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| Place_code | title | publication title | publication date | page nr. | nr. of pages | properties | writer | subjects | ISBN | editor | language | remarks |
| CEM13/2 | CYBERCORNER | CEM | 1998-07-07 | 13 | 3 | Article | DONCK Dyane | DONCK Dyane, MUSICAL SOFTWARE CHILDREN, CHILDREN COMPOSE | ||||
| CEM13/2 | REMINISCENCES DE LA MUSIQUE CONCRETE | CEM | 1998-07-07 | 16 | 2 | Article | ALBERTS Armeno | ALBERTS Armeno, MUSIQUE CONCRETE, REMINISCENCES DE LA MUSIQ, SCHAEFFER P. | ||||
| CEM13/2 | THE SOUNDS OF DISPLACEMENT | CEM | 1998-07-07 | 19 | 3 | Review | COPELAND Darren | COPELAND Darren, INT. CONGRES AC.ECOLOGY, SOUND TRAVELS | ||||
| CEM13/2 | GANZ OHR-SYMPOSIUM UBER DAS ZUHOREN | CEM | 1998-07-07 | 22 | 3 | Review | WINKLER Justin | WINKLER Justin, GANZ OHR SYMPOSIUM, HEARING, GEISSLER Karlheinz,OEHMICHEN Ekkehard | ||||
| CEM13/2 | A SOUND EDUCATION | CEM | 1998-07-07 | 24 | 1 | Review | FERRINGTON Gary | FERRINGTON Gary, SCHAFER R.M., A SOUND EDUCATION, VOICES OF TYRANNY,THE TUNING OF THE WORLD | ||||
| CEM13/2 | SILENT NIGHT | CEM | 1998-07-07 | 26 | 1 | Article | WESTERKAMP Hildegarde | WESTERKAMP H., SOUNDSCAPE INDIA, WEDDING | ||||
| CEM13/3 | CONCERT 50 JAAR MUSIQUE CONCRETE | CEM | 1998-12-12 | 2 | 3 | Article | PARMEGIANI B., LEJEUNE Jacques, ZANESI Christian, BAYLE Francois,TERUGGI Daniel | |||||
| CEM13/3 | TECHNICAL LIMITATIONS HAVE NEVER LIMITED MUSIC | CEM | 1998-12-12 | 6 | 9 | Interview | VAN ENGELEN Vincent | VAN ENGELEN Vincent, FAHRES Michael, TERUGGI Daniel, MUSIQUE CONCRETE,GRM | ||||
| CEM13/3 | REMINISCENCES DE LA MUSIQUE CONCRETE (2) | CEM | 1998-12-12 | 15 | 3 | Article | ALBERTS Armeno | ALBERTS Armeno, MUSIQUE CONCRETE, SCHAEFFER Pierre, GRM | ||||
| CEM13/3 | CYBERCORNER | CEM | 1998-12-12 | 18 | 4 | Article | DONCK Dyane | DONCK Dyane, SOFTWARE FOR CHILDREN, SUBOTNICK Morton, HIPHOP | ||||
| CEM13/3 | NUT EN NOODZAAK VAN NOTATIE | CEM | 1998-12-12 | 24 | 24 | Article | EY Esther | EY Esther, NOTATIE, NOTATIE EN ELEKTR. MUZIEK | ||||
| CEM13/3 | THE POET OF MINIMALISM | CEM | 1998-12-12 | 26 | 5 | Interview | ALBERTS Armeno | ALBERTS Armeno, PALESTINE Charlemagne, MINIMALISM, SYNTHESIZER DEVELOPMENT,JAMAICAN HEINEKENS IN BRO | ||||
| CEM14/1 | WISSELING VAN DE WACHT | CEM | 1999-05-05 | 4 | 2 | Interview | LEKX Ruud | LEKX Ruud, CEM HISTORY, FAHRES Michael, ALBERTS Armeno | ||||
