after im- and ex- tHere is
Pression
-Extreme
tension on
the instrumentaL corpus
and perhaps
even More on the
habits of listening
radical anti-virtUoso
instrumental
'musique concreTe'
actions and handlings Lead into
a choreogrAphy of
sound-noise-produCing-movements
woven into the Hidden in-between-ness
of
'silEnce'... distortion
eruption sound
continuous rustling or puNctual
soundscapes
meta-Morph
processes describing
that 'other' cello-Anatomy
while listeNing to the
poetry of Noise