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| Place_code | title | publication title | publication date | page nr. | nr. of pages | properties | writer | subjects | ISBN | editor | language | remarks |
| RESON7/1 | THE HYBRID MUSE | RESONANCE | 1998-12-12 | 18 | 3 | Interview | BERESFORD Steve | BERESFORD S., RILEY Terry, HYBRID MUSIC, WOLFLI Adolf | 1352-772X | |||
| RESON7/1 | DEPTH OF FOCUS | RESONANCE | 1998-12-12 | 22 | 3 | Interview | WEIDENBAUM Mark | WEIDENBAUM M., OLIVEROS P., DEEP LISTENING | 1352-772X | |||
| RESON7/1 | LOOKING FOR MR GODBEAR | RESONANCE | 1998-12-12 | 26 | 5 | Interview | WEBBER Mark | WEBBER Mark, PALESTINE C., MINIMALISM | 1352-772X | |||
| RESON7/1 | MASS OBSERVATIONS | RESONANCE | 1998-12-12 | 32 | 4 | Interview | ENGLAND Phil | ENGLAND Phil, KRAABEL Car., MASS PRODUCERS | 1352-772X | |||
| RESON7/2 | THE PLAYER | RESONANCE | 1998-12-12 | 3 | 36 | Interview | ENGLAND Phil | ENGLAND Phil, O'ROURKE Jim, MERCE CUNNINGHA | 1352-772X | |||
| RESON7/1 | THE FORGOTTEN EAST | RESONANCE | 1998-12-12 | 39 | 3 | Article | CUTLER Chris | CUTLER Chris, NOVI SAD FESTIV, TICKMAYER S., KOVACS S.,KIRALY E. | 1352-772X | |||
| RESON7/1 | RADIO ART UNLEASHED | RESONANCE | 1998-12-12 | 42 | 3 | Article | WALLACE Tom | WALLACE Tom, RADIO ART, RESONANCE 107,3, CURRAN Alvin,CUSACK Peter | 1352-772X | |||
| RESON7/1 | DEEP LISTENING BAND DECADE: SUSPENDED MUSIC | RESONANCE | 1998-12-12 | 45 | 1 | Review | EDGERTON Robin | EDGERTON Robin, DEEP LIST. BAND, DEMPSTER Stuart, FULLMAN Ellen,MILLER Paul | 1352-772X | |||
| RESON7/1 | THE LABRADFORD FIRST ANNUAL FESTIVAL OF DRIFTING | RESONANCE | 1998-12-12 | 45 | 2 | Review | PINSENT Ed | BANG ON A CAN, PALESTINE C., CONRAD T., NELSON B.,J. MARTYN BAND | 1352-772X | |||
| EMI14#3 | POLYMORPHOUS PERCUSSION CONSTRUCTION | EXPERIMENTAL MUSICAL INSTRUMENTS | 1999-03-03 | 12 | 6 | Article | OKEANOS Zeno | OKEANOS Zeno, PERCUSSION, , ,INSTRUMENT BUILDING | 0883-0754 | |||
| EMI14#3 | THE DOLCEOLA | EXPERIMENTAL MUSICAL INSTRUMENTS | 1999-03-03 | 18 | 7 | Article | COHEN Andy | COHEN Andy, DOLCEOLA, PIANO MINI, ,INSTRUMENT BUILDING | 0883-0754 | |||
| EMI14#3 | THE NEW SAX FINGERING SYSTEM | EXPERIMENTAL MUSICAL INSTRUMENTS | 1999-03-03 | 25 | 3 | Article | SCHMIDT Jim | SCHMIDT Jim, SAX FINGERING, SAX, FLUTE FINGERING,INSTRUMENT BUILDING | 0883-0754 | |||
| EMI14#3 | PAUL PANHUYSEN'S LONG STRING INSTALLATIONS | EXPERIMENTAL MUSICAL INSTRUMENTS | 1999-03-03 | 28 | 8 | Article | VAN PEER Rene | PANHUYSEN Paul, STRING INSTALL., VAN PEER Rene, ,INSTRUMENT BUILDING | 0883-0754 | |||
