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| Place_code | title | publication title | publication date | page nr. | nr. of pages | properties | writer | subjects | ISBN | editor | language | remarks |
| MT69/70 | EIN BESUCH AUF DEM BERG OLYMP | MUSIKTEXTE | 1997-04-04 | 94 | 1 | Article | MUMMA Gordon | MUMMA Gordon, TUDOR David, THE PIANIST | ||||
| MT69/70 | DONNERSCHLAGE | MUSIKTEXTE | 1997-04-04 | 98 | 1 | Article | PATTERSON David W. | PATTERSON David, TUDOR David | ||||
| MT69/70 | DIE SEITE DER GESELLSCHAFT FUR NEUE MUSIK (GNM) | MUSIKTEXTE | 1997-04-04 | 99 | 1 | Article | GRONEMEYER Gisela | GNM NEWS, GRONEMEYER Gis., GERMANY | ||||
| MT69/70 | BUDDHISTISCHES DENKEN | MUSIKTEXTE | 1997-04-04 | 100 | 1 | Article | SAWABE Yukiko | SAWABE Yukiko, MAYUZUMI Toshir, NATIONALISM, MISHIMA Y. | ||||
| MT69/70 | SKIZZENARBEIT | MUSIKTEXTE | 1997-04-04 | 100 | 1 | Review | MELKERT Hella | MELKERT Hella, NONO Luigi, NONO ARCHIVES | ||||
| MT69/70 | KONSTRUKTION UND AUSDRUCK | MUSIKTEXTE | 1997-04-04 | 101 | 2 | Article | DREES Stefan | DREES Stefan, NONO Luigi, IL CANTO SOSPES | ||||
| MT69/70 | SENTIMENTALE VERWASSERUNG | MUSIKTEXTE | 1997-04-04 | 103 | 1 | Review | STRUCK-SCHLOEN Michael | STRUCK-SCHLOEN, NONO Luigi, PROMETEO | ||||
| MT69/70 | STERNSTUNDE DER MODERNE | MUSIKTEXTE | 1997-04-04 | 103 | 2 | Review | OEHLSCHLAGEL Reinhard | LACHENMANN H., DAS MADCHEN MIT, OEHLSCHLAGEL R., MUSIC THEATRE | ||||
| MT69/70 | GERUCHSMUSIK | MUSIKTEXTE | 1997-04-04 | 105 | 1 | Review | EHRLER Hanno | EHRLER Hanno, SKEMPTON H., CONCERTO | ||||
| MT69/70 | SCHMERZDARSTELLUNG | MUSIKTEXTE | 1997-04-04 | 105 | 1 | Review | SCHULZ Reinhard | SCHULZ R., HAMEL P. M., PASSION ORATORI | ||||
| MT69/70 | ALS WEG... | MUSIKTEXTE | 1997-04-04 | 106 | 1 | Review | STRUCK-SCHLOEN Michael | STRUCK-SCHLOEN, HERCHET Jorg, ABRAUM, MUSIC THEATRE | ||||
| MT69/70 | PRAGENDER COMMON SENSE | MUSIKTEXTE | 1997-04-04 | 107 | 1 | Review | HINZ Klaus-Michael | HINZ K.-M., ENGLISH MUSIC | ||||
| MT69/70 | SYMMETRISCHE MECHANISMEN | MUSIKTEXTE | 1997-04-04 | 108 | 1 | Review | OEHLSCHLAGEL Reinhard | OEHLSCHLAGEL R., SCHENKER Fried., GEFAHRLICHE L.., MUSIC THEATRE | ||||
| MT69/70 | AKUSTISCHER PULS DER GEGENWART | MUSIKTEXTE | 1997-04-04 | 109 | 1 | Article | EHRLER Hanno | EHRLER H., ELECTRONIC MUSI, EXP.VERSUS POP., AMBIENT MUSIC,STAUB Volker | ||||
