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Place_code title publication title publication date page nr. nr. of pages properties writer subjects ISBN editor language remarks
RESON4/1ANDREW JONESRESONANCE1995-12-1202Book
Review
GLANDIEN KerstenMUSIQUE ACTUELL, JONES Andrew1352-772X
EMI11#3ROTATING TWEETER HORNEXPERIMENTAL MUSICAL INSTRUMENTS1996-03-0362Article
CARY KeithROTATING TWEETE, LESLIE EFFECT, , ,INSTRUMENT BUILDING0883-0754
EMI11#3TWEAK THOSE TONESEXPERIMENTAL MUSICAL INSTRUMENTS1996-03-0361Article
HERRON JohnSOUND EFFECTS, RECORDING, , ,INSTRUMENT BUILDING0883-0754
EMI11#3THE DIDGERIDOOEXPERIMENTAL MUSICAL INSTRUMENTS1996-03-0384Article
WILSON SteveDIDGERIDOO, WILSON Steve, AUSTRALIAN MUSI, ,INSTRUMENT BUILDING0883-0754
EMI11#3A CONVERSATION WITH REX LAWSON, PIANOLIST EXTRAORDINAIREEXPERIMENTAL MUSICAL INSTRUMENTS1996-03-03124Interview
CLARK MitchellLAWSON Rex, CLARK Mitchell, PIANOLA, ,INSTRUMENT BUILDING0883-0754
EMI11#3HISTORICAL MUSICAL INSTRUMENT PATENTSEXPERIMENTAL MUSICAL INSTRUMENTS1996-03-03163Article
CLEMENTS CaryPATENTS, HISTORICAL INST, US PATENTS, ,INSTRUMENT BUILDING0883-0754
EMI11#3MAKING MARKETABLE MUSICAL INSTRUMENTSEXPERIMENTAL MUSICAL INSTRUMENTS1996-03-03193Article
HOPKIN BartCOMMERCIAL POS., UNCONV. INSTR., , ,INSTRUMENT BUILDING0883-0754
EMI11#3THE HISTORICAL PERSPECTIVEEXPERIMENTAL MUSICAL INSTRUMENTS1996-03-03224Article
COOKE RichardCOOKE Richard, XYLOPHONES, METALLOPHONES, ,INSTRUMENT BUILDING0883-0754
EMI11#3THE REEDED MOUTH BOWEXPERIMENTAL MUSICAL INSTRUMENTS1996-03-03255Article
HARMAN WaylandMOUTH BOW, , , ,INSTRUMENT BUILDING0883-0754
EMI11#3VIDEO REVIEWEXPERIMENTAL MUSICAL INSTRUMENTS1996-03-0310Review
BURT WarrenPARTCH FILMS, BURT Warren, TOURTELOT M., ,INSTRUMENT BUILDING0883-0754
EMI11#3SOUNDCULTURE 96: AN EXHIBITION OF EXPERIMENTAL INSTR.EXPERIMENTAL MUSICAL INSTRUMENTS1996-03-03301Review
CLARK MitchellNUNN Tom, HOLLAND Fran, WHITEHEAD P., DI CICCO O.,INSTRUMENT BUILDING0883-0754
EMI11#3CARY KARP, ED: THE CONSERVATION AND TECHNOLOGY OF MUSICAL INSTRUMENTSEXPERIMENTAL MUSICAL INSTRUMENTS1996-03-03311Review
HOPKIN BartKARP C., CONSERVATION IN, BIBLIOGRAPHIE, ,INSTRUMENT BUILDING0883-0754
EMI11#3RAMBLINGSEXPERIMENTAL MUSICAL INSTRUMENTS1996-03-03362Article
HOPKIN BartSCRAPING INSTR., HOPKIN Bart, , ,INSTRUMENT BUILDING0883-0754
EMI11#3SWORDS INTO PLOWSHARESEXPERIMENTAL MUSICAL INSTRUMENTS1996-03-03382Article
Interview
HOVANCSEK MikeZ'EV, PERCUSSION, HOVANCSEK M., TITANIUM,INSTRUMENT BUILDING0883-0754