| EMI14#3 | LAUDABLE LAUNEDDAS AND OTHER REEDY FOLK | EXPERIMENTAL MUSICAL INSTRUMENTS | 1999-03-03 | 36 | 5 | Article | GOODFELLOW Robin | SARDINIA, LAUNEDDA, GOODFELLOW R., WOODWINDS,INSTRUMENT BUILDING | 0883-0754 | |||
| EMI14#3 | AEOLIAN-BOW KITES IN CHINA | EXPERIMENTAL MUSICAL INSTRUMENTS | 1999-03-03 | 41 | 4 | Article | CLARK Mitchell | CHINA, KITES, BOW-KITES, ,INSTRUMENT BUILDING | 0883-0754 | |||
| EMI14#3 | MAKING A FENGQIN | EXPERIMENTAL MUSICAL INSTRUMENTS | 1999-03-03 | 45 | 1 | Review | CLARK Mitchell | KITES, FENGQIN, MUSICAL BOW, CLARK Mitchell,INSTRUMENT BUILDING | 0883-0754 | |||
| EMI14#3 | THE HOMEMADE CLEMENTS PLYWOOD CENTENNIAL AUGUSTUS STROH VIOLIN | EXPERIMENTAL MUSICAL INSTR | 1999-03-03 | 46 | 5 | Article | CLEMENTS Cary | CLEMENTS Cary, STROH-VIOLIN, , ,INSTRUMENT BUILDING | 0883-0754 | |||
| EMI14#3 | DEEPER INTO FLESHTONE | EXPERIMENTAL MUSICAL INSTRUMENTS | 1999-03-03 | 51 | 6 | Article | THRASHER Monte | INFRASOUND, THRASHER M., HOLOPHONIC REC., ,INSTRUMENT BUILDING | 0883-0754 | |||
| EMI14#3 | BAMBOO AND MUSIC, PART 2 | EXPERIMENTAL MUSICAL INSTRUMENTS | 1999-03-03 | 59 | 5 | Article | WATERS Richard | WATERS Richard, BAMBOO, , ,INSTRUMENT BUILDING | 0883-0754 | |||
| OS2#3 | PENDULUM-BASED INSTRUMENTS, PERCUSSIVE VIDEO, SOUND ART... | ORGANISED SOUND | 1997-12-12 | 151 | 13 | Article | SENN Dan | SENN Dan, SOUND ART, PENDULUMS, PERCUSS. VIDEO | 1355-7718 | |||
| OS2#3 | THE PROBLEM OF 2ND-ORDER SONORITIES IN XENAKIS' ELECTROACOUSTIC MUSIC | ORGANISED SOUND | 1997-12-12 | 165 | 14 | Article | DI SCIPIO Agostino | DI SCIPIO A., XENAKIS, ANALOGIQUE B, 2ND-0RDER SONO.,CONCRET PH | 1355-7718 | |||
| OS2#3 | MODELLING OF NATURAL SOUNDS BY TIME-FREQUENCY AND WAVELET REPRESENTATIONS | ORGANISED SOUND | 1997-12-12 | 179 | 13 | Article | KRONLAND-MARTI. R. | SOUND MODELLING, KRONLAND-MARTIN, GUILLEMAIN P., YSTAD S. | 1355-7718 | |||
| OS2#3 | A REVIEW OF TIME-FREQUENCY REPRESENTATIONS... | ORGANISED SOUND | 1997-12-12 | 193 | 13 | Article | MASRI Paul | MASRI Paul, BATEMAN Andrew, CANAGARAJAH N., TIME-FREQ. REPR,SOUND-MUSIC AN. | 1355-7718 | |||
| OS2#3 | THE IMPORTANCE OF THE TIME-FREQUENCY REPRESENTATION... | ORGANISED SOUND | 1997-12-12 | 207 | 8 | Article | MASRI Paul | MASRI P., BATEMAN A., CANAGARAJAH N., TIME-FREQ.REPRE,ANALYSIS-SYNTH. | 1355-7718 | |||
| OS2#3 | A NOTATIONAL SYSTEM FOR THIRD-TONE MUSIC | ORGANISED SOUND | 1997-12-12 | 215 | 9 | Article | LEE Eugene | LEE Eugene, THIRD-TONE MUSI, NOTATION | 1355-7718 | |||