| MT69/70 | AKUSTISCHE BADEMATTE | MUSIKTEXTE | 1997-04-04 | 110 | 1 | Review | STRUCK-SCHLOEN Michael | STRUCK-SCHLOEN, HUMMEL Franz, DER INTENDANT, MUSIC THEATRE | ||||
| MT69/70 | GEMISCHT WESTLICHES | MUSIKTEXTE | 1997-04-04 | 110 | 2 | Review | OEHLSCHLAGEL Reinhard | OEHLSCHLAGEL R., MUSIK-BIENNALE, BERLIN | ||||
| MT69/70 | DIE LAST DER LEKTIONEN | MUSIKTEXTE | 1997-04-04 | 112 | 2 | Review | NONNENMANN Karl Rainer | NONNENMANN K.R., GESEL. NEUE MUS, GERM. COMPOSERS, DICK Robert | ||||
| MT69/70 | STREICHEN ODER UMWANDELN | MUSIKTEXTE | 1997-04-04 | 114 | 1 | Article | MORCHEN Raoul | MORCHEN Raoul, KAGEL Mauricio, MUSIC THEATRE | ||||
| MT69/70 | VERRUCKTE WIE ICH | MUSIKTEXTE | 1997-04-04 | 116 | 2 | Article | GANN Kyle | GANN Kyle, INTERNET, DANIELOU Alain, NANCARROW C. | ||||
| OS1/1 | A HISTORY OF SAMPLING | ORGANISED SOUND | 1996-04-04 | 3 | 9 | Article | DAVIES Hugh | DAVIES Hugh, SAMPLING HIST., SCHAEFER Henry, PRECURSORS | 1355-7718 | |||
| OS1/1 | SOUNDS AND SOURCES IN | ORGANISED SOUND | 1996-04-04 | 13 | 9 | Article | TRUAX Barry | TRUAX Barry, POWERS OF TWO, MUSIC THEATRE, ELECTRONIC MUSI | 1355-7718 | |||
| OS1/1 | IS THERE A QUEBEC SOUND? | ORGANISED SOUND | 1996-04-04 | 23 | 6 | Article | DHOMONT Francis | DHOMONT Francis, QUEBEC SOUND, ACOUSMATICS, MUSIQUE CONCRET | 1355-7718 | |||
| OS1/1 | FORM AND REFERENTIAL CITATION IN A WORK BY FRANCIS DHOMONT | ORGANISED SOUND | 1996-04-04 | 29 | 13 | Article | ROY Stephane | ROY STEPHANE, DHOMONT Francis, POINTS DE FUITE, ACOUSMATICS | 1355-7718 | |||
| OS1/1 | TAO: A PHYSICAL MODELLING SYSTEM AND RELATED ISSUES | ORGANISED SOUND | 1996-04-04 | 43 | 8 | Article | PEARSON Mark | PEARSON Mark, TAO, CSS, COMPUTER MUSIC,SOUND SYNTHESE | 1355-7718 | |||
| OS1/1 | MIDI AND COMMUNALITY | ORGANISED SOUND | 1996-04-04 | 51 | 4 | Article | COLE Bruce | COLE Bruce, LEARNING DISABL, DANCE/RAVE | 1355-7718 | |||
| OS1/1 | OBJECT-ORIENTED MUSIC REPRESENTATION | ORGANISED SOUND | 1996-04-04 | 55 | 14 | Article | TRAVIS POPE Stephen | POPE Travis, MUSIC LANGUAGES, COMPUTER MUSIC, O-O SOFTWARE | 1355-7718 | |||
| OS1/2 | VIRTUAL MUSICAL INSTRUMENTS-NATURAL SOUND USING PHYSICAL MODELS | ORGANISED SOUND | 1996-08-08 | 75 | 12 | Article | VALIMAKI Vesa | SOUND SYNTHESE, VALIMAKI Vesa, TAKALA Tapio, DIGITAL SYNTHES | 1355-7718 | |||
