Relache

Movements/Sections 21 

Acte 1:
1. Ouverture (Ouverturette) 
2. Projection  (Projectionette) - Rideau 
3. Entrée de la Femme 
4. Musique entre l'entrée de la Femme et sa 'Danse sans musique' 
5. Entrée de l'Homme 
6. Danse de la Porte tournante (Dance of the Revolving Door) 
7. Entrée des Hommes 
8. Danse des Hommes 
9. Danse de la Femme 
10. Final (Petite danse finale)

11. Cinema ( Entr'acte)

Acte 2: 
12. Musique de Rentrée 
13. Rentrée des Hommes 
14. Rentrée de la Femme 
15. Les Hommes se dévêtissent 
16. Danse de l'Homme et de la Femme 
17. Les Hommes regagnent leur place et retrouvent leurs paressus 
18. Danse de la Brouette (Dance of the Wheelbarrow) 
19. Danse de la Couronne (Dance of the Coronet) 
20. Le Danseur depose la Couronne sur la tête d'une spectatrice 
21. La Femme rejoit son fauteuil 
22. Petite Danse Finale; La Queue du Chien (The Dog's Tail)  Danse mimee


Composition Year 1924 

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Film:

Bron: https://archive.org/details/youtube-mpr8mXcX80Q


Erik Satie/René Clair: Entr'Acte (1924) 
by TheWelleszCompany 
Publication date 2011-08-17 
Topics Youtube, video, Music, Erik, Satie, René, Clair, entr'acte, Cinéma, Relache, film, dadaism, Picabia, Man, Ray, Duchamp, avant-garde, experimental, ballets, suédois, modern, classical, music, 

René Clair (1898-1981)/ Erik Satie (1866-1925): Entr'Acte (1924).

Entr'acte (1924) is a short film directed by René Clair, which premiered as an entr'acte for the Ballets Suédois production Relâche at the Théâtre des Champs-Élysées in Paris. Relâche is based on a book and with settings by Francis Picabia, produced by Rolf de Maré, and with choreography by Jean Börlin. The music for both the ballet and the film was composed by Erik Satie.
For this production, the Dadaists collaborating on the project invented a new mode of production: instantanéisme. The complete film takes about 20 minutes using such techniques as watching people run in slow motion, watching things happen in reverse, looking at a ballet dancer from underneath, watching an egg over a fountain of water get shot and instantly become a bird and watching people disappear. The cast included cameo appearances by Francis Picabia, Erik Satie, Man Ray, and Marcel Duchamp. The conductor of the orchestra at the premiere was Roger Désormière.
In this (definitive) edition the soundtrack was conducted in 1967 by Henri Sauguet.