| OS2#3 | ANALYSIS OF CROSSTALK, A WORK BY MICHAEL VAUGHAN | ORGANISED SOUND | 1997-12-12 | 225 | 26 | Article | FISCHMAN Rajmil | FISCHMAN R., VAUGHAN M., CROSSTALK ANAL. | 1355-7718 | |||
| OS2#3 | SPECTRAL MODELLING AND TIMBRE HYBRIDISATION PROGRAMS FOR COMPUTER MUSIC | ORGANISED SOUND | 1997-12-12 | 253 | 6 | Article | BEAUCHAMP J. | BEAUCHAMP J., HORNER A., SPECTRAL MODELL, TIMBRE HYBRIDIS | 1355-7718 | |||
| OS3#1 | MUSIC IN THE AIR: A THEORETICAL MODEL AND SOFTWARE SYSTEM FOR MUSIC ANALYSIS AND COMPOSITION | ORGANISED SOUND | 1998-04-04 | 3 | 14 | Article | NEWCOMB Robert | NEWCOMB R.S., MITA, SOFTWARE | 1355-7718 | |||
| OS3#1 | THE LAW OF ONE: RECURSIVE STRUCTURES IN COMPOSITION | ORGANISED SOUND | 1998-04-04 | 17 | 9 | Article | HATZIS Christof | HATZIS C., THE LAW OF ONE, OVERTONE SERIES, FRACTALS | 1355-7718 | |||
| OS3#1 | DECONSTRUCTING MUSICAL STRUCTURE | ORGANISED SOUND | 1998-04-04 | 27 | 8 | Article | MILICEVIC Mladen | MEANING&STRUCTU, MILICEVIC Mlade, COMMUNICATION, POSTMODERNISM | 1355-7718 | |||
| OS3#1 | TECHNOLOGY AND PIERRE SCHAEFFER:.... | ORGANISED SOUND | 1998-04-04 | 35 | 9 | Article | PALOMBINI Carlos | SCHAEFFER P., BENJAMIN W., HEIDEGGER M., PALOMBINI C. | 1355-7718 | |||
| OS3#1 | UNDERSTANDING ELECTROACOUSTIC MUSIC: ANALYSIS OF NARRATIVE STRATEGIES IN SIX EARLY COMPOSITIONS | ORGANISED SOUND | 1998-04-04 | 45 | 5 | GIOMI Francesco | GIOMI Francesco, LIGABUE Marco, ELECTROAC. MUS., NARRAT.ANALYSIS | 1355-7718 | ||||
| OS3#1 | STRUCTURAL ASPECTS OF MY MUSIC AS ILLUSTRATED IN THE TAPE WORK | ORGANISED SOUND | 1998-04-04 | 51 | 9 | Article | FLEISCHER Tsippi | FLEISCHER Tsipp, THE GOWN OF NIG, LIKE TWO BRANCH, COMP. ANALYSIS | 1355-7718 | |||
| OS3#1 | PHYSICALLY BASED SOUND MODELLING | ORGANISED SOUND | 1998-04-04 | 61 | 16 | Article | DE POLI Giovanni | DE POLI Giovann, ROCCHESSO David, SOUND MODELLING | 1355-7718 | |||
| OS3#1 | A PROPOSED DESIGN FOR AN AUDIO PROCESSING SYSTEM | ORGANISED SOUND | 1998-04-04 | 77 | 8 | Article | LAZZARINI Victor E.P. | LAZZARINI VICT., AUDIO PROCESSIN | 1355-7718 | |||
| CMJ22#2 | AN ANNOTATED BIBLIOGRAPHY OF JAPANESE ELECTROACOUSTIC MUSIC | COMPUTER MUSIC JOURNAL | 1998-07-07 | 4 | 3 | Article | LOUBET Emmanuelle | LOUBET Emman., JAPAN, ELECTROAC.MUSIC | 0148-9267 | |||
| CMJ22#2 | CHAOTIC SOUND SYNTHESIS | COMPUTER MUSIC JOURNAL | 1998-07-07 | 12 | 8 | Article | SLATER Dan | SLATER Dan, CHAOTIC SOUND, ANALOG SOUND | 0148-9267 | |||