| 0S1/2 | DISPLACED TIME: TRANSCONTEXTUAL REFERENCES TO TIME IN KAIJA SAARIAHO'S | ORGANISED SOUND | 1996-08-08 | 87 | 6 | Article | KANKAANPAA Vesa | KANKAANPAA Vesa, SAARIAHO Kaija, STILLEBEN, LICHTBOGEN,TIME ANALYSE | ||||
| OS1/2 | ADDING VIDEO INTO THE (REAL)TIME DOMAIN | ORGANISED SOUND | 1996-08-08 | 93 | 14 | Article | POVALL Richard | POVALL Richard, VIDEO, INTERACTIVITY, REALTIME VIDEO | 1355-7718 | |||
| OS1/2 | COMPOSING AT THE INTERSECTION OF TIME AND FREQUENCY | ORGANISED SOUND | 1996-08-08 | 107 | 11 | Article | CLARKE Michael | CLARKE Michael, COMPUTER MUSIC, TIME-FREQUENCY, IMPAC,FOF | 1355-7718 | |||
| OS1/2 | AN INTRODUCTION TO DISCOVERY STRATEGY | ORGANISED SOUND | 1996-08-08 | 120 | 5 | Article | FIELD Ambrose | FIELD Ambrose, DISCOVERY STRAT, ELECTROACOUSTIC, PERCEPTION,UNDERCURRENTS | 1355-7718 | |||
| OS1/2 | SCULPTING A SOUND SPACE WITH INFORMATION PROPERTIES | ORGANISED SOUND | 1996-08-08 | 126 | 12 | Article | BARRASS Stephen | BARRASS Stephen, SOUND SPACE DES, SAMPLING, TIMBRE,MUSICAL STRUCTU | 1355-7718 | |||
| OS1/3 | DETERMINACY AND INDETERMINACY | ORGANISED SOUND | 1996-12-12 | 143 | 13 | Article | XENAKIS Iannis | SYNTHESIS, INDETERMINACY, UPIC, SOUND SYNTHESIS,JONCHAIES | 1355-7718 | |||
| OS1/3 | ALGORITHMIC COMPOSITION AS A MODEL OF CREATIVITY | ORGANISED SOUND | 1996-12-12 | 157 | 0 | Article | JACOB Bruce | JACOB Bruce, ALGORITHM. COMP, COMPUTER MUSIC | 1355-7718 | |||
| OS1/3 | CODE-NOTES-MUSIC: AN EPISTEMOLOGICAL INVESTIGATION OF ALGORITHMIC MUSIC | ORGANISED SOUND | 1996-12-12 | 173 | 5 | Article | RICHARD Dominique | RICHARD Dominiq, COMPUTER MUSIC, ALGORITHMIC MUS | 1355-7718 | |||
| OS1/3 | AN EARLY CASE OF ALGORITHMIC COMPOSITION IN ITALY | ORGANISED SOUND | 1996-12-12 | 4 | 179 | Article | GIOMI Francesco | GIOMI Francesco, ALGORITHMICS, GROSSI Pietro, COMPUTER MUSIC | 1355-7718 | |||
| OS1/3 | STUDIES IN METAMUSICAL METHODS FOR SOUND AND IMAGE COMPOSITION | ORGANISED SOUND | 1996-12-12 | 183 | 12 | Article | WORRALL David | WORRAL David, SYNAESTHETICS, SOUND-VISUALS, COMPUTER,EDUCATION | 1355-7718 | |||
| OS1/3 | REACTION-DIFFUSION SYSTEMS FOR ALGORITHMIC COMPOSITION | ORGANISED SOUND | 1996-12-12 | 195 | 7 | Article | MARTIN Andrew | MARTIN Andrew, MARTIN Andrew, TURING Alan, REACTION-DIFFUS,ALGORITHMICS | 1355-7718 | |||