EMI11#3WHAT WAS WALDEN POND TO THOREAU? 150 YEARS OF FORGOTTEN RUMORSEXPERIMENTAL MUSICAL INSTRUMENTS1996-03-03402Article
TURKINGTON KennethTHOREAU, AEOLIAN HARP, WIND INSTRUM., TURKINGTON K.,INSTRUMENT BUILDING0883-0754
MW63DEATH OF THE MASTERPIECE-RESPONSEMUSICWORKS1995-09-0942Article
TOWNSEND BryanMASTERPIECE, TOWNSEND Bryan, BRADY Tim0225-686X
MW63KINETIC SOUND ENVIRONMENTS AS A MUTATION OF THE AUDIO SYSTEMMUSICWORKS1995-09-0964Article
MONAHAN GordonLOUDSPEAKER, SOUND SCULPTURE, AUTOMATS0225-686X
MW63THE DEADBEAT GOES ON & ON & ON...MUSICWORKS1995-09-09105Article
TENTATIVELY DEADBEAT, KBZ20000225-686X
MW63I AM NOT GREG CURNOEMUSICWORKS1995-09-09164Article
BEHRENS JackCURNOE Greg, BLUE BOOK #8, BEHRENS Jack0225-686X
MW63THE SOUNDS OF DRY PAINTMUSICWORKS1995-09-09208Article
CLARKSON AustinPAINTING, SYNAESTHESY0225-686X
MW63ARCANA ENSEMBLEMUSICWORKS1995-09-09284Interview
MUSICWORKS ARCANA ENSEMBLE, CAMERON ALLISON0225-686X
MW63MORE THAN MUSICMUSICWORKS1995-09-09324Article
LEDERMANN AnneLEDERMANN Anne, FOLK MUSIC, EDUCATION, BUSINESS,CHAUVINISM0225-686X
MW63AUDICIBILITE DU MONDEMUSICWORKS1995-09-09363Article
GUIGANTI BrunoSILENCE/NOISE, MUSIC/NOISE0225-686X
MW63THE SUFFERING AND JOY OF CREATIONMUSICWORKS1995-09-09405Article
VASKS PeterisVASKS Peteris, LATVIA, MUSIC & SOCIETY0225-686X
MW63TIME...ON DITMUSICWORKS1995-09-09452Article
BRAKHAGE StanGOD, BRAKHAGE Stan0225-686X
MW64JAMES TENNEY : TRANSPARENT TO THE SOUNDS OF THE ENVIRONMENTMUSICWORKS1996-06-06811Interview
KARL BrianTENNEY James, KARL Brian, TRANSPARENCE0225-686X
MW64PAUL DOLDENMUSICWORKS1996-06-06204Interview
MCLENNAN ThomasDOLDEN Paul0225-686X
MW64ANARCHY & ECONOMYMUSICWORKS1996-06-06242Article
CULVER AndrewANARCHY, CANADIAN GOVERN, CULVER Andrew0225-686X
MW64RUMINATIONS ON MUSIC-MAKINGMUSICWORKS1996-06-06266Article
IVAKHIV AdrianIVAKHIV Adrian, DECOMPOSITION, ECOLOGY, POSTMODERNISM0225-686X
MW64SEARCHING OUT THE SOUNDING LINEMUSICWORKS1996-06-06324Article
GOLDSTEIN MalcolmGOLDSTEIN Malco, IMPROVISATION0225-686X
MW64I AM NOT GREG CURNOEMUSICWORKS1996-06-06364Article
BEHRENS JackCURNOE Greg, BEHRENS Jack, WITTGENSTEIN L.0225-686X
MW64TIME...ON DITMUSICWORKS1996-06-06402Article
BRAKHAGE StanBRAKHAGE S., MUSIC, FILM, DRAMA,POETRY, FILM0225-686X
MW64HENRY BRANT AND HIS MUSICMUSICWORKS1996-06-06427Article
SYKES DebraBRANT Henry, SYKES Debra, SPATIALITY0225-686X
MW64GARY KULESHA.RED EMMAMUSICWORKS1996-06-06491Review