| CEM14/1 | SOUNDSCAPES (BE)FOR(E) 2000 | CEM | 1999-05-05 | 6 | 2 | Article | FAHRES Michael | FAHRES Michael, SOUNDSCAPE FESTIVAL A'DAM | ||||
| CEM14/1 | DE TRUKENDOOS | CEM | 1999-05-05 | 8 | 2 | Article | VAN ZIJP Hans | VAN ZIJP Hans, CHILDREN COMPOSE, SOUNDTRACK MAKING, SILENT MOVIE | ||||
| CEM14/1 | MODULATIONS | CEM | 1999-05-05 | 10 | 1 | Review | PEETERS Arno | PEETERS Arno, LEE Iara, MODULATIONS, TECHNO DOCUMENTARY | ||||
| CEM14/1 | CYBERCORNER | CEM | 1999-05-05 | 11 | 3 | Article | DONCK Dyane | DONCK Dyane, CHILDREN COMPOSE, SOFTWARE FOR CHILDREN, MAGIX MUSIC STUDIO V2000,TECHNO CREATOR | ||||
| CEM14/1 | IS ACOUSTIC ECOLOGY ABOUT ECOLOGY? | CEM | 1999-05-05 | 24 | 2 | Article | REDSTROM Johan | REDSTROM Johan, ACOUSTIC ECOLOGY, ECOLOGY | ||||
| CEM14/2 | VERDWENEN GELUIDEN BOVEN WATER | CEM | 1999-09-09 | 9 | 1 | Article | VAN OS Andre | VAN OS Andre, NAA Ned. Audio Archief, SOUNDSCAPES | ||||
| CEM14/2 | WHAT IS ACOUSTIC ECOLOGY'S | CEM | 1999-09-09 | 20 | 4 | Article | WAGSTAFF Gregg | WAGSTAFF Gregg, ACOUSTIC ECOLOGY, ECOLOGY | ||||
| CEM14/2 | WINTER DIARY-MURRAY SCHAFER ERHIELT DEN SCZUKA PREIS 1998 | CEM | 1999-09-09 | 21 | 2 | Article | WERNER Hans Ulrich | WERNER Hans Ulrich, SCHAFER R. Murray, BIOGRAPHY | ||||
| CEM14/2 | NADA-AN EXPERIENCE IN SOUND | CEM | 1999-09-09 | 24 | 3 | Article | WESTERKAMP Hildegard | WESTERKAMP Hildegard, NADA, SOUND INSTALLATION | ||||
| CEM14/2 | FOURTY-ONE | CEM | 1999-09-09 | 27 | 1 | Article | GERWIN Thomas | GERWIN Thomas, SOUNDSCAPE | ||||
| CEM14/2 | LISTENING DIARIES | CEM | 1999-09-09 | 27 | 1 | Article | HOMBERG Martin | HOMBERG Martin, SOUNDSCAPES RECORDING | ||||
| CEM2/1 | JIM CUOMO: AT WORK, AT PLAY | CEM | 1991-04-04 | 27 | 2 | Interview | GELLER Richard | GELLER Richard, CUOMO Jim, COMPUTER, SAXOPHONE | ||||
| CEM15/1 | SOUNDSCAPES VOOR 2000 | CEM | 2000-01-01 | 10 | 4 | Review | FAHRES Michael | FAHRES Michael, SOUNDSCAPE FESTIVAL A'DAM, POMORIN Sybille, LA CASA Eric,INTERNET APPLICATIONS | ||||
| CEM15/1 | DE BIBLIOTHEEK VAN DE VERDWENEN GELUIDEN | CEM | 2000-01-01 | 14 | 2 | Article | CLAASSEN Ynne | CLAASSEN Ynne, NAA, SOUND ARCHIVES, THE NETHERLANDS | ||||
| CEM15/1 | BERNIE KRAUSE: INTO A WILD SANCTUARY | CEM | 2000-01-01 | 20 | 1 | Review | WINKLER Justin | WINKLER Justin, KRAUSE Bernie, AUTOBIOGRAPHY, NATURAL SOUND RECORDING | ||||
| OS3/3 | GRAPHICAL GROOVE: MEMORIAL FOR THE VAMPIRE, A VISUAL MUSIC SYSTEM | ORGANISED SOUND | 1998-12-12 | 187 | 5 | Article | SPIEGEL Laurie | SPIEGEL Laurie, GROOVE SYSTEM, VAMPIRE PROGRAM, CREATING VISUAL IMAGERY | 1355-7718 | |||