| OS1/3 | PROJECTION AND INTERACTIVITY OF MUSICAL STRUCTURES IN | ORGANISED SOUND | 1996-12-12 | 203 | 9 | Article | IMPETT Jonathan | IMPETT Jonathan, META-TRUMPET, COMPUTER, LIVE ELECTRONIC,ALGORITHMS | 1355-7718 | |||
| OS2/1 | THE ELECTROACOUSTIC COMMUNITY | ORGANISED SOUND | 1997-04-04 | 1 | 4 | Article | LANDY Leigh | LANDY Leigh, COMMUNITY, COMPUTER MUSIC, ELECTROACUOSTIC | 1355-7718 | |||
| OS2/1 | VOICES IN THE DESERT: AN ONTOLOGY OF THE ELECTROACOUSTIC COMMUNITY | ORGANISED SOUND | 1997-04-04 | 5 | 7 | Article | RICHARD Dominique | RICHARD Dominiq, ELECTROACOUSTIC, COMMUNITY, BOULEZ Pierre | 1355-7718 | |||
| OS2/1 | AN EMERGING DIGITAL COMMUNITY: THE CD-ROM ARTISTS | ORGANISED SOUND | 1997-04-04 | 13 | 6 | Article | BURNS Kristine H. | BURNS Kristine, CD-ROM, INTERACTIVITY, SUBOTNICK M.,ANDERSON Lauri | 1355-7718 | |||
| OS2/1 | NEAR- THE NETHERLANDS ELECTRO-ACOUSTIC REPERTOIRE CENTRE | ORGANISED SOUND | 1997-04-04 | 19 | 3 | Article | COENEN Alcedo | COENEN Alcedo, NEAR, TAPE ARCHIVES, ELECTROACOUSTIC,NETHERLANDS | 1355-7718 | |||
| OS2/1 | CHARM OF SOUND: SOMETHING NEW IN THE FINNISH CONTEMPORARY MUSIC SCENE? | ORGANISED SOUND | 1997-04-04 | 23 | 2 | Article | KULJUNTAUSTA Petri | KULJUNTAUSTA Pe, FINNISH MUSIC, CHARM OF SOUND, ELECTROACOUSTIC | 1355-7718 | |||
| OS2/1 | THE ELECTRONIC MUSIC FOUNDATION | ORGANISED SOUND | 1997-04-04 | 25 | 3 | Article | CHADABE Joel | CHADABE Joel, EMF, CDeMUSIC, ELECTRONIC MUSI | 1355-7718 | |||
| OS2/1 | COMPOSERS' DESKTOP PROJECT | ORGANISED SOUND | 1997-04-04 | 29 | 5 | Article | ENDRICH Archer | ENDRICH Archer, CDP, CDP HISTORY, CDP INTENTIONS | 1355-7718 | |||
| OS2/1 | THE UPIC SYSTEM AS AN INSTRUMENT OF LEARNING | ORGANISED SOUND | 1997-04-04 | 35 | 8 | Article | NELSON Peter | NELSON Peter, UPIC, XENAKIS I., EDUCATION | 1355-7718 | |||
| OS2/1 | MAX AND TABULA VIGILANS: TWO PROGRAMS FOR ALGORITHMIC AND RULE-BASED COMPOSITION | ORGANISED SOUND | 1997-04-04 | 43 | 14 | Article | MARCENARO Odilon | MARCENARO Odilo, MAX, TABULA VIGILANS, ALGORITHMIC MUS,COMPUTER MUSIC | 1355-7718 | |||
| OS2/1 | EXPERIMENTS IN MUSICAL INTELLIGENCE | ORGANISED SOUND | 1997-04-04 | 57 | 2 | Review | COENEN Alcedo | ARTIFICIAL INTELLIGENCE, COPE David, A.I., COMPUTER MUSIC,BEETHOVEN | 1355-7718 | |||
| OS2/1 | THE COMPUTER MUSIC TUTORIAL | ORGANISED SOUND | 1997-04-04 | 58 | 3 | Review | BELLO Angelo | BELLO Angelo, ROADS Curtis, COMPUTER MUSIC | 1355-7718 |