PREUSCHAT SybilleRED EMMA (OPERA, KULESHA Gary, PREUSCHAT S.0225-686X
MW64ALBAN BERG, WOZZECKMUSICWORKS1996-06-06522Review
FERGUSON SeanBERG A., REA Chris, WOZZECK, OPERA REDUCTION,VAILLANCOURT L.0225-686X
MW64HERE COMES...JOHN CAGEMUSICWORKS1996-06-06552Review
RIVEST JohanneCAGE John, RIVEST Johanne0225-686X
MW64TALKING TURKEY: THERAPY AND TRANCE THROUGH MUSICMUSICWORKS1996-06-06581Review
BROOKS IrisTHERAPY, TURKISH MUSIC, GUVENC R.0225-686X
MW64BOBEOBI:LAUTPOESIEMUSICWORKS1996-06-06611Review
DUTTON PaulTEXTSOUND, SOUND POETRY, GERMANY0225-686X
EMI11#3ROTATING TWEETER HORNEXPERIMENTAL MUSICAL INSTRUMENTS1996-03-0361Article
CARY KeithLESLIE EFFECT, HAMMOND, , ,INSTRUMENT BUILDING0883-0754
EMI11#3TWEAK THOSE TONESEXPERIMENTAL MUSICAL INSTRUMENTS1996-03-0371Article
HERRON JohnRECORDING TRICK, REVERBERATION, , ,INSTRUMENT BUILDING0883-0754
EMI11#3THE DIDGERIDOEXPERIMENTAL MUSICAL INSTRUMENTS1996-03-0384Article
WILSON SteveDIDGERIDOO, AUSTRALIA, ABORIGINES, ,INSTRUMENT BUILDING0883-0754
EMI11#3A CONVERSATION WITH REX LAWSON, PIANOLIST EXTRAORDINAIREEXPERIMENTAL MUSICAL INSTRUMENTS1996-03-03124Interview
CLARK MitchellLAWSON Rex, PIANOLA, LARK Mitchell, ,INSTRUMENT BUILDING0883-0754
EMI11#3HISTORICAL MUSICAL INSTRUMENT PATENTSMUSICWORKS1996-03-03163Article
CLEMENTS CaryFENDER Leo, LOVER Seth, DEDEN Hans, KIDWELL R.A.,INSTRUMENT BUILDING0883-0754
EMI11#3MAKING MARKETABLE MUSICAL INSTRUMENTSEXPERIMENTAL MUSICAL INSTRUMENTS1996-03-03194Article
HOPKIN BartMARKETING, BUSINESS, HOPKIN Bart, ,INSTRUMENT BUILDING0883-0754
EMI11#3THE HISTORICAL PERSPECTIVEEXPERIMENTAL MUSICAL INSTRUMENTS1996-03-03223Article
COOKE RichardMARKETING, BUSINESS, COOKE Sam, PERCUSSION,INSTRUMENT BUILDING0883-0754
EMI11#3THE REEDED MOUTH BOWEXPERIMENTAL MUSICAL INSTRUMENTS1996-03-03254Article
HARMAN WaylandHARMAN W., MOUTH BOW, , ,INSTRUMENT BUILDING0883-0754
EMI11#3ENCLOSURE I: HARRY PARTCHEXPERIMENTAL MUSICAL INSTRUMENTS1996-03-03291Review
BURT WarrenPARTCH H., TOURTELOT M., VIDEOFILM, ,INSTRUMENT BUILDING0883-0754
EMI11#3SOUNDCULTURE 96EXPERIMENTAL MUSICAL INSTRUMENTS1996-03-03301Review
CLARK MitchelLNUNN Tom, DI CICCO Oliver, HOLLAND Fran, WHITEHEAD P.,INSTRUMENT BUILDING0883-0754
EMI11#3RAMBLINGSEXPERIMENTAL MUSICAL INSTRUMENTS1996-03-03362Article
HOPKIN BartHOPKIN Bart, RAMBLINGS, SCRAPED INSTR., ,INSTRUMENT BUILDING0883-0754
EMI11#3SWORDS INTO PLOWSHARESEXPERIMENTAL MUSICAL INSTRUMENTS1996-03-03382Interview
HOVANCSEK MikeZ'EV, PERCUSSION, HOVANCSEK M., ,INSTRUMENT BUILDING0883-0754