| OS3/3 | COMPUTER MUSIC ANIMATIONS | ORGANISED SOUND | 1998-12-12 | 193 | 6 | Article | RUDI Joran | RUDI Joran, CONCERT VIDEO'S, VISUALISATION OF MUSIC, ANIMATION | 1355-7718 | |||
| OS3/3 | A GENERIC MODEL FOR COMPOSITIONAL APPROACHES TO AUDIOVISUAL MEDIA | ORGANISED SOUND | 1998-12-12 | 199 | 11 | Article | HUNT Andy | HUNT Andy, AUDIOVISUAL COMPOSING, ROSS Kirk, ORTON Richard,MERRISON Benji | 1355-7718 | |||
| OS3/3 | MIMETIC DYNAMICS | ORGANISED SOUND | 1998-12-12 | 211 | 8 | Article | BARRETT Natasha | BARRETT Natasha, HAMMER Oyvind, MIMETIC DYNAMICS, SOUND INSTALLATION,DRIPPING INSTALLATION | 1355-7718 | |||
| OS3/3 | REALTIME AUDIOVISUAL RENDERING AND CONTEMPORAY AUDIOVISUAL ART | ORGANISED SOUND | 1998-12-12 | 219 | 14 | Article | LOKKI Tapio | LOKKI Tapio, AUDIOVISUAL RENDERING, VIRTUAL DIRECTING, DIVA SYSTEM | 1355-7718 | |||
| OS3/3 | THE ROLE OF SPEECH SYNTHESIS IN REQUIEM PER UNA VEU PERDUDA | ORGANISED SOUND | 1998-12-12 | 235 | 4 | Article | MIRANDA Eduardo Reck | MIRANDA E.R., REQUIEM PER UNA ..., SPEECH SYNTHESIS, SUBTRACTIVE SYNTHESIS,VOICE | 1355-7718 | |||
| CMJ23/3 | RECENT RESEARCH AND DEVELOPMENT AT IRCAM | COMPUTER MUSIC JOURNAL | 1999-09-09 | 9 | 9 | Article | VINET Hugues | VINET Hugues, IRCAM ACTIVITIES, ACOUSTICS, MUSIC PERCEPTION-COGNITIO,SOUND ANALYSIS-SYNTHESIS | 0148-9267 | |||
| CMJ23/3 | NONLINEAR DYNAMICS IN PHYSICAL MODELS: SIMPLE FEEDBACK-LOOP SYSTEMS... | COMPUTER MUSIC JOURNAL | 1999-09-09 | 18 | 18 | Article | RODET Xavier | RODET Xavier, VERGEZ Christophe, CHUA'S CIRCUIT, FEEDBACK-LOOP,SYNTHESIS MUSICAL INSTRUM | 0148-9267 | |||
| CMJ23/3 | NONLINEAR DYNAMICS IN PHYSICAL MODELS: FROM BASIC MODELS TO TRUE MUSICAL-INSTRUMENT MODELS | COMPUTER MUSIC JOURNAL | 1999-09-09 | 35 | 15 | Article | RODET Xavier | RODET Xavier, VERGEZ Christophe, NONLINEAR DYNAMICS, SYNTHETIC INSTRUMENTS,CLARINET,RECORDER,VIOLIN | 0148-9267 | |||
| CMJ23/3 | jMAX: AN ENVIRONMENT FOR REAL-TIME MUSICAL APPLICATIONS | COMPUTER MUSIC JOURNAL | 1999-09-09 | 50 | 9 | Article | DECHELLE Francois | DECHELLE Francois, MAX, jMAX, BORGHESI Riccardo,IRCAM | 0148-9267 | |||
| CMJ23/3 | COMPUTER-ASSISTED COMPOSITION AT IRCAM: FROM PATCHWORK TO OPENMUSIC | COMPUTER MUSIC JOURNAL | 1999-09-09 | 59 | 14 | Article | ASSAYAG Gerard | ASSAYAG Gerard, IRCAM, COMPUTER-ASSISTED COMPOSI, PATCHWORK,OPENMUSIC | 0148-9267 | |||
