | 0 | 0 | Article | BRUNNER Armin | NOTATION, GRAPHIC SCORES, NON EUROPEAN NOTATION, EARLY NOTATION | GERMAN | PHOTOCOPIES C.BERGSTROEM-NIELSSEN | |||
L_US_CAWS | MANIFESTO | 0000-00-00 | 0 | 0 | CAWS Ann | TZARA, T, MARINETTI, F.T., CARRA, C, DUCHAMP, M,HAUSMANN, R | ||||||
L_US_CAWS | MANIFESTO | 0000-00-00 | 0 | 0 | CAWS Ann | SCHWITTERS, K, LISSTESKY, E, ANTHEIL, G, BOULEZ, P,CAGE, J | ||||||
MW78 | COMMENTARY: LETTER FROM VIENNA | MUSICWORKS | 2000-09-01 | 5 | 4 | Article Review | GOODE Daniel | DUN, Tan, FELDMAN, Morton, BRUCKNER, Anton, VIETNAM WAR,VIENNA FESTIVAL | ENGLISH | |||
MW78 | I HEAR, THEREFORE I AM | MUSICWORKS | 2000-09-01 | 9 | 2 | KASEMETS Udo | EAR, PSYCHOACOUSTICS, COCHLEA, SEMIOLOGY | ENGLISH | ||||
MW78 | SOUNDWEB: WWW RESOURCES FOR NEW MUSIC | MUSICWORKS | 2000-09-01 | 11 | 2 | WANNAMAKER Rob | INTERNET, RADIO | ENGLISH |