| CMJ22#2 | SOUND VISUALIZATION USING EMBEDDING: THE ART AND SCIENCE OF AUDITORY AUTOCORRELATION | COMPUTER MUSIC JOURNAL | 1998-07-07 | 20 | 15 | Article | MONRO Gordon | MONRO Gordon, PRESSING Jeff, SOUND VISUALIZ., EMBEDDING | 0148-9267 | |||
| CMJ22#2 | SYNTHBUILDER: A GRAPHICAL RAPID-PROTOTYPING TOOL... | COMPUTER MUSIC JOURNAL | 1998-07-07 | 35 | 9 | Article | PORCARO Nick | PORCARO Nick, JAFFE David, SYNTHBUILDER | 0148-9267 | |||
| CMJ22#2 | QUASI-SYNCHRONOUS AND PITCH-SYNCHRONOUS GRANULAR SOUND PROCESSING WITH STAMPEDE II | COMPUTER MUSIC JOURNAL | 1998-07-07 | 44 | 8 | Article | BEHLES Gerhard | BEHLES Gerhard, STARKE Sascha, ROBEL Axel, GRANUL.SOUND PR,STAMPEDE II | 0148-9267 | |||
| CMJ22#2 | CECILIA: A PRODUCTION INTERFACE TO CSOUND | COMPUTER MUSIC JOURNAL | 1998-07-07 | 52 | 4 | Article | PICHE Jean | PICHE Jean, BURTON Al., CECILIA, CSOUND | 0148-9267 | |||
| CMJ22#2 | MIGRATING MUSICAL CONCEPTS: AN OVERVIEW OF THE BOL PROCESSOR | COMPUTER MUSIC JOURNAL | 1998-07-07 | 56 | 9 | BEL Bernard | BEL Bernard, BOL PROCESSOR, INDIAN MUSIC | 0148-9267 | ||||
| CMJ22#2 | INTIMATE IMMENSITIES | COMPUTER MUSIC JOURNAL | 1998-07-07 | 65 | 1 | Review | SUBOTNICK Morton | SUBOTNICK M., INTIMATE IMMEN., MEDIA POEM, RICHEY John | 0148-9267 | |||
| CMJ22#2 | WIE DIE ELEKTRONISCHE MUSIK ERFUNDEN WURDE... | COMPUTER MUSIC JOURNAL | 1998-07-07 | 66 | 1 | Review | ROADS Curtis | UNGEHEUER E., HIST.ELECT.MUS., ROADS Curtis, UNGEHEUER Elena,MEYER-EPPLER W. | 0148-9267 | |||
| CMJ22#2 | CELEBRATING THE FORTIETH... | COMPUTER MUSIC JOURNAL | 1998-07-07 | 67 | 2 | Review | LILITH Vincent | TAPE MUSIC N.Y., BARELA M., LUENING O., LILITH Vincent,MUSIC PRESS | 0148-9267 | |||
| CMJ22#2 | KEN STEIGLITZ: A DIGITAL SIGNAL PROCESSING PRIMER... | COMPUTER MUSIC JOURNAL | 1998-07-07 | 68 | 1 | Review | DAWSON Andrew | STEIGLITZ K., DAWSON A., DSP | 0148-9267 | |||
| CMJ22#2 | ALLEN D. PIERCE:ACOUSTICS: AN INTRODUCTION | COMPUTER MUSIC JOURNAL | 1998-07-07 | 68 | 1 | Review | VANCO Lucas | PIERCE A., VANCO Lucas, ACOUSTICS THEO. | 0148-9267 | |||
| CMJ22#2 | ROGER REYNOLDS: THE PARIS PIECES | COMPUTER MUSIC JOURNAL | 1998-07-07 | 69 | 2 | Review | TABOR Jerry | TABOR Jerry, REYNOLDS Roger, THE PARIS PIECE, CD REVIEW | 0148-9267 | |||
| CMJ22#2 | FRANCIS DHOMONT: CYCLE DES PROFONDEURS; MOUVANCES-METAPHORES | COMPUTER MUSIC JOURNAL | 1998-07-07 | 71 | 2 | Review | ROY Stephane | CD-REVIEW, ROY Stephane, DHOMONT F. | 0148-9267 | |||
| CMJ22#2 | LARRY AUSTIN AND LARS GUNNAR BODIN | COMPUTER MUSIC JOURNAL | 1998-07-07 | 74 | 1 | Review | CUMMINGS Robert | CUMMINGS Robert, AUSTIN Larry, BODIN L.G., CD-REVIEW | 0148-9267 |