| CMJ23/3 | DESIGN AND ARCHITECTURE OF DISTRIBUTED SOUND PROCESSING AND DATABASE SYSTEMS... | COMPUTER MUSIC JOURNAL | 1999-09-09 | 73 | 12 | Article | WOHRMANN Rolf | WOHRMANN Rolf, BALLET Guillaume, WWW, IRCAM,COMPUTER MUSIC INTERFACES | 0148-9267 | |||
| CMJ23/3 | PERSPECTIVES OM THE CONTRIBUTION OF TIMBRE TO MUSICAL STRUCTURE | COMPUTER MUSIC JOURNAL | 1999-09-09 | 85 | 18 | Article | MCADAMS Stephen | MCADAMS Stephen, IRCAM, MULTIDIM. TIMBRE SPACE, TIMBRE INTERVAL,TIMBRE AND TENSION | 0148-9267 | |||
| CMJ23/3 | PHILIPPE MANOURY:JUPITER | COMPUTER MUSIC JOURNAL | 1999-09-09 | 103 | 2 | Review | MAY Andrew | MAY Andrew, MANOURY Philippe, JUPITER | 0148-9267 | |||
| CMJ23/3 | IRCAM, LES ANNEES '90 | COMPUTER MUSIC JOURNAL | 1999-09-09 | 104 | 2 | FERDINAND Louis | FERDINAND Louis, IRCAM-COMPOSERS, '90 PRODUCTION ON CD | 0148-9267 | ||||
| CMJ23/3 | PIERRE BOULEZ: REPONS, DIALOGUE DE L'OMBRE DOUBLE | COMPUTER MUSIC JOURNAL | 1999-09-09 | 106 | 4 | Review | PRIEST Robert | PRIEST Robert, BOULEZ Pierre, REPONS, CD-REVIEW,IRCAM | 0148-9267 | |||
| CMJ23/3 | COMPOSITEURS D'AUJOURD'HUI: IVAN FEDELE | COMPUTER MUSIC JOURNAL | 1999-09-09 | 110 | 1 | Review | RADFORD Laurie | RADFORD Laurie, FEDELE Ivan, CD-REVIEW, COMPOSER'S PORTRAIT,IRCAM | 0148-9267 | |||
| CMJ23/3 | COMPOSITEUR D'AUJOURD'HUI: MAGNUS LINDBERG | COMPUTER MUSIC JOURNAL | 1999-09-09 | 111 | 2 | Review | RICHEY John | RICHEY John, LINDBERG Magnus, CD-REVIEW, COMPOSER'S PORTRAIT,IRCAM | 0148-9267 | |||
| CMJ23/3 | COMPOSITEURS D'AUJOURD'HUI: PHILIPPE MANOURY | COMPUTER MUSIC JOURNAL | 1999-09-09 | 112 | 2 | Review | BANNERMAN Alastair | BANNERMAN Alastair, MANOURY Philippe, COMPOSER'S PORTAIT, CD-REVIEW,IRCAM | 0148-9267 | |||
| CMJ23/3 | COMPOSITEURS D'AUJOURD'HUI | COMPUTER MUSIC JOURNAL | 1999-09-09 | 115 | 2 | Review | GEERS Douglas | GEERS Douglas, MURAIL Tristan, C-REVIEW, IRCAM,SPECTRAL MUSIC | 0148-9267 | |||
| CMJ23/3 | KAIJA SAARIAHO:PRIVATE GARDENS | COMPUTER MUSIC JOURNAL | 1999-09-09 | 117 | 2 | Review | HINKLE-TURNER Elizabeth | HINKLE-TURNER Elizabeth, SAARIAHO Kaija, CD-REVIEW, INSTRUMENT + ELECTRONICS | 0148-9267 | |||
| CMJ23/3 | GEORGINA BORN: RATIONALIZING CULTURE: IRCAM, BOULEZ, AND THE INSTITUTIONALIZATION OF THE MUSICAL AVANTGARDE | COMPUTER MUSIC JOURNAL | 1999-09-09 | 118 | 3 | Review | HINKLE-TURNER Elizabeth | HINKLE-TURNER Elisabeth, BORN Georgina, IRCAM FROM ANTROPOL. VIEW, BOULEZ Pierre | 0148